Voice and Vision

by Stephen J. Pyne
Voice and Vision
Author: Stephen J. Pyne
Publisher: Harvard University Press
Total Pages: 327
Release: 2009-05-15
Genre: Language Arts & Disciplines
ISBN: 0674054458
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It has become commonplace these days to speak of “unpacking” texts. Voice and Vision is a book about packing that prose in the first place. While history is scholarship, it is also art—that is, literature. And while it has no need to emulate fiction, slump into memoir, or become self-referential text, its composition does need to be conscious and informed. Voice and Vision is for those who wish to understand the ways in which literary considerations can enhance nonfiction writing. At issue is not whether writing is scholarly or popular, narrative or analytical, but whether it is good. Fiction has guidebooks galore; journalism has shelves stocked with manuals; certain hybrids such as creative nonfiction and the new journalism have evolved standards, esthetics, and justifications for how to transfer the dominant modes of fiction to topics in nonfiction. But history and other serious or scholarly nonfiction have nothing comparable. Now this curious omission is addressed by Stephen Pyne as he analyzes and teaches the craft that undergirds whole realms of nonfiction and book-based academic disciplines. With eminent good sense concerning the unique problems posed by research-based writing and with a wealth of examples from accomplished writers, Pyne, an experienced and skilled writer himself, explores the many ways to understand what makes good nonfiction, and explains how to achieve it. His counsel and guidance will be invaluable to experts as well as novices in the art of writing serious and scholarly nonfiction.

Voice & Vision

by Mick Hurbis-Cherrier
Voice & Vision
Author: Mick Hurbis-Cherrier
Publisher: Taylor & Francis
Total Pages: 991
Release: 2018-07-03
Genre: Performing Arts
ISBN: 1317808932
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Develop your creative voice while acquiring the practical skills and confidence to use it with this new and fully updated edition of Mick Hurbis-Cherrier’s filmmaking bible, Voice & Vision. Written for independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all of the essentials while keeping artistic vision front and center. Hurbis-Cherrier walks the reader through every step of the process—from the transformation of an idea into a cinematic story, to the intricacies of promotion and distribution—and every detail in between. Features of this book include: Comprehensive technical information on video production and postproduction tools, allowing filmmakers to express themselves with any camera, in any format, and on any budget An emphasis on the collaborative filmmaking process, including the responsibilities and creative contributions of every principal member of the crew and cast A focus on learning to work successfully with available resources (time, equipment, budget, personnel, etc.) in order to turn limitations into opportunities Updated digital filmmaking workflow breakdowns for Rec. 709 HD, Log Format, and D-Cinema productions Substantial coverage of the sound tools and techniques used in film production and the creative impact of postproduction sound design An extensive discussion of digital cinematography fundamentals, including essential lighting and exposure control tools, common gamma profiles, the use of LUTs, and the role of color grading Abundant examples referencing contemporary and classic films from around the world Indispensible information on production safety, team etiquette, and set procedures. The third edition also features a robust companion website that includes eight award-winning example short films; interactive and high-resolution figures; downloadable raw footage; production forms and logs for preproduction, production, and postproduction; video examples that illustrate key concepts found within the book, and more. Whether you are using it in the classroom or are looking for a comprehensive reference to learn everything you need to know about the filmmaking process, Voice & Vision delivers all of the details in an accessible and reader-friendly format.

Voice & Vision

by Mick Hurbis-Cherrier
Voice & Vision
Author: Mick Hurbis-Cherrier
Publisher: Taylor & Francis
Total Pages: 561
Release: 2007
Genre: Computers
ISBN: 0240807731
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Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice" sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.

Reclaiming Indigenous Voice and Vision

by Marie Battiste
Reclaiming Indigenous Voice and Vision
Author: Marie Battiste
Publisher: UBC Press
Total Pages: 345
Release: 2011-11-01
Genre: Social Science
ISBN: 0774842474
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The essays in Reclaiming Indigenous Voice and Vision spring from an International Summer Institute held in 1996 on the cultural restoration of oppressed Indigenous peoples. The contributors, primarily Indigenous, unravel the processes of colonization that enfolded modern society and resulted in the oppression of Indigenous peoples.

Children as Change Makers

by Sam Frankel
Children as Change Makers
Author: Sam Frankel
Publisher: Emerald Group Publishing
Total Pages: 193
Release: 2024-09-16
Genre: Education
ISBN: 1802627138
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Inspired by narratives on children’s rights and social action, Learning Allowed offers a robust framework to create experiential learning opportunities that will equip students in higher and further education to actively get involved in community change projects that partner with children and young people.

Media and Power in Modern Iran

by Emily L. Blout
Media and Power in Modern Iran
Author: Emily L. Blout
Publisher: Bloomsbury Publishing
Total Pages: 233
Release: 2023-01-26
Genre: History
ISBN: 0755639057
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Successive Iranian leaders have struggled to navigate the fraught political-cultural space of media in the Islamic Republic–skirting the line between embracing Western communications technologies and rejecting them, between condemning social networking sites as foreign treachery and promoting themselves on Facebook. How does a regime that originally derived its hegemony from the ability to mass communicate its ideology protect its ideological dominance in a media environment defined by hybridity, hyper-connectivity, and near constant change? More broadly, what is the role of media in the construction and maintenance of power in Iran? This book addresses these questions by examining the institutions, policies, and discourses of two political regimes over the course of nearly eight decades. Drawing from over 3,000 primary source documents and digital artifacts in Persian and English, including formerly classified material hidden deep in the archives, this book offers a history of media in Iran across political regimes and media paradigms– from the public's first encounter with mass communication in the 1940s, to the dawn of digital media in the 1990s, to internet and mobile telephony today. At the same time, the book trains a keen eye on contemporary politics. With foundations in sociology and political science, Media and Power in Modern Iran offers trenchant insight into the present ruling establishment– a political regime born from what has become known as the "first televised revolution."

FCC Record

by United States. Federal Communications Commission
FCC Record
Author: United States. Federal Communications Commission
Publisher:
Total Pages: 1082
Release: 2002
Genre: Telecommunication
ISBN:
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Corpus Anarchicum

by Hamid Dabashi
Corpus Anarchicum
Author: Hamid Dabashi
Publisher: Springer
Total Pages: 247
Release: 2012-09-24
Genre: Political Science
ISBN: 1137264128
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This book is a meditation on and an attempt to understand suicidal violence in the immediate context of its most recent political surge: the decade between 2001 and 2011, from the suicidal mission of Muhammad Atta and his band in the United States to the suicide of Mohamed Bouazizi in 2010 in Tunisia. After the former a devastating military strike and occupation of two Muslim countries commenced, and after the latter a massive transnational democratic uprising ensued. Suicidal violence is neither specific to Islam nor peculiar to our time. It has been manifested in practically all cultures and religions and throughout human history. But the suicidal violence we witness today is of an entirely different disposition because the bodies (both of the assailant and of the assailed) on which it is perpetrated are no longer the human body of our Enlightenment assumption. What we are witnessing is in fact the contour of a posthuman body. The posthuman body, as Dabashi here proposes, is the body of a contingent and contextual being, and as such an object of disposable knowledge; while the human body that it has superseded was corporeally integral, autonomous, rational, indispensable, and above all the site of a knowing subject.