| Author | : Lars F. Krutak |
| Publisher | : Bennett & Bloom |
| Total Pages | : 296 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
This account of the vanishing art of wmen's tribal tattooing is the record of anthropologist Lars Krutak's ten year research with indigenous peoples around the globe.
| Author | : Lars F. Krutak |
| Publisher | : Bennett & Bloom |
| Total Pages | : 282 |
| Release | : 2007-01-01 |
| Genre | : Indigenous art |
| ISBN | : 9781898948742 |
This lavishly illustrated account of the vanishing art of women's tribal tattooing is the record of tattoo anthropologist Lars Krutak's ten-year research with indigenous peoples around the globe. Spanning five continents, 'The Tattooing Arts of Tribal Women' explores the personal and collective acts of human transformation through the tradition of indelible marking among indigenous peoples, past and present.
| Author | : Lars Krutak |
| Publisher | : University of Washington Press |
| Total Pages | : 369 |
| Release | : 2018-01-08 |
| Genre | : Art |
| ISBN | : 0295742844 |
The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.
| Author | : Lars F. Krutak |
| Publisher | : LM Publishers |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 9789491394096 |
"For thousands of years astonishingly rich and diverse forms of tattooing have been produced by the Indigenous peoples of North America. Long neglected by anthropologists and art historians, tattooing was a time-honoured traditional practice that expressed the patterns of tribal social organization and religion, while also channelling worlds inhabited by deities, spirits, and the ancestors. This book explores the many facets of indelible Indigenous body marking across every cultural region of North America. As the first book on the subject, it breaks new ground on one of the least-known mediums of Amerindian expressive culture that nearly disappeared from view in the twentieth century, until it was reborn in recent decades"--Page 4 of cover.
| Author | : Margot Mifflin |
| Publisher | : powerHouse Books |
| Total Pages | : 164 |
| Release | : 2013-08-02 |
| Genre | : Art |
| ISBN | : 1576876926 |
"In this provocative work full of intriguing female characters from tattoo history, Margot Mifflin makes a persuasive case for the tattooed woman as an emblem of female self-expression." —Susan Faludi Bodies of Subversion is the first history of women’s tattoo art, providing a fascinating excursion to a subculture that dates back into the nineteenth-century and includes many never-before-seen photos of tattooed women from the last century. Author Margot Mifflin notes that women’s interest in tattoos surged in the suffragist 20s and the feminist 70s. She chronicles: * Breast cancer survivors of the 90s who tattoo their mastectomy scars as an alternative to reconstructive surgery or prosthetics. * The parallel rise of tattooing and cosmetic surgery during the 80s when women tattooists became soul doctors to a nation afflicted with body anxieties. * Maud Wagner, the first known woman tattooist, who in 1904 traded a date with her tattooist husband-to-be for an apprenticeship. * Victorian society women who wore tattoos as custom couture, including Winston Churchill’s mother, who wore a serpent on her wrist. * Nineteeth-century sideshow attractions who created fantastic abduction tales in which they claimed to have been forcibly tattooed. “In Bodies of Subversion, Margot Mifflin insightfully chronicles the saga of skin as signage. Through compelling anecdotes and cleverly astute analysis, she shows and tells us new histories about women, tattoos, public pictures, and private parts. It’s an indelible account of an indelible piece of cultural history.” —Barbara Kruger, artist
| Author | : Lane Wilcken |
| Publisher | : Schiffer Pub Limited |
| Total Pages | : 160 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 9780764336027 |
Tattooing is a very old and spiritually respected art form that has existed in many different cultures around the world. After many centuries of not being practiced in Europe, tattooing was re-introduced to the Western world through the inhabitants of the Pacific Ocean. Beginnning in the 16th century, European explorers came across many people who practiced tattooing as an integral part of their cultures. This is the first serious study of Filipino tattoos, and it considers early accounts from explorers and Spanish-speaking writers. The text presents Filipino cultural practices connected with ancestral and spiritual aspects of tattoo markings, and how they relate to the process and tools used to make the marks. In the Philippine Islands, tatoos were applied to men and women for many different reasons. It became a form of clothing. Certain designs recognized manhood and personal accomplishments as well as attractiveness, fertility, and continuity of the family or village. Facial tattoos occurred on the bravest warriors with names that denoted particular honor. Through the fascinating text and over 200 images, including color photographs and design drawings, the deep meanings and importance of these markings becomes apparent.
| Author | : Lars F. Krutak |
| Publisher | : Edition Reuss Germany |
| Total Pages | : 400 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9783943105117 |
Text in English & German. This is a photographic masterwork in two parts exploring the secret world of magical tattooing and scarification across the tribal world. Based on one decade of tattoo anthropologist Dr Lars Krutak's fieldwork among animistic and shamanic societies of Asia, Africa, the Americas, and Melanesia, this book journeys into highly sacred territory to reveal how people utilise ritual body modification to enhance their access to the supernatural. The first part delves into the ancient art of Thai tattooing or sak yant that is administered by holy monks who harness the energy and power of the Buddha himself. Emblazoned with numerous images of dramatically tattooed bodies, this chapter provides tattoo enthusiasts with a passport into the esoteric world of sak yank symbols and their meanings. Also included is an in-depth study into the tattooing worlds of the Amerindians. From Woodlands warriors to Amazonian shamans, tattoos were worn as enchanted symbols embodied with tutelary and protective spirit power. The discussion of talismanic tattooing is concluded with a detailed look at the individuals who created magical tattoos and the various techniques they used. Krutak writes about many tribal tattoo designs permeated with various forms of power and explains what these marks mean for the people who wear them. Part two is an absolute must-read-and-see for anyone seeking knowledge about the religious meanings of tribal scarification. The rituals, techniques, and spiritual iconography of scarmasters in Benin (Bétamarribé), Papua New Guinea (Kaningara), and Ethiopia (Hamar) expose a relatively undocumented world of permanent body symbolism created through painful and bloody rites of self-sacrifice and restraint.
| Author | : Phejin Konyak |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2018-09 |
| Genre | : Photography |
| ISBN | : 9789351941125 |
- The first time such intensive research and documentation on Konyak tattoo art has been undertaken - An overall view of the Konyak people, their society, way of life and the culture in detail The Konyaks - a once fearsome headhunting tribe in Nagaland on the border of Myanmar in northeast India - are well known for their iconic body and facial tattoos, originally earned for taking an enemy's head. This book - over four years in the making - is the personal journey of a Konyak woman who retraces the steps of her grandfather and great-grandfather by documenting her tribe's tattooing practices. She explores the Konyak's concept of beautification of the body using it as a canvas for art, with inscriptions marked on the skin as a form of rite of passage and cycle of life. With elegant and powerful portraits of elders, both men and women, this book preserves the unique but vanishing practices of the culture, together with tattoo patterns, their meanings, and the oral traditions attached to them in folktales, songs, poems and sayings. It includes descriptions and information on headhunting and tattooing practices; reasons behind them; techniques used; tattoo artists; different tattoo groups; types of tattoos; and personal stories. Contents: The Konyaks; Headhunting; Traditional Tattooing Art; Tattoo Artist; Face Tattoo Group SHEN-TU; Body Tattoo Group TANGTA-TU; Nose Tattoo Group KONG-TU; The Last of the Tattooed Headhunters; Glossary.
| Author | : Jake Verzosa |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 2018-01-04 |
| Genre | : Anthropology |
| ISBN | : 9783958293175 |
The Last Tattooed Women of Kalinga presents a series of portraits by Jake Verzosa who laments and celebrates a dying tradition of tattooing in villages throughout the Cordillera mountains in the northern Philippines. For nearly a thousand years the Kalinga women have proudly worn these lace-like patterns or batok on their skin as symbols of beauty, wealth, stature and fortitude. Applied as part of a painful ritual, the vivid tattoos--abstractions of motifs such as ferns, rice bundles, centipedes and flowing rivers--reflect a rite of passage and a powerful bond with nature. Yet today this intricate form of self-adornment has largely been abandoned due to changing aesthetic perceptions. Between 2009 and 2013, Verzosa traveled extensively to document the last generation of women with the batok. The resulting pictures reveal the artistic designs of the tattoos, as well as their symbolic functions as signs of social belonging and testimonies to personal struggle and triumph in which the skin becomes a "story." Accompanying Verzosa's portraits is a detailed illustrated glossary of the tattoo types and their meanings.
