| Author | : E. Warwick Slinn |
| Publisher | : University of Virginia Press |
| Total Pages | : 240 |
| Release | : 2003 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780813921662 |
The discussion of each poem attends to the complexity of the poem's utterance, its historical contexts, and its broader implications for cultural meaning.Victorian Literature and Culture Series
| Author | : Isobel Armstrong |
| Publisher | : Routledge |
| Total Pages | : 554 |
| Release | : 2002-09-11 |
| Genre | : Literary Collections |
| ISBN | : 1134970668 |
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
| Author | : Barbara J. Black |
| Publisher | : University of Virginia Press |
| Total Pages | : 268 |
| Release | : 2000 |
| Genre | : Architecture |
| ISBN | : 9780813918976 |
Why did the Victorians collect with such a vengeance and exhibit in museums? Focusing on this key nineteenth-century enterprise, Barbara J. Black illuminates British culture of the period by examining the cultural power that this collecting and exhibiting possessed. Through its museums, she argues, Victorian London constructed itself as a world city. Using the tools of cultural criticism, social history, and literary analysis, Black roots Victorian museum culture in key political events and cultural forces: British imperialism, exploration, and tourism; advances in science and changing attitudes about knowledge; the commitment to improved public taste through mass education; the growth of middle-class dominance and the resulting bourgeois fetishism and commodity culture; and the democratization of luxury engendered by the French and industrial revolutions. She covers a wide range of genres--from poetry to museum guidebooks to the triple-decker novel--and treats three London museums as case studies: Sir John Soane's house-museum, the Natural History Museum, and the exemplary South Kensington. While On Exhibit provides a fascinating analysis of Victorian society, it also reminds us how modern the Victorians were--how, in crucial ways, our culture derives from the Victorian era. Forging connections among museums, urbanism, and modernity, Black provokes us to examine cultural imperialism and the costs and advantages of cultural consensus.
| Author | : Nadine Boehm-Schnitker |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2014-06-05 |
| Genre | : Literary Criticism |
| ISBN | : 1134614691 |
This book provides a comprehensive reflection of the processes of canonization, (un)pleasurable consumption and the emerging predominance of topics and theoretical concerns in neo-Victorianism. The repetitions and reiterations of the Victorian in contemporary culture document an unbroken fascination with the histories, technologies and achievements, as well as the injustices and atrocities, of the nineteenth century. They also reveal that, in many ways, contemporary identities are constructed through a Victorian mirror image fabricated by the desires, imaginings and critical interests of the present. Providing analyses of current negotiations of nineteenth-century texts, discourses and traumas, this volume explores the contemporary commodification and nostalgic recreation of the past. It brings together critical perspectives of experts in the fields of Victorian literature and culture, contemporary literature, and neo-Victorianism, with contributions by leading scholars in the field including Rosario Arias, Cora Kaplan, Elizabeth Ho, Marie-Luise Kohlke and Sally Shuttleworth. Neo-Victorian Literature and Culture interrogates current fashions in neo-Victorianism and their ideological leanings, the resurrection of cultural icons, and the reasons behind our relationship with and immersion in Victorian culture.
| Author | : Yopie Prins |
| Publisher | : Princeton University Press |
| Total Pages | : 298 |
| Release | : 1999-03-08 |
| Genre | : History |
| ISBN | : 9780691059198 |
What is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition. Victorian Sappho traces the emergence of this idealized feminine figure through reconstructions of the Sapphic fragments in late-nineteenth-century England. Yopie Prins argues that the Victorian period is a critical turning point in the history of Sappho's reception; what we now call "Sappho" is in many ways an artifact of Victorian poetics. Prins reads the Sapphic fragments in Greek alongside various English translations and imitations, considering a wide range of Victorian poets--male and female, famous and forgotten--who signed their poetry in the name of Sappho. By "declining" the name in each chapter, the book presents a theoretical argument about the Sapphic signature, as well as a historical account of its implications in Victorian England. Prins explores the relations between classical philology and Victorian poetics, the tropes of lesbian writing, the aesthetics of meter, and nineteenth-century personifications of the "Poetess." as current scholarship on Sappho and her afterlife. Offering a history and theory of lyric as a gendered literary form, the book is an exciting and original contribution to Victorian studies, classical studies, comparative literature, and women's studies.
| Author | : E. Warwick Slinn |
| Publisher | : University of Virginia Press |
| Total Pages | : 232 |
| Release | : 1991 |
| Genre | : History |
| ISBN | : 9780813913094 |
This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism. This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism.
| Author | : Annette Federico |
| Publisher | : University of Virginia Press |
| Total Pages | : 222 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780813919157 |
Despite the ridicule of reviewers, Marie Corelli (1855-1924) was the most popular novelist of her time. Federico (English, James Madison University) points out the creative, combative and contradictory nature of Corelli's participation in the culture, and argues that her attempts to create her own image illuminate continuing debates about literary value, class hegemony, and gender politics. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Dr Christine Bayles Kortsch |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 216 |
| Release | : 2013-04-28 |
| Genre | : Literary Criticism |
| ISBN | : 1409475492 |
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
| Author | : Isobel Armstrong |
| Publisher | : Routledge |
| Total Pages | : 576 |
| Release | : 2019-01-30 |
| Genre | : Literary Collections |
| ISBN | : 1317688805 |
In Victorian Poetry: Poetry, Poetics and Politics, Isobel Armstrong rescued Victorian poetry from its longstanding sepia image as ‘a moralised form of romantic verse' and unearthed its often subversive critique of nineteenth-century culture and politics. In this uniquely comprehensive and theoretically astute new edition, Armstrong provides an entirely new preface that notes the key advances in the criticism of Victorian poetry since her classic work was first published in 1993. A new chapter on the alternative fin de siècle sees Armstrong discuss Michael Field, Rudyard Kipling, Alice Meynell and a selection of Hardy lyrics. The extensive bibliography acts as a key resource for students and scholars alike.
