The Unconscious in Shakespeare's Plays

The Unconscious in Shakespeare's Plays
Author: Martin S. Bergmann
Publisher: Routledge
Total Pages: 230
Release: 2018-05-01
Genre: Psychology
ISBN: 0429922604

Just as concerts emerge from the interaction of many instruments, so our understanding of Shakespeare is enriched by different approaches to him. Psychoanalysis assumes that creative writers have the need to both reveal and conceal their own inner conflicts in their works. They leave residues in their works that, if we pay attention, can become building blocks that reveal aspects of the unconscious. Readers may find that the questions raised add to the pleasure of reading Shakespeare and that they deepens their understanding of his plays. Topics covered include the pivotal position of Hamlet, the poet and his calling, the Oedipus complex, intrapsychic conflict, the battle against paranoia and the homosexual compromise. By using psychoanalytic techniques in analyzing his plays and characters, the author reveals more about Shakespeare's hidden motivations and mental health.

Dream Sequences in Shakespeare

Dream Sequences in Shakespeare
Author: Meg Harris Williams
Publisher: Routledge
Total Pages: 182
Release: 2020-11-29
Genre: Drama
ISBN: 100028056X

This book takes a new approach to Shakespeare’s plays, exploring them as dream-thought in the modern psychoanalytic sense of unconscious thinking. Through his commitment to poetic language, Shakespeare offers images and dramatic sequences that illustrate fundamental developmental conflicts, the solutions for which are not preconceived but evolve through the process of dramatisation. In this volume, Meg Harris Williams explores the fundamental distinction between the surface meanings of plot or argument and the deep grammar of dreamlife, applied not only to those plays known as ‘dream-plays’ but also to critical sequences throughout Shakespeare’s oeuvre. Through a post-Kleinian model based on the thinking of Bion, Meltzer, and Money-Kyrle, this book sheds new light on both Shakespeare’s own relation to the play and on the identificatory processes of the playwright, reader, or audience. Dream Sequences in Shakespeare is important reading for psychoanalysts, playwrights, and students.

A Jungian Study of Shakespeare

A Jungian Study of Shakespeare
Author: M. Fike
Publisher: Springer
Total Pages: 206
Release: 2009-02-02
Genre: Literary Criticism
ISBN: 0230618553

Employing the analytical psychology of Carl Jung, Matthew A. Fike provides a fresh understanding of individuation in Shakespeare. This study of "the visionary mode" - Jung s term for literature that comes through the artist from the collective unconscious - combines a strong grounding in Jungian terminology and theory with myth criticism, biblical literary criticism, and postcolonial theory. Fike draws extensively on the rich discussions in the Collected Works of C. G. Jung to illuminate selected plays such as A Midsummer Night s Dream, The Merchant of Venice, The Henriad, Othello, and Hamlet in new and surprising ways. Fike s clear and thorough approach to Shakespeare offers exciting, original scholarship that will appeal to students and scholars alike.

The Cambridge Introduction to Literature and Psychoanalysis

The Cambridge Introduction to Literature and Psychoanalysis
Author: Jean-Michel Rabaté
Publisher: Cambridge University Press
Total Pages: 267
Release: 2014-09-22
Genre: Literary Criticism
ISBN: 1107027586

Taking Sigmund Freud's theories as a point of departure, Jean-Michel Rabaté's book explores the intriguing ties between psychoanalysis and literature.

This Wide and Universal Theater

This Wide and Universal Theater
Author: David Bevington
Publisher: University of Chicago Press
Total Pages: 256
Release: 2009-05
Genre: Drama
ISBN: 0226044793

This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.

The Origins and Organization of Unconscious Conflict

The Origins and Organization of Unconscious Conflict
Author: Martin S. Bergmann
Publisher: Routledge
Total Pages: 387
Release: 2016-10-04
Genre: Psychology
ISBN: 1317373715

The Origins and Organization of Unconscious Conflict provides a comprehensive set of contributions by Martin S. Bergmann to psychoanalytic theory, technique, and its applications. Following a general approach, Bergmann synthesizes Freud’s major contributions, the development of his thinking, the ramifications to present day psychoanalytic theory and practice and finally, discusses unresolved problems requiring further work. In these selected papers, profound meditations are offered on love and death, the leap from hysteria to dream interpretation in Freud’s intellectual development, the genetic roots of Psychoanalysis in the creative clash between Enlightenment and Romantic ideas, old age as a clinical and theoretical phenomenon, the death instinct as clinical controversy, and the interminable debate about termination in psychoanalysis and how to effect it. Crucial clinical and theoretical questions are constantly addressed and the challenges they pose will engage and enlighten the reader. Bergmann was a philosopher of mind as much as he is a psychoanalyst and the range and scope of the ideas in these selected papers is impressive, instructive and illuminating. Bergmann deals with psychoanalysis as a science, and with an ideology, referring to psychoanalysis as a "Weltanschauung", a philosophical basis for psychoanalytic theory. He presents an original, penetrating analysis of Freud’s inner struggle, about empirical research, validation and related to five other sciences; about irrational forces that constitute major motivators of human life, and require taking an existential position regarding their implications, the search for the meaning of one’s existence. The Origins and Organization of Unconscious Conflict is an exciting intellectual journey of the scientific and ideological aspects of psychoanalysis and the study of love. It will appeal to psychoanalysts, psychologists, philosophers and both undergraduate and postgraduate students studying in these fields, as well as anyone with an interest in mental health and human behaviour.

Shakespeare on the Couch

Shakespeare on the Couch
Author: Michael Jacobs
Publisher: Routledge
Total Pages: 157
Release: 2018-04-24
Genre: Psychology
ISBN: 0429919077

Drawing upon a vast literature in psychoanalytic journals and either upon Shakespeare's characters themselves or alluding to those characters in the course of other topics, this book discusses eight of Shakespeare's plays and the relationships between the main characters in them. Psychoanalytic and literary approaches sometimes diverge, but they can also concur in seeing characters either as true examples of different psychological states and types of relating or as symbolic of aspects of the personality. The chapters contain many references to psychoanalytic interpretations from Freud onwards, although these cannot be proved, and in some cases are over-stretched, there will be times when psychoanalytic criticism 'rings bells' in the reader. The importance of this book lies in its drawing together from a large number of disparate sources, many of which will be inaccessible to those who do not have access to the journals or psychoanalytic databases. It is nonetheless relevant for counsellors and therapists, as well as for those interested in literature, particularly in Shakespearean studies.

Shakespeare as Prompter

Shakespeare as Prompter
Author: Murray Cox
Publisher: Jessica Kingsley Publishers
Total Pages: 482
Release: 1994
Genre: Literary Criticism
ISBN: 9781853021596

Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.