Author | : Allan G Lloyd-Smith |
Publisher | : Springer |
Total Pages | : 198 |
Release | : 1989-02-08 |
Genre | : Literary Criticism |
ISBN | : 1349197548 |
Author | : Allan G Lloyd-Smith |
Publisher | : Springer |
Total Pages | : 198 |
Release | : 1989-02-08 |
Genre | : Literary Criticism |
ISBN | : 1349197548 |
Author | : Renée L. Bergland |
Publisher | : UPNE |
Total Pages | : 220 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780874519440 |
A unique look at Native American ghosts and US literature.
Author | : Petra Eckhard |
Publisher | : transcript Verlag |
Total Pages | : 207 |
Release | : 2014-03-31 |
Genre | : Literary Criticism |
ISBN | : 3839418410 |
Using the theoretical frameworks of Freud, Todorov, and Bahktin, this book explores how American writers of the late 20th century have translated the psychoanalytical concept of »the uncanny« into their novelistic discourses. The two texts under scrutiny - Paul Auster's »City of Glass« and Toni Morrison's »Jazz« - show that the uncanny has developed into a crucial trope to delineate personal and collective fears that are often grounded on the postmodern disruption of spatio-temporal continuities and coherences.
Author | : Marjorie Sandor |
Publisher | : St. Martin's Griffin |
Total Pages | : 574 |
Release | : 2015-02-24 |
Genre | : Fiction |
ISBN | : 146683868X |
From the deeply unsettling to the possibly supernatural, these thirty-one border-crossing stories from around the world explore the uncanny in literature, and delve into our increasingly unstable sense of self, home, and planet. The Uncanny Reader: Stories from the Shadows opens with "The Sand-man," E.T.A. Hoffmann's 1817 tale of doppelgangers and automatons—a tale that inspired generations of writers and thinkers to come. Stories by 19th and 20th century masters of the uncanny—including Edgar Allan Poe, Franz Kafka, and Shirley Jackson—form a foundation for sixteen award-winning contemporary authors, established and new, whose work blurs the boundaries between the familiar and the unknown. These writers come from Egypt, France, Germany, Japan, Poland, Russia, Scotland, England, Sweden, the United States, Uruguay, and Zambia—although their birthplaces are not always the terrains they plumb in their stories, nor do they confine themselves to their own eras. Contemporary authors include: Chris Adrian, Aimee Bender, Kate Bernheimer, Jean-Christophe Duchon-Doris, Mansoura Ez-Eldin, Jonathon Carroll, John Herdman, Kelly Link, Steven Millhauser, Joyce Carol Oates, Yoko Ogawa, Dean Paschal, Karen Russell, Namwali Serpell, Steve Stern and Karen Tidbeck.
Author | : Paulina Palmer |
Publisher | : University of Wales Press |
Total Pages | : 242 |
Release | : 2012-01-15 |
Genre | : Literary Criticism |
ISBN | : 0708324606 |
This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.
Author | : Peter Straub |
Publisher | : Library of America |
Total Pages | : 0 |
Release | : 2009-10-01 |
Genre | : Fiction |
ISBN | : 159853047X |
From early on, American literature has teemed with tales of horror, of hauntings, of terrifying obsessions and gruesome incursions, of the uncanny ways in which ordinary reality can be breached and subverted by the unknown and the irrational. As this pathbreaking two-volume anthology demonstrates, it is a tradition with many unexpected detours and hidden chambers, and one that continues to evolve, finding new forms and new themes as it explores the bad dreams that lurk around the edges—if not in the unacknowledged heart—of the everyday. Peter Straub, one of today’s masters of horror and fantasy, offers an authoritative and diverse gathering of stories calculated to unsettle and delight. This first volume surveys a century and a half of American fantastic storytelling, revealing in its forty-four stories an array of recurring themes: trance states, sleepwalking, mesmerism, obsession, possession, madness, exotic curses, evil atmospheres. In the tales of Irving, Poe, and Hawthorne, the bright prospects of the New World face an uneasy reckoning with the forces of darkness. In the ghost-haunted Victorian and Edwardian eras, writers including Henry James, Edith Wharton, Mary Wilkins Freeman, Charlotte Perkins Gilman, and Ambrose Bierce explore ever more refined varieties of spectral invasion and disintegrating selfhood. In the twentieth century, with the arrival of the era of the pulps, the fantastic took on more monstrous and horrific forms at the hands of H. P. Lovecraft, Robert E. Howard, Robert Bloch, and other classic contributors to Weird Tales. Here are works by acknowledged masters such as Stephen Crane, Willa Cather, Conrad Aiken, and F. Scott Fitzgerald, along with surprising discoveries like Ralph Adams Cram’s “The Dead Valley,” Emma Francis Dawson’s “An Itinerant House,” and Julian Hawthorne’s “Absolute Evil.” American Fantastic Tales offers an unforgettable ride through strange and visionary realms. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Author | : Dieter Meindl |
Publisher | : University of Missouri Press |
Total Pages | : 262 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : 9780826210791 |
By synthesizing Kayser's and Bakhtin's views of the grotesque and Heidegger's philosophy of Being, American Fiction and the Metaphysics of the Grotesque seeks to demonstrate that American fiction from Poe to Pynchon has tried to convey the existential dimension: the pre-individual totality or flow of life, which defines itself against the mind and its linguistic capacity. Dieter Meindl shows how the grotesque, through its self-contradictory nature, has been instrumental in expressing this reality-conception, an antirationalist stance in basic agreement with existential thought. The historical validity of this new metaphysics, which grants precedence to Being--the context of cognition--over the cognizant subject, must be upheld in the face of deconstructive animadversions upon any metaphysics of presence. The notion of decentering the subject, Meindl argues, did not originate with deconstruction. The existential grotesque confirms the protomodernist character of classic American fiction. Meindl traces its course through a number of well-known texts by Melville, James, Gilman, Anderson, Faulkner, and O'Connor, among others. To convey life conceived as motion, these writers had to capture--that is, immobilize--it in their art: an essentially distortive and, therefore, grotesque device. Melville's "Bartleby," dealing with a mort vivant, is the seminal text in this mode of indirectness. As opposed to the existential grotesque, which grants access to a preverbal realm, the linguistic grotesque of postmodern fiction works on the assumption that all reality is referable to language in a textual universe. American Fiction and the Metaphysics of the Grotesque will significantly alter our understanding of certain traditions in American literature.
Author | : Rebecca Janicker |
Publisher | : McFarland |
Total Pages | : 332 |
Release | : 2015-01-09 |
Genre | : Literary Criticism |
ISBN | : 147661928X |
The haunted house of American fiction is an iconic union of setting and theme with an enduring presence in popular culture that traces its lineage to the early English Gothic novels. Blurring the boundaries between past and present, the living and the dead, the haunted house--synonymous with the dark side of domesticity--challenges accepted notions of reality and wields a special power over the reader's imagination. Focusing on the work of H. P. Lovecraft, Richard Matheson and Stephen King, this critical work offers a fresh perspective on one of the most popular motifs in American fiction. Case studies demonstrate how these authors have kept the past alive while highlighting the complexities of modern society, using their ghostly tales to celebrate and challenge 20th century American history and culture.
Author | : Sacvan Bercovitch |
Publisher | : Cambridge University Press |
Total Pages | : 652 |
Release | : 1994 |
Genre | : Literary Criticism |
ISBN | : 9780521497312 |
Volume 6 of The Cambridge History of American Literature explores the emergence and flowering of modernism in the United States. David Minter provides a cultural history of the American novel from the 'lyric years' to World War I, through post-World War I disillusionment, to the consolidation of the Left in response to the mire of the Great Depression. Rafia Zafar tells the story of the Harlem Renaissance, detailing the artistic accomplishments of such diverse figures as Zora Neal Hurston, W. E. B. Du Bois, Langston Hughes, Nella Larsen, and Richard Wright. Werner Sollors examines canonical texts as well as popular magazines and hitherto unknown immigrant writing from the period. Taken together these narratives cover the entire range of literary prose written in the first half of the twentieth century, offering a model of literary history for our times, focusing as they do on the intricate interplay between text and context.