| Author | : Jonathan Sawday |
| Publisher | : Routledge |
| Total Pages | : 224 |
| Release | : 2002-09-11 |
| Genre | : Computers |
| ISBN | : 1134599803 |
Some of today's foremost Renaissance scholars look afresh at the remarkable products of the first age of print and explore how these anticipated many of the conditions of the present digital age.
| Author | : Thomas J. Misa |
| Publisher | : JHU Press |
| Total Pages | : 401 |
| Release | : 2011-05-16 |
| Genre | : Science |
| ISBN | : 1421401541 |
Historian Thomas J. Misa's sweeping history of the relationship between technology and society over the past 500 years reveals how technological innovations have shaped -- and have been shaped by -- the cultures in which they arose. Spanning the preindustrial past, the age of scientific, political, and industrial revolutions, as well as the more recent eras of imperialism, modernism, and global security, this compelling work evaluates what Misa calls "the question of technology." Misa brings his acclaimed text up to date by examining how today's unsustainable energy systems, insecure information networks, and vulnerable global shipping have helped foster geopolitical risks and instability. A masterful analysis of how technology and culture have influenced each other over five centuries, Leonardo to the Internet frames a history that illuminates modern-day problems and prospects faced by our technology-dependent world. Praise for the first edition "Closely reasoned, reflective, and written with insight, grace, and wit, Misa's book takes us on a personal tour of technology and history, seeking to define and analyze paradigmatic techno-cultural eras." -- Technology and Culture "Follows [Thomas] Hughes's model of combining an engaging historical narrative with deeper lessons about technology." -- American Scholar "His case studies, such as that of Italian futurism or the localizations of the global McDonalds, provide good starting points for thought and discussion." -- Journal of Interdisciplinary History "This review cannot do justice to the precision and grace with which Misa analyzes technologies in their social contexts. He convincingly demonstrates the usefulness of his conceptual model." -- History and Technology "A fascinating, informative, and well-illustrated book." -- Choice
| Author | : Paul F. Grendler |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 358 |
| Release | : 2006-03-30 |
| Genre | : History |
| ISBN | : 0313038481 |
An informative but light-hearted look at the popularity of the Renaissance today, this book was written by a Renaissance scholar intrigued with the way his subject continues to resonate outside the scholarly community. His purpose is to uncover and describe the many manifestations of America's love of the Renaissance. Why do millions don costumes to attend Renaissance Faires? Why do novels and films about the period enjoy continued popularity, as do Renaissance icons such as Elizabeth I, Michelangelo, Shakespeare and the Mona Lisa? How is it that American politicians and business leaders still look to Machiavelli as a symbol of wisdom-or of evil? Grendler posits that Americans embrace the Renaissance as a model of culture and sophistication, seeing it as confirmation that the individual can achieve greatness against long odds, a belief at the core of our own society. After an examination of The Real Renaissance (1400-1620), the book looks at ways in which Americans relive the experience (including Faires and Living Last Suppers), ways in which we re-create the Renaissance in our own world, and finally, ways in which the Renaissance is portrayed, for better or worse, in fiction and film.
| Author | : Frank Richter |
| Publisher | : AuthorHouse |
| Total Pages | : 266 |
| Release | : 2005-07-08 |
| Genre | : Business & Economics |
| ISBN | : 145208436X |
Although its author does not put it that way, the book bearing that title could well be put as “A story that needs to be told.” Indeed, the chronicle of a mighty transformation that is too often overshadowed by other events. . At the beginning of the 20th century the steam locomotive powered train was supreme in transportation. Then by mid century it had all but disappeared. Yet at the dawn of the new century the auto, truck, and airplane was little more than a hobby of the few. That railroad at the turn of the century had a dramatic excitement and position in the culture of its own. Yet now, at the present beginning of the new 21st century that “railroad” still occupies a prominent place in the world of transportation. It did not suffer the fate of the horse and buggy, as commonplace in the late 19th, century. Instead, the railroad underwent a transformation as dynamic as the auto, truck and plane, and even the oncoming telephone, radio, moving picture and television and computer. That steam powered Iron Horse has been replaced by the diesel-electric locomotive, the “electric” train, and even as the 21st century emerged, the “floating train” maglev. But there was far more to that transformation indeed. That is the story that has been told more comprehensively than ever before in the just public book of that title. And it shows together how well man and machine have worked together to draw upon other emerging technologies and advances that swept into reality far more in the 20th century than any time in the history of man.
| Author | : Carlyn Beccia |
| Publisher | : Ilex Press |
| Total Pages | : 527 |
| Release | : 2014-05-13 |
| Genre | : Computers |
| ISBN | : 1781571651 |
The Digital Renaissance teaches you how to translate the methods and skills found in traditional art to the digital medium. By covering fundamental painting principles and the basics of digital software, before moving into tutorials that break down key techniques, professional artist Carlyn Beccia encourages you to use the tools at hand to paint your own works of art. Each chapter showcases one great painter - the selection includes Michelangelo, Van Gogh, Sargent, Gustav Klimt, Matisse, and Picasso - and analyses the techniques that set each one apart. These techniques are then emulated in step-by-step tutorials, allowing today's digital artist to achieve amazing results in Corel Painter and Adobe Photoshop.
| Author | : Wendy Hui Kyong Chun |
| Publisher | : Psychology Press |
| Total Pages | : 436 |
| Release | : 2006 |
| Genre | : Digital media |
| ISBN | : 9780415942249 |
In this history of new media technologies, leading media and cultural theorists examine new media against the background of traditional media such as film, photography, and print in order to evaluate the multiple claims made about the benefits and freedom of digital media.
| Author | : Martin Campbell-Kelly |
| Publisher | : Harvard University Press |
| Total Pages | : 249 |
| Release | : 2015-06-08 |
| Genre | : Business & Economics |
| ISBN | : 0674286553 |
This compact history traces the computer industry from its origins in 1950s mainframes, through the establishment of standards beginning in 1965 and the introduction of personal computing in the 1980s. It concludes with the Internet’s explosive growth since 1995. Across these four periods, Martin Campbell-Kelly and Daniel Garcia-Swartz describe the steady trend toward miniaturization and explain its consequences for the bundles of interacting components that make up a computer system. With miniaturization, the price of computation fell and entry into the industry became less costly. Companies supplying different components learned to cooperate even as they competed with other businesses for market share. Simultaneously with miniaturization—and equally consequential—the core of the computer industry shifted from hardware to software and services. Companies that failed to adapt to this trend were left behind. Governments did not turn a blind eye to the activities of entrepreneurs. The U.S. government was the major customer for computers in the early years. Several European governments subsidized private corporations, and Japan fostered R&D in private firms while protecting its domestic market from foreign competition. From Mainframes to Smartphones is international in scope and broad in its purview of this revolutionary industry.
| Author | : Joy Lisi Rankin |
| Publisher | : Harvard University Press |
| Total Pages | : 337 |
| Release | : 2018-10-08 |
| Genre | : Computers |
| ISBN | : 0674970977 |
Silicon Valley gets all the credit for digital creativity, but this account of the pre-PC world, when computing meant more than using mature consumer technology, challenges that triumphalism. The invention of the personal computer liberated users from corporate mainframes and brought computing into homes. But throughout the 1960s and 1970s a diverse group of teachers and students working together on academic computing systems conducted many of the activities we now recognize as personal and social computing. Their networks were centered in New Hampshire, Minnesota, and Illinois, but they connected far-flung users. Joy Rankin draws on detailed records to explore how users exchanged messages, programmed music and poems, fostered communities, and developed computer games like The Oregon Trail. These unsung pioneers helped shape our digital world, just as much as the inventors, garage hobbyists, and eccentric billionaires of Palo Alto. By imagining computing as an interactive commons, the early denizens of the digital realm seeded today’s debate about whether the internet should be a public utility and laid the groundwork for the concept of net neutrality. Rankin offers a radical precedent for a more democratic digital culture, and new models for the next generation of activists, educators, coders, and makers.
| Author | : Pauline Reid |
| Publisher | : University of Toronto Press |
| Total Pages | : 300 |
| Release | : 2019-04-08 |
| Genre | : Literary Criticism |
| ISBN | : 1487511639 |
Renaissance readers perceived the print book as both a thing and a medium - a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth- and seventeenth-century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books’ design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight.
