| Author | : Charles R. Cross |
| Publisher | : Schirmer Trade Books |
| Total Pages | : 218 |
| Release | : 2012-02-22 |
| Genre | : Music |
| ISBN | : 0857127683 |
Nevermind was the album that took Nirvana out of Seattle's alternative rock scene and turned them into a worldwide mainstream sensation. This book documents the album by featuring interviews with the band members and producers and recontructs how the album was made.
| Author | : Michael Azerrad |
| Publisher | : Crown |
| Total Pages | : 368 |
| Release | : 2013-01-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307833739 |
The definitive biography of the revolutionary band Nirvana and its star-crossed frontman Kurt Cobain, hailed by Rolling Stone as “the first [book] to comprehensively tell the band’s tale from Aberdeen, Wash., to world domination” “Amazingly raw and candid . . . an unsparing and extremely honest depiction of the group’s highly tumultuous history . . . Come As You Are is as good as rock bios get.”—Billboard “Just tell the truth. That’ll be better than anything else that’s been written about me.”—Kurt Cobain Nirvana came out of nowhere in 1991 to sell nearly five million copies of their landmark album Nevermind, whose thunderous sound and indelible melodies embodied all the confusion, frustration, and passion of the emerging Generation X. Come As You Are is the close-up, intimate story of Nirvana—the only book with exclusive in-depth interviews with bandmembers Kurt Cobain, Krist Noveselic, and Dave Grohl, as well as friends, relatives, former bandmembers, and associates—now updated to include a final chapter detailing the last year of Kurt Cobain's life, before his tragic suicide in April 1994. Vivid, evocative, and thought-provoking, Come As You Are is an essential document not just for Nirvana fans but for anyone interested in the cultural legacy of the 1990s.
| Author | : Charles R. Cross |
| Publisher | : Hachette Books |
| Total Pages | : 451 |
| Release | : 2012-03-13 |
| Genre | : Music |
| ISBN | : 1401304516 |
The New York Times bestseller and the definitive portrait of Kurt Cobain--as relevant as ever, as we remember the impact of Cobain on our culture twenty-five years after his death--now with a new preface and an additional final chapter from acclaimed author Charles R. Cross. It has been twenty-five years since Kurt Cobain died by his own hand in April 1994; it was an act of will that typified his short, angry, inspired life. Veteran music journalist Charles R. Cross fuses his intimate knowledge of the Seattle music scene with his deep compassion for his subject in this extraordinary story of artistic brilliance and the pain that extinguished it. Based on more than four hundred interviews; four years of research; exclusive access to Cobain's unpublished diaries, lyrics, and family photos; and a wealth of documentation, Heavier Than Heaven traces Cobain's life from his early days in a double-wide trailer outside of Aberdeen, Washington, to his rise to fame, success, and the adulation of a generation. Charles Cross has written a new preface for this edition, giving readers context for the time in which the book was written, six years after Kurt's death, and reminding everyone how fresh that cultural experience was when the interviews for the book were done. The new final chapter will update the story since, regarding investigations into Cobain's death, Nirvana's induction into the Rock N Roll Hall of Fame, and how their place in rock history has only risen over the decades.
| Author | : Kenneth Partridge |
| Publisher | : Penn State Press |
| Total Pages | : 138 |
| Release | : 2021-09-14 |
| Genre | : Music |
| ISBN | : 0271090537 |
In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. Hell of a Hat dives deep into this unique musical moment. Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary. An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.
| Author | : John D. Luerssen |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 422 |
| Release | : 2014-03-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1617135887 |
(FAQ). Nirvana FAQ traces the band from its genesis to its end. Founded by friends Kurt Cobain and Krist Novoselic, Nirvana had a rocky start and a succession of drummers, but by the end of 1990, its debut album, Bleach , had garnered international attention and the group's sixth drummer, Dave Grohl, had joined the fold. Following its mentors Sonic Youth to Geffen Records, Nirvana had hoped for modest success. Instead came unexpected wealth and fame on the strength of 1991's Nevermind and its iconic, breakthrough single "Smells Like Teen Spirit." Success didn't sit well with Cobain, who began to numb the stresses of rock stardom with heroin. Despite 1993's hit album In Utero , Cobain's unhappiness became increasingly apparent. His suicide in April 1994 shocked the music world and put an end to a band at the height of its popularity. Nirvana FAQ answers such questions as, What guitar teacher did Cobain and Novoselic have in common? Where did Cobain record his first demo? What was the cause of his first arrest? How was second guitarist Jason Everman hired and fired? What was the name of Grohl's first band, and where did he meet Cobain and Novoselic? Who is "Teen Spirit" about? How did Nirvana's war with Guns N' Roses begin? And more.
| Author | : Danny Goldberg |
| Publisher | : HarperCollins |
| Total Pages | : 311 |
| Release | : 2019-04-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 0062861670 |
NATIONAL BESTSELLER On the twenty-fifth anniversary of Kurt Cobain’s death comes a new perspective on one of the most compelling icons of our time In early 1991, top music manager Danny Goldberg agreed to take on Nirvana, a critically acclaimed new band from the underground music scene in Seattle. He had no idea that the band’s leader, Kurt Cobain, would become a pop-culture icon with a legacy arguably at the level of that of John Lennon, Michael Jackson, or Elvis Presley. Danny worked with Kurt from 1990 to 1994, the most impactful period of Kurt’s life. This key time saw the stratospheric success of Nevermind, which turned Nirvana into the most successful rock band in the world and made punk and grunge household terms; Kurt’s meeting and marriage to the brilliant but mercurial Courtney Love and their relationship that became a lightning rod for critics; the birth of their daughter, Frances Bean; and, finally, Kurt’s public struggles with addiction, which ended in a devastating suicide that would alter the course of rock history. Throughout, Danny stood by Kurt’s side as manager, and close friend. Drawing on Goldberg’s own memories of Kurt, files that previously have not been made public, and interviews with, among others, Kurt’s close family, friends, and former bandmates, Serving the Servants sheds an entirely new light on these critical years. Casting aside the common obsession with the angst and depression that seemingly drove Kurt, Serving the Servants is an exploration of his brilliance in every aspect of rock and roll, his compassion, his ambition, and the legacy he wrought—one that has lasted decades longer than his career did. Danny Goldberg explores what it is about Kurt Cobain that still resonates today, even with a generation who wasn’t alive until after Kurt’s death. In the process, he provides a portrait of an icon unlike any that has come before.
| Author | : CarysWyn Jones |
| Publisher | : Routledge |
| Total Pages | : 187 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 135154084X |
Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries.
