Twentieth-century Crime Fiction

Twentieth-century Crime Fiction
Author: Gill Plain
Publisher: Psychology Press
Total Pages: 276
Release: 2001
Genre: Literary Collections
ISBN: 9781579583408

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Twentieth-century Crime Fiction

Twentieth-century Crime Fiction
Author: Lee Horsley
Publisher: Oxford University Press on Demand
Total Pages: 313
Release: 2005
Genre: Literary Criticism
ISBN: 9780199253265

Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or the application of critical theories. Forty-seven widely available stories and novels are chosen for detailed discussion. In seeking to illuminate the relationship between different phases of generic development Lee Horsley employs an overlapping historical framework, with sections doubling back chronologically in order to explore the extent to which successive transformations have their roots within the earlier phases of crime writing, as well as responding in complex ways to the preoccupations and anxieties of their own eras. The first part of the study considers the nature and evolution of the main sub-genres of crime fiction: the classic and hard-boiled strands of detective fiction, the non-investigative crime novel (centered on transgressors or victims), and the "mixed" form of the police procedural. The second half of the study examines the ways in which writers have used crime fiction as a vehicle for socio-political critique. These chapters consider the evolution of committed, oppositional strategies, tracing the development of politicized detective and crime fiction, from Depression-era protests against economic injustice to more recent decades which have seen writers launching protests against ecological crimes, rampant consumerism, Reaganomics, racism, and sexism.

Twentieth Century Crime Fiction

Twentieth Century Crime Fiction
Author: Gill Plain
Publisher: Routledge
Total Pages: 273
Release: 2014-07-16
Genre: Literary Collections
ISBN: 1135974543

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Classic American Crime Fiction of the 1920s

Classic American Crime Fiction of the 1920s
Author: Leslie S Klinger
Publisher: Simon and Schuster
Total Pages: 1666
Release: 2018-10-02
Genre: Fiction
ISBN: 1681779269

Classic American Crime Writing of the 1920s—including House Without a Key, The Benson Murder Case, The Tower Treasure, The Roman Hat Mystery, The Tower Treasure, and Little Caesar—offers some of the very best of that decade’s writing. Earl Derr Biggers wrote about Charlie Chan, a Chinese-American detective, at a time when racism was rampant. S. S. Van Dine invented Philo Vance, an effete, rich amateur psychologist who flourished while America danced and the stock market rose. Edwin Stratemeyer, a man of mystery himself, singlehandedly created the juvenile mystery, with the beloved Hardy Boys series. The quintessential American detective Ellery Queen leapt onto the stage, to remain popular for fifty years. W. R. Burnett, created the indelible character of Rico, the first gangster antihero. Each of the five novels included is presented in its original published form, with extensive historical and cultural annotations and illustrations added by Edgar-winning editor Leslie S. Klinger, allowing the reader to experience the story to its fullest. Klinger's detailed foreword gives an overview of the history of American crime writing from its beginnings in the early years of America to the twentieth century.

A Companion to Crime Fiction

A Companion to Crime Fiction
Author: Charles J. Rzepka
Publisher: John Wiley & Sons
Total Pages: 648
Release: 2020-07-13
Genre: Literary Criticism
ISBN: 1119675774

A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography

Contemporary French and Scandinavian Crime Fiction

Contemporary French and Scandinavian Crime Fiction
Author: Anne Grydehøj
Publisher: University of Wales Press
Total Pages: 268
Release: 2021-07-05
Genre: Literary Criticism
ISBN: 178683720X

This book offers a study of Danish, Norwegian, Swedish and French crime fictions covering a fifty-year period. From 1965 to the present, both Scandinavian and French societies have undergone significant transformations. Twelve literary case studies examine how crime fictions in the respective contexts have responded to shifting social realities, which have in turn played a part in transforming the generic codes and conventions of the crime novel. At the centre of the book’s analysis is crime fiction’s negotiation of the French model of Republican universalism and the Scandinavian welfare state, both of which were routinely characterised as being in a state of crisis at the end of the twentieth century. Adopting a comparative and interdisciplinary approach, the book investigates the interplay between contemporary Scandinavian and French crime narratives, considering their engagement with the relationship of the state and the citizen, and notably with identity issues (class, gender, sexuality and ethnicity in particular).

The Story of Classic Crime in 100 Books

The Story of Classic Crime in 100 Books
Author: Martin Edwards
Publisher: Sourcebooks, Inc.
Total Pages: 333
Release: 2017-08-01
Genre: Fiction
ISBN: 1464207240

2018 ALA Book Club October Pick, Things that Go Bump: Paranormal Mysteries David Randall's perfect family life came derailed when his little daughter Lindsey died in a car crash. Thrown out by his second wife and wanting to leave a dead-end detective agency to start his own, he reluctantly accepts his psychic friend Camden's invitation to stay in Camden's boarding house in Parkland, North Carolina. Meanwhile, working the case of the murder of Albert Bennett, Randall's only clue is a notebook filled with odd musical notation. When another client, Melanie Gentry, hires him to prove her great-grandmother was murdered by her lover, composer John Burrows Ashford, over authorship of "Patchwork Melodies," Randall sets out to find a connection to Bennett's murder, as well as to the murder of a Smithsonian director, who was preparing a new PBS documentary on early American music. Randall's investigations lead him to another notebook, where he finds not only "Two Hearts Singing," Ashford's most famous song, but a valuable early copy of Stephen Foster's "Oh! Susanna," hidden in the cover. But things become more complicated when Ashford's spirit parks itself in Cam...and refuses to leave until Randall proves Ashford's innocence.

Twentieth-Century Crime Fiction

Twentieth-Century Crime Fiction
Author: Lee Horsley
Publisher: OUP Oxford
Total Pages: 328
Release: 2005-08-25
Genre: Literary Criticism
ISBN: 0191557897

Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or the application of critical theories. Forty-seven widely available stories and novels are chosen for detailed discussion. In seeking to illuminate the relationship between different phases of generic development Lee Horsley employs an overlapping historical framework, with sections doubling back chronologically in order to explore the extent to which successive transformations have their roots within the earlier phases of crime writing, as well as responding in complex ways to the preoccupations and anxieties of their own eras. The first part of the study considers the nature and evolution of the main sub-genres of crime fiction: the classic and hard-boiled strands of detective fiction, the non-investigative crime novel (centred on transgressors or victims), and the 'mixed' form of the police procedural. The second half of the study examines the ways in which writers have used crime fiction as a vehicle for socio-political critique. These chapters consider the evolution of committed, oppositional strategies, tracing the development of politicized detective and crime fiction, from Depression-era protests against economic injustice to more recent decades which have seen writers launching protests against ecological crimes, rampant consumerism, Reaganomics, racism, and sexism.

Hard-boiled Crime Fiction & the Decline of Moral Authority

Hard-boiled Crime Fiction & the Decline of Moral Authority
Author: Susanna Lee
Publisher:
Total Pages: 232
Release: 2016
Genre: Literary Criticism
ISBN: 9780814213186

From virtue to honor: a nineteenth-century paradigm shift -- Carroll John Daly and Leo Malet: the first hard-boiled heroes -- Jim Thompson: "Don't you say I killed her!"--Jean-Patrick Manchette: the art of falling apart -- Contemporary hard-boiled: rebuilding a culture hero -- Conclusion