The Movie Guide

The Movie Guide
Author: James Monaco
Publisher: Perigee Trade
Total Pages: 1200
Release: 1992
Genre: Motion pictures
ISBN:

From The Big Sleep to Babette's Feast, from Lawrence of Arabia to Drugstore Cowboy, The Movie Guide offers the inside word on 3,500 of the best motion pictures ever made. James Monaco is the president and founder of BASELINE, the world's leading supplier of information to the film and television industries. Among his previous books are The Encyclopedia of Film, American Film Now, and How to Read a Film.

Film and Television In-Jokes

Film and Television In-Jokes
Author: Bill van Heerden
Publisher: McFarland
Total Pages: 319
Release: 2015-09-02
Genre: Performing Arts
ISBN: 1476612064

In Only the Lonely (1991), Ally Sheedy appeases prospective mother-in-law Maureen O'Hara by going along to see the 1939 film How Green Was My Valley--starring Maureen O'Hara. Richard LaGravenese, slighted by critic Gene Siskel over his screenplay for The Fisher King (1991) wrote an unsavory character named Siskel into The Ref (1994). Movies and television shows often feature inside jokes. Sometimes there are characters named after crew members. Directors are often featured in cameo appearances--Alfred Hitchcock's silhouette can be seen in Family Plot (1976), for example. This work catalogs such occurrences. Each entry includes the title of the film or show, year of release, and a full description of the in-joke.

The Video Movie Guide 2001

The Video Movie Guide 2001
Author: Mick Martin
Publisher:
Total Pages: 1602
Release: 2000
Genre: Performing Arts
ISBN: 9780345420992

Presents brief reviews of more than nineteen thousand films and other videos that are available at rental stores and through mail order, arranged alphabetically by title; also includes actor and director indexes.

Videoland

Videoland
Author: Daniel Herbert
Publisher: Univ of California Press
Total Pages: 333
Release: 2014-01-24
Genre: Performing Arts
ISBN: 0520958020

Videoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie culture’s historical move toward increased flexibility, adaptability, and customization. In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.

Wild Animal Story

Wild Animal Story
Author: Ralph Lutts
Publisher: Temple University Press
Total Pages: 328
Release: 2001-09-12
Genre: Literary Collections
ISBN: 1566399181

At the beginning of the twentieth century, the wild animal story emerged in Canadian literature as a distinct genre, in which animals pursue their own interests—survival for themselves, their offspring, and perhaps a mate, or the pure pleasure of their wildness. Bringing together some of the most celebrated wild animal stories, Ralph H. Lutts places them firmly in the context of heated controversies about animal intelligence and purposeful behavior. Widely regarded as entertaining and educational, the early stories—by Charles G. D. Roberts, Ernest Thompson Seton, John Muir, Jack London and others—had an avid readership among adults and children. But some naturalists and at least one hunter—Theodore Roosevelt—discredited these writers as "nature fakers," accusing them of falsely portraying animal behavior. The stories and commentaries collected here span the twentieth century. As present day animal behaviorists, psychologists, and the public attempt to sort out the meaning of what animals do and our obligations to them, Ralph Lutts maps some of the prominent features of our cultural landscape. Tales include: • The Springfield Fox by Ernest Thompson Seton • The Sounding of the Call by Jack London • Stickeen by John Muir • Journey to the Sea by Rachel Carson Other selections include esssays by Theoore Roosevelt, John Burroughs, Margaret Atwood, and Ralph H. Lutts. postamble();

The Horror Spoofs of Abbott and Costello

The Horror Spoofs of Abbott and Costello
Author: Jeffrey S. Miller
Publisher: McFarland
Total Pages: 256
Release: 2004-03-22
Genre: Performing Arts
ISBN: 9780786419227

While Bud Abbott and Lou Costello are more famously known for their straight comedy routines, they did make a number of films in which horror played a crucial role. The first part of this critical reference examines the Abbott and Costello "Meet the Monsters" spoof films (Frankenstein, The Invisible Man, Dr. Jekyll and Mr. Hyde and The Mummy). The second sections deals with Abbott and Costello's films with horror elements that do not follow this formula: Hold That Ghost, The Time of Their Lives and Abbott and Costello Meet the Killer, Boris Karloff. The plot of each film is examined in detail with special attention paid to the comedians' styles of comedy, the effect of the horror scenes, and the place of the film in the Abbott and Costello canon. The reactions of critics (then and now) and the influences the films have had on the horror and comedy genres and on pop culture are also discussed. A lengthy introduction provides background on the lives of Bud Abbott and Lou Costello and the development of Universal Studios as the premier horror factory.