The Poetics of Processing

The Poetics of Processing
Author: Anna J. Osterholtz
Publisher: University Press of Colorado
Total Pages: 277
Release: 2020-12-01
Genre: Social Science
ISBN: 1646420616

In 2002, Neil Whitehead published Dark Shamans: Kanaimà and the Poetics of Violent Death, in which he applied the concept of poetics to the study of violence and observed the power of violence in the creation and expression of identity and social relationships. The Poetics of Processing applies Whitehead’s theory on violence to mortuary and skeletal assemblages in the Andes, Mexico, the US Southwest, Jordan, Ethiopia, Egypt, and Turkey, examining the complex cultural meanings of the manipulation of remains after death. The contributors interpret postmortem treatment of the physical body through a poetics lens, examining body processing as a mechanism for the re-creation of cosmological events and processing’s role in the creation of social memory. They analyze methods of processing and the ways in which the living use the physical body to stratify society and gain power, as evidenced in rituals of body preparation and burial around the world, objects buried with the dead and the hierarchies of tomb occupancy, the dissection of cadavers by medical students, the appropriation of living spaces once occupied by the dead, and the varying treatments of the remains of social outsiders, prisoners of war, and executed persons. The Poetics of Processing combines social theory and bioarchaeology to examine how the living manipulate the bodies of the dead for social purposes. These case studies—ranging from prehistoric to historic and modern and from around the globe—explore this complex material relationship that does not cease with physical death. This volume will be of interest to mortuary archaeologists, bioarchaeologists, and cultural anthropologists. Contributors: Dil Singh Basanti, Roselyn Campbell, Carlina de la Cova, Eric Haanstad, Scott Haddow, Christina Hodge, Christopher Knusel, Kristin Kuckelman, Clark Spencer Larsen, Debra Martin, Kenneth Nystrom, Adrianne Offenbecker, Megan Perry, Marin Pilloud, Beth K. Scaffidi, Mehmet Somel, Kyle D. Waller

Northrop Frye and the Poetics of Process

Northrop Frye and the Poetics of Process
Author: Nella Cotrupi
Publisher: University of Toronto Press
Total Pages: 193
Release: 2000-12-15
Genre: Literary Criticism
ISBN: 1442658061

Nella Cotrupi's Northrop Frye and the Poetics of Process sheds a new conceptual light on Frye, successfully bringing him back into the central ring of contemporary critical thought. Challenging the often dismissive view of Frye's work as closed and outdated, Dr. Cotrupi explores the implications of his proposition that the history of criticism may be seen as having two main approaches — literature as "product" and literature as "process." In focusing on Frye's exploration of the process tradition Cotrupi sheds light on the agenda that Frye established for himself, when he noted at the end of Anatomy of Criticism that the reconciliatory task of criticism was to "reforge the broken link between creation and knowledge, art and science, myth and concept." Dr. Cotrupi recontextualizes Frye's thought and shows us how Frye continues to be, not only relevant, but central to a number of the key concerns in the contemporary critical scene. Re-examining Frye's place in the history of critical thought, Dr. Cotrupi builds upon Frye's original vision of the "process" tradition and suggests further directions this exploration may take. Among the current areas of critical engagement which Cotrupi examines are relativism, possible world theory, and postmodernism — making this work of interest not only to Frye scholars, but also to those interested in the debates currently rocking the world of criticism, literature and culture.

The Structure of the Literary Process

The Structure of the Literary Process
Author: Peter Steiner
Publisher: John Benjamins Publishing
Total Pages: 622
Release: 1982-01-01
Genre: Literary Criticism
ISBN: 902721512X

These papers on the structure of the literary process were brought together in memory of Felix Vodicka (1909–1974). Contributions by: Jacek Baluch, Miroslav Cervenka, Kvetoslav Chvatík, E.M. van Dam-Havelková, Sergej Davydov, Lubomir Doležel, Miroslav Drozda, Jan van der Eng, F.W. Galan, Mojmír Grygar, Wolfgang Iser, Milan Jankovic, Hans Robert Jauss, Renate Lachmann, Gail Lenhoff, Ladislav Matejka, Tone Pretnar, Lucylla Pszczolowska, Janice A. Radway, Charles Eric Reeves, Herta Schmid, Miloš Sedmidubský, Peter Steiner, Wendy Steiner, Oleg Sus, Ronald Vroon.

The Poetics of Death

The Poetics of Death
Author: Beatrice Martina Guenther
Publisher: SUNY Press
Total Pages: 236
Release: 1996-07-12
Genre: Literary Criticism
ISBN: 9780791430248

Discusses literary representations of death to explore the relation between writing and death--death understood as both the death of the individual and the death of meaning.

The Poetics of Mind

The Poetics of Mind
Author: Raymond W. Gibbs
Publisher: Cambridge University Press
Total Pages: 544
Release: 1994-08-26
Genre: Language Arts & Disciplines
ISBN: 9780521429924

In this bold new work, Ray Gibbs demonstrates that human cognition is deeply poetic and that figurative imagination constitutes the way we understand ourselves and the world in which we live.

Dickinson Unbound

Dickinson Unbound
Author: Alexandra Socarides
Publisher: Oxford University Press
Total Pages: 226
Release: 2014-07-01
Genre: Literary Criticism
ISBN: 0190240830

In Dickinson Unbound, Alexandra Socarides takes readers on a journey through the actual steps and stages of Emily Dickinson's creative process. In chapters that deftly balance attention to manuscripts, readings of poems, and a consideration of literary and material culture, Socarides takes up each of the five major stages of Dickinson's writing career: copying poems onto folded sheets of stationery; inserting and embedding poems into correspondence; sewing sheets together to make fascicles; scattering loose sheets; and copying lines on often torn and discarded pieces of household paper. In so doing, Socarides reveals a Dickinsonian poetics starkly different from those regularly narrated by literary history. Here, Dickinson is transformed from an elusive poetic genius whose poems we have interpreted in a vacuum into an author who employed surprising (and, at times, surprisingly conventional) methods to wholly new effect. Dickinson Unbound gives us a Dickinson at once more accessible and more complex than previously imagined. As the first authoritative study of Dickinson's material and compositional methods, this book not only transforms our ways of reading Dickinson, but advocates for a critical methodology that insists on the study of manuscripts, composition, and material culture for poetry of the nineteenth century and thereafter.

Rainer Maria Rike, 1893-1908: Poetry as Process - A Poetics of Becoming

Rainer Maria Rike, 1893-1908: Poetry as Process - A Poetics of Becoming
Author: Ben Hutchinson
Publisher: Routledge
Total Pages: 391
Release: 2017-12-02
Genre: Literary Criticism
ISBN: 1351196375

"Rainer Maria Rilkes' early verse is often seen as having little relevance to the great achievement of the middle years, the Neue Gedichte. Yet the very different styles of the juvenilia and this new maturity are united by a preoccupation with processes of motion and growth which governs both his life and work. In this meticulous philological study, Ben Hutchinson reassesses every level of Rilkes early poetry, from its motives and metaphors to its very grammar and syntax, in order to trace what he terms a poetics of becoming. With careful attention to rhythm, resonance and linguistic detail, he illuminates both the hidden patterns of the poetry and the artistic context of the fin-de-siecle. From its roots in the intellectual climate of the 1890s to the poems inspired by Rodin in 1908, Rilkes stylistic development is set against the surprising consistency with which he pursues this poetics of becoming."

Poetics of Work

Poetics of Work
Author: Noemi Lefebvre
Publisher: Les Fugitives
Total Pages: 0
Release: 2021-04-07
Genre:
ISBN: 9781838014131

From the acclaimed author of Blue Self-Portrait comes a blistering new novel, written and set during the state of emergency declared in France in the wake of the 2015 terrorist attacks in Paris. In the beautiful and traditionally conservative city of Lyon, police and protestors against new labour laws clash in the streets. Lefebvre's anonymous narrator is a poet existing on a diet of cannabis, bananas and books on oppression under the Third Reich. Drawn by the spectre of an overbearing father and spooked by the liveliness of the local far right, they are torn between the push to find a job and the pull to write. The result is this troubling account of how nationalism feeds off late capitalism; a semi-serious treatise in ten lessons, addressed to young poets, and survival guide for the wilfully idle.

Edgar Allan Poe, Wallace Stevens, and the Poetics of American Privacy

Edgar Allan Poe, Wallace Stevens, and the Poetics of American Privacy
Author: Louis A. Renza
Publisher: LSU Press
Total Pages: 312
Release: 2002-04-01
Genre: Literary Criticism
ISBN: 9780807127551

Throughout the history of the United States, a commitment to both democratic political ideals and to capitalist realities has made privacy a persistently controversial issue. Only rarely, however, has privacy attracted the attention of American literary criticism. In his ingeniously argued new study, Louis A. Renza extends the idea of privacy beyond the received wisdom of its popular legal and psychological conceptions and, iconoclastically, beyond its conception in postmodern literary theory to show that the public-private paradigm has import for American literary texts past and present. It is a truism of cultural studies that the interior space of imagination is socially constructed and thus that the private is ineluctably political. But Renza shows, through a brilliantly original analysis of works by Edgar Allan Poe and Wallace Stevens, that as an effect of reading and writing, a real or “radical” privacy continually resists appropriation. In admirably close readings of Poe’s tales, his long essay Eureka, and Stevens’s Harmonium poems, Renza demonstrates that both writers ground the concept of privacy in the possibility of multiple interpretations of their texts. Neither Poe nor Stevens resists meaning or sense, but by thematically engaging in their work the inescapable public/private dichotomy of artistic creation, they create a highly personal idiom that, like Poe’s “purloined letter,” allows them to “hide in plain sight” and in that way to finesse public constructions of meaning. Thus, surprisingly, privacy can always be conceived as something more than what current social-cultural codes urge us to believe. The poetics Renza compellingly elucidates does not deny the insights of current theory but offers a refreshing alternative that allows for the “radical” autonomy of authorship without resorting to vague elitist claims of individual genius. His thoughtful readings are a major contribution to traditional Poe and Stevens scholarship, and his challenging thesis will provoke new investigations into the privacy issue in American literature as a whole.