| Author | : Arvind Krishna Mehrotra |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 216 |
| Release | : 1992 |
| Genre | : Literary Criticism |
| ISBN | : |
"Complete with brief biographical and critical introductions to each poet, this is the definitive anthology of modern Indian poetry in English"--Publisher.
| Author | : Vinay Dharwadker |
| Publisher | : |
| Total Pages | : 265 |
| Release | : 1996 |
| Genre | : Poetry |
| ISBN | : 9780195639179 |
The Oxford Anthology of Modern Indian Poetry is the first significant work of its kind, containing some of the finest Indian poetry written in the twentieth century. Collected here are one hundred and twenty-five poets in English and English translation from fourteen Indian languages. This volume covers several generations of writers and provides an overview of the many different schools, styles, figures, forms and movements in Indian poetry in the last hundred years. While capturing some of the finest Indian poets, including Rabindranath Tagore, Subramania Bharati, Nirala, G. Shankara Kurup, and Kaifi Azmi, The Oxford Anthology of Modern Indian Poetry also represents the best work of nearly seventy translators from various countries. The poems, many translated into English for the first time, are grouped thematically to reveal patterns and movements in Indian poetry. The editors provide an illuminating Introduction and informative critical essay on the literary, historical, and social contents of modern Indian poetry, as well as biographical notes on contributors, and suggestions for further reading. As a work of craftsmanship and learning, The Oxford Anthology of Modern Indian Poetry is a source of discovery and delight for first-time readers and scholars alike.
| Author | : Kanwar Dinesh Singh |
| Publisher | : Atlantic Publishers & Dist |
| Total Pages | : 224 |
| Release | : 2008 |
| Genre | : Indian women poets |
| ISBN | : 9788126908899 |
The Present Book Is A Detailed Exposition Of The Multiple Dimensions Of Creativity In Men And Women Vis-À-Vis The Difference Of Sexuality And Gender As Mirrored In Their Texts. This Innovative And Perceptive Study Confronts The Essentialist Biodeterministic Standpoint That Men And Women Are Out And Out Different, Dissimilar And Divergent. By Discussing The Texts Of The Post-Independence Men And Women Poets Of India And Drawing Comparisons Between Them, It Asserts That, Despite Certain Biological Differences, Men And Women Are Similar In Many Ways. By Employing Theoretical Approaches Based On Psychoanalysis, Linguistics, Poetics, Reader-Responses And Cultural And Gender Studies, The Book Expounds That Gender Or Sexuality Can Make Some Difference To The Aesthetic But It Cannot Solely Determine The Content. The Social, Cultural And Political Milieu Of The Day Plays A Crucial Role In Deciding The Content And Object Of Writing, Besides Conditioning The Psyche And Thought Process Of The Author, More Than Gender Or Sexual Difference Does. This Study Provides New Insights Into The Varied Aspects Of Man-Woman Relationship, The Nitty-Gritty Of Different Family Relations, The Milieu, Human Correlation With Nature, And Metaphysical Questionings Of Life, Death, God And Human Existence, Besides Analyzing The Influence Of Gender And Sexual Difference On Poetic Craft, Particularly On Language, Style And Technique.It Analyses The Poems Of Over Twelve Major Indian Men And Women Poets And Compares Them In Terms Of Diverse Themes, Diction And Idiom, And With Particular Focus On The Workings Of Gender And Sexual Difference. The Major Poets Discussed Are Nissim Ezekiel, A.K. Ramanujan, Keki N. Daruwalla, Shiv K. Kumar And Jayanta Mahapatra Among Men And Monika Varma, Kamala Das, Gauri Deshpande, Sunita Jain, Suniti Namjoshi, Mamta Kalia And Eunice De Souza Among Women.Since These Authors Are Prescribed In The English Syllabi In The Universities Of India, This Study Will Be Extremely Useful To The Students And Teachers. The General Readers Who Are Interested In Indian Literature In English Will Find It Interesting And Informative.
| Author | : Eunice De Souza |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 108 |
| Release | : 2001 |
| Genre | : Literary Collections |
| ISBN | : 9780195658477 |
This Anthology Concentrates On Nine Significant Contemporary Poets Writing In English, Aiming To Represent Adequately The Variety In Each Poets Work.
| Author | : Saccidānandan |
| Publisher | : |
| Total Pages | : 512 |
| Release | : 2006 |
| Genre | : Poetry |
| ISBN | : |
Anthology of about 400 poems by one hundred modern poets writing in twenty Indian languages including English.
| Author | : Arvind Krishna Mehrotra |
| Publisher | : Columbia University Press |
| Total Pages | : 440 |
| Release | : 2003 |
| Genre | : Education |
| ISBN | : 9780231128100 |
Annotation This volume surveys 200 years of Indian literature in English. Written by Indian scholars and critics, many of the 24 contributions examine the work of individual authors, such as Rabindranath Tagore, R.K. Narayan, and Salman Rushdie. Others consider a particular genre, such as post-independence poetry or drama. The volume is illustrated with b&w photographs of writers along with drawings and popular prints. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
| Author | : |
| Publisher | : Penguin UK |
| Total Pages | : 106 |
| Release | : 2008-02-14 |
| Genre | : Poetry |
| ISBN | : 9351182452 |
The Gathasaptasati is perhaps the oldest extant anthology of poetry from South Asia, containing our very earliest examples of secular verse. Reputed to have been compiled by the Satavahana king Hala in the second century CE, it is a celebrated collection of 700 verses in Maharashtri Prakrit, composed in the compact, distilled gatha form. The anthology has attracted several learned commentaries and now, through Arvind Krishna Mehrotra’s acclaimed translation of 207 verses from the anthology, readers of English at last have access to its poems. The speakers are mostly women and, whether young or old, married or single, they touch on the subject of sexuality with frankness, sensitivity and, every once in a while, humour, which never ceases to surprise. The Absent Traveler includes an elegant and stimulating translator’s note and an afterword by Martha Ann Selby that provides an admirable introduction to Prakrit literature in general and the Gathasaptasati in particular.
| Author | : Vinay Dharwadker |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 296 |
| Release | : 1994 |
| Genre | : Poetry |
| ISBN | : |
Chiefly English translation from fourteen Indian languages.
| Author | : Aruṇa Kolaṭakara |
| Publisher | : Bloodaxe Books Limited |
| Total Pages | : 383 |
| Release | : 2010 |
| Genre | : Poetry |
| ISBN | : 9781852248536 |
Arun Kolatkar (1931-2004) was one of India's greatest modern poets. He wrote prolifically, in both Marathi and English, publishing in magazines and anthologies from 1955, but did not bring out a book of poems until he was 44. Jejuri (1976) won him the Commonwealth Poetry Prize, and was later published in the US in the NYRB Classics series (2005). His third Marathi publication, Bhijki Vahi, won a Sahitya Akademi Award in 2004. Always hesitant about publishing his work, Kolatkar waited until 2004, when he knew he was dying from cancer, before bringing out two further books, Kala Ghoda Poems and Sarpa Satra. A posthumous selection, The Boatride and Other Poems (2008), edited by Arvind Krishna Mehrotra, contained his previous uncollected English poems as well as translations of his Marathi poems; among the book's surprises were his translations of bhakti poetry, song lyrics, and a long love poem, the only one he wrote, cleverly disguised as light verse. This first Collected Poems in English brings together work from all those volumes. Jejuri offers a rich description of India while at the same time performing a complex act of devotion, discovering the divine trace in a degenerate world. Salman Rushdie called it 'sprightly, clear-sighted, deeply felt...;a modern classic'. For Arvind Krishna Mehrotra, it was 'among the finest single poems written in India in the last forty years...;it surprises by revealing the familiar, the hidden that is always before us'. Jeet Thayil attributed its popularity in India to 'the Kolatkarean voice: unhurried, lit with whimsy, unpretentious even when making learned literary or mythological allusions. And whatever the poet's eye alights on - particularly the odd, the misshapen, and the famished - receives the gift of close attention.'
