Tintoretto

Tintoretto
Author: Tom Nichols
Publisher: Reaktion Books
Total Pages: 410
Release: 2015-10-01
Genre: Art
ISBN: 1780234813

Jacopo Tintoretto (1518–94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable, and although he was a Venetian by birth, his standing as a member of the Venetian school is constantly contested. But he was also a formidable maverick, abandoning the humanist narratives and sensuous color palette typical of the great Venetian master, Titian, in favor of a renewed concentration on core Christian subjects painted in a rough and abbreviated chiaroscuro style. This generously illustrated book offers an extensive analysis of Tintoretto’s greatest paintings, charting his life and work in the context of Venetian art and the culture of the Cinquecento. Tom Nichols shows that Tintoretto was an extraordinarily innovative artist who created a new manner of painting, which, for all of its originality and sophistication, was still able to appeal to the shared emotions of the widest possible audience. This compact, pocket edition features sixteen additional illustrations and a new afterword by the author, and it will continue to be one of the definitive treatments of this once grossly overlooked master.

Lives of Tintoretto

Lives of Tintoretto
Author: Giorgio Vasari
Publisher: Getty Publications
Total Pages: 264
Release: 2019-05-07
Genre: Art
ISBN: 1606066005

Born Jacopo Comin, Tintoretto (ca. 1519–1594) was one of the great painters of the late Renaissance. This book presents the first biographies of Tintoretto, by Giorgio Vasari and Carlo Ridolfi, as well as accounts from individuals who knew the artist personally. This volume also includes a translation of the marginal notes El Greco wrote in his copy of Vasari’s Life of Tintoretto, which have never before been published. Richly illustrated, with an introduction by the scholar Carlo Corsato that reconstructs Tintoretto’s career and contextualizes the contemporary sources, Lives of Tintoretto enhances our understanding of this influential Renaissance artist, who helped establish the Mannerist style.

Tintoretto

Tintoretto
Author: Robert Echols
Publisher:
Total Pages:
Release: 2020-07
Genre: Painters
ISBN: 9780894684128

Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture.--Provided by publisher.

Titian, Tintoretto, Veronese

Titian, Tintoretto, Veronese
Author: Frederick Ilchman
Publisher: Gower Publishing Company, Limited
Total Pages: 324
Release: 2009
Genre: Art
ISBN:

"For nearly four decades in the sixteenth century, the careers of Renaissance Venice's three greatest painters - Titian, Tintoretto, and Veronese - overlapped, encouraging mutual influences and bitter rivalries that changed the course of art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In this environment, the three artists - brilliant, ambitious, and fiercely competitive - vied with each other for primacy, deploying the new combination of oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature touch. They also pioneered the use of easel painting, a newly portable format that allowed for unprecedented fame in their lifetimes. With more than 160 stunning examples by the three masters and their contemporaries, Titian, Tintoretto, Veronese elucidates the technical and aesthetic innovations that helped define the "Venetian style"--Characterized by loose technique. rich coloring, and often sensual subject matter - as well as the social, political, and economic context in which it flourished. Essays range from examinations of new approaches to studies of such crucial institutions as state commissions and the private patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, the volume presents a vibrant human portrait - one brimming with intense competition, one-upmanship, humor, and passion."--Jacket.

Drawing in Tintoretto's Venice

Drawing in Tintoretto's Venice
Author: John Marciari
Publisher:
Total Pages:
Release: 2018-11-19
Genre: Art
ISBN: 9780875981895

Jacopo Tintoretto (1518-1594) was among the most distinctive artists of the Italian Renaissance. Yet, although his bold paintings are immediately recognizable, his drawings remain unfamiliar even to many scholars. Drawing in Tintoretto's Venice offers a complete overview of Tintoretto as a draftsman. It begins with a look at drawings by Tintoretto's precedents and contemporaries, a discussion intended to illuminate Tintoretto's sources as well as his originality, and also to explore the historiographical and critical questions that have framed all previous discussion of Tintoretto's graphic work. Subsequent chapters explore Tintoretto's evolution as a draftsman and the role that drawings played in his artistic practice--both preparatory drawings for his paintings and the many studies after sculptures by Michelangelo and others--thus examining the use of drawings within the studio as well as teaching practices in the workshop. Later chapters focus on the changes to Tintoretto's style as he undertook ever larger commissions and accordingly began to manage a growing number of assistants, with special attention paid to Domenico Tintoretto, Palma Giovane, and other artists whose drawing style was influenced by their time working with the master. The book is published in conjunction with the exhibition Drawing in Tintoretto's Venice, opening at the Morgan Library & Museum, New York, in 2018 and travelling to the National Gallery of Art, Washington, in early 2019. All of the drawings in the exhibition are discussed and illustrated, and a checklist of the exhibition is also included in the volume, but the book is a far more widely ranging account of Tintoretto's drawings and a comprehensive account of his work as a draftsman.

Tintoretto

Tintoretto
Author: Tintoretto
Publisher:
Total Pages: 264
Release: 2000
Genre: Art
ISBN:

"Jacopo Tintoretto (1519-1594) is ranked along with Titian and Veronese as one of the most important Venetian painters of the 16th century and was well-known among his contemporaries for his rapid, inspired painting technique. Characteristic features of his late work, of which the Gonzaga Cycle is a part, are deep diagonal perspectives, complex, interconnected movements of figures and intense light effects." "In 1578 he was commissioned by Guglielmo Gonzaga, Duke of Mantua, to execute a series of four large-scale paintings, now known as the Margrave Series." "A rigorous examination of the paintings with the aid of x-ray technology, which has provided new insights into the workings methods of Tintoretto and his workshop associates, while assisting scholars in tracing the development of pictorial themes and the changes made during the work process, is a central focus of this publication." "In readable, soundly researched essays, the contributing authors - art historians and conservators - improve and expand our understanding of Tintoretto and the Gonzaga Cycle, adding new insights from several important perspectives."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Jacopo Tintoretto: 60 Drawings

Jacopo Tintoretto: 60 Drawings
Author: Narim Bender
Publisher: Osmora Incorporated
Total Pages: 90
Release: 2015-05-14
Genre: Art
ISBN: 2765913498

Tintoretto (real name Jacopo Comin) was an Italian painter and a notable exponent of the Renaissance school. For his phenomenal energy in painting he was termed Il Furioso. His work is characterized by its muscular figures, dramatic gestures, and bold use of perspective in the Mannerist style, while maintaining color and light typical of the Venetian School. He is said to have trained very briefly with Titian, but the style of his immature works suggests that he may also have studied with Bonifacio Veronese, Paris Bordone, or Schiavone. Almost all of his life was spent in Venice and most of his work is still in the churches or other buildings for which it was painted. He appears to have been unpopular because he was unscrupulous in procuring commissions and ready to undercut his competitors. Tintoretto used to make small wax models which he arranged on a stage and experimented on with spotlights for effects of light and shade and composition. He was a formidable draughtsman and, according to Ridolfi, he had inscribed on his studio wall the motto 'The drawing of Michelangelo and the color of Titian'. However, he was very different in spirit from either of his avowed models, more emotive, using vivid exaggerations of light and movement. His drawings are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian's.

David Bowie's Tintoretto

David Bowie's Tintoretto
Author: Christina Currie
Publisher: Hannibal
Total Pages: 159
Release: 2020-02-12
Genre:
ISBN: 9789463887014

An in-depth survey of this influential and iconic Italian altarpiece, one of the highlights of David Bowie's art collection Includes scholarship by international specialists, including new information about a dramatic drawing underneath the painting discovered using radiography and infrared reflectography On display in Venice for the first time in 200 years as part of the exhibition From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections from September 5, 2019 to March 1, 2020 This beautifully illustrated book, with numerous essays by an international roster of leading art historians, examines Jacopo Tintoretto's masterpiece Angel Foretelling the Martyrdom of Saint Catherine of Alexandria, painted between 1560 and 1570 for the Church of San Geminiano in Venice. It was displayed in this location for some 250 years until the church was demolished in 1807, and in 1818 the painting was sold into private hands. It was, famously, the centerpiece of the late rock star David Bowie's collection, being one of the first artworks he acquired. He had it for nearly 30 years, and named his record label after the artist (the Jones/Tintoretto Entertainment Company LLC). In 2016 it was purchased at auction by a private collector and donated to the Rubens House in Antwerp, where it is on long-term loan. This book accompanies the display of the painting, back in Venice for the first time in 200 years as part of an exhibition at Palazzo Ducale.

Tintoretto's Difference

Tintoretto's Difference
Author: Kamini Vellodi
Publisher: Bloomsbury Publishing
Total Pages: 240
Release: 2019-02-27
Genre: Philosophy
ISBN: 1350083062

A provocative account of the philosophical problem of 'difference' in art history, Tintoretto's Difference offers a new reading of this pioneering 16th century painter, drawing upon the work of the 20th century philosopher Gilles Deleuze. Bringing together philosophical, art historical, art theoretical and art historiographical analysis, it is the first book-length study in English of Tintoretto for nearly two decades and the first in-depth exploration of the implications of Gilles Deleuze's philosophy for the understanding of early modern art and for the discipline of art history. With a focus on Deleuze's important concept of the diagram, Tintoretto's Difference positions the artist's work within a critical study of both art history's methods, concepts and modes of thought, and some of the fundamental dimensions of its scholarly practice: context, tradition, influence, and fact. Indicating potentials of the diagrammatic for art historical thinking across the registers of semiotics, aesthetics, and time, Tintoretto's Difference offers at once an innovative study of this seminal artist, an elaboration of Deleuze's philosophy of the diagram, and a new avenue for a philosophical art history.