Author | : Richard Mühlberger |
Publisher | : |
Total Pages | : 48 |
Release | : 1994-04-01 |
Genre | : Artists |
ISBN | : 9781863882484 |
Author | : Richard Mühlberger |
Publisher | : |
Total Pages | : 48 |
Release | : 1994-04-01 |
Genre | : Artists |
ISBN | : 9781863882484 |
Author | : Lynn Cullen |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 257 |
Release | : 2011-04-10 |
Genre | : Juvenile Fiction |
ISBN | : 1599907933 |
With her mother dead of the plague, and her beloved brother newly married, Cornelia must manage her father's household, though he teeters on the brink of madness. She knows that among Amsterdam's elite circles, people are gossiping about her father's fading artistic genius--and about her, too. Yet there are two young men who seem unfazed by the slander- and very much intrigued by Cornelia. Set within the vibrant community of the 17th century Dutch Masters, I Am Rembrandt's Daughter is a moving coming of age story filled with family drama and a love triangle that would make Jane Austen proud.
Author | : Richard Mühlberger |
Publisher | : Viking Juvenile |
Total Pages | : 0 |
Release | : 2002 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780670035717 |
Explores such art topics as style, composition, color, and subject matter as they relate to twelve works by Degas.
Author | : John Berger |
Publisher | : Verso Books |
Total Pages | : 676 |
Release | : 2015-10-05 |
Genre | : Art |
ISBN | : 1784781789 |
John Berger, one of the world's most celebrated storytellers and writers on art, tells a personal history of art from the prehistoric paintings of the Chauvet caves to 21st century conceptual artists. Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.
Author | : |
Publisher | : Morgan Library & Museum |
Total Pages | : 77 |
Release | : 2016-06 |
Genre | : |
ISBN | : 9780875981765 |
Catalog of an exhibition held at the Morgan Library & Museum, June 3-September 18, 2016.
Author | : Anthony M. Amore |
Publisher | : St. Martin's Press |
Total Pages | : 272 |
Release | : 2011-07-05 |
Genre | : Art |
ISBN | : 0230337422 |
Anthony M. Amore and Tom Mashberg's Stealing Rembrandts is a spellbinding journey into the high-stakes world of art theft Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston, Worcester to Ohio - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves - even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces. Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.
Author | : Ernst van de Wetering |
Publisher | : Univ of California Press |
Total Pages | : 348 |
Release | : 2016-04-18 |
Genre | : Art |
ISBN | : 0520290259 |
Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.
Author | : Michiel Kersten |
Publisher | : |
Total Pages | : 90 |
Release | : 2017-06-09 |
Genre | : Art |
ISBN | : 9789492371300 |
Rembrandt Etchings is an accessible book that will guide you on your visual journey of discovery, and allow you to see why Rembrandt was the greatest of all 17th-century printmakers. You will learn a great deal about the technical aspect of printmaking, Rembrandt's choice of papers, and his expertise in marketing his etchings.
Author | : Simon Schama |
Publisher | : |
Total Pages | : 750 |
Release | : 2000 |
Genre | : Artists |
ISBN | : 9780140288414 |
For Rembrandt, as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing, the wardrobe and face-paint, the full repertoire and gesture and gimace, the flutter of hands and the roll of the eyes, the belly-laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle and to console; to strike a pose or preach a sermon, to shake a fist or uncover a breast; and how to sin and how to atone. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.