Comparative Print Culture

Comparative Print Culture
Author: Rasoul Aliakbari
Publisher: Springer Nature
Total Pages: 263
Release: 2020-04-07
Genre: Social Science
ISBN: 3030368912

Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective ofcomparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality.

The Perils of Print Culture: Book, Print and Publishing History in Theory and Practice

The Perils of Print Culture: Book, Print and Publishing History in Theory and Practice
Author: Jason McElligott
Publisher: Springer
Total Pages: 228
Release: 2014-09-09
Genre: Fiction
ISBN: 1137415320

This collection of essays illustrates various pressures and concerns—both practical and theoretical—related to the study of print culture. Procedural difficulties range from doubts about the reliability of digitized resources to concerns with the limiting parameters of 'national' book history.

Reading Books and Prints as Cultural Objects

Reading Books and Prints as Cultural Objects
Author: Evanghelia Stead
Publisher: Springer
Total Pages: 317
Release: 2017-12-20
Genre: Literary Criticism
ISBN: 3319538322

This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, ‘high’ and ‘low’. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.

Comparative Literature in Canada

Comparative Literature in Canada
Author: Susan Ingram
Publisher: Rowman & Littlefield
Total Pages: 275
Release: 2019-11-05
Genre: Literary Criticism
ISBN: 1793611858

This timely volume takes stock of the discipline of comparative literature and its theory and practice from a Canadian perspective. It engages with the most pressing critical issues at the intersection of comparative literature and other areas of inquiry in the context of scholarship, pedagogy and academic publishing: bilingualism and multilingualism, Indigeneity, multiple canons (literary and other), the relationship between print culture and other media, the development of information studies, concerted efforts in digitization, and the future of the production and dissemination of knowledge. The authors offer an analysis of the current state of Canadian comparative literature, with a dual focus on the issues of multilingualism in Canada’s sociopolitical and cultural context and Canada’s geographical location within the Americas. It also discusses ways in which contemporary technology is influencing the way that Canadian literature is taught, produced, and disseminated, and how this affects its readings.

The Form of Ideology and the Ideology of Form

The Form of Ideology and the Ideology of Form
Author: Francesca Orsini
Publisher: Open Book Publishers
Total Pages: 200
Release: 2022-02-23
Genre: Art
ISBN: 1800641915

This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book’s essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War. The essays in this collection focus on locations as diverse as Morocco, Tunisia, South Asia, China, Spain, and Italy, and on texts in Arabic, English, French, Hindi, Italian, and Spanish. In doing so, they highlight the combination of local debates and struggles, and internationalist networks and aspirations that found expression in essays, novels, travelogues, translations, reviews, reportages and other literary forms. With its comparative study of print cultures with a focus on decolonization and the Cold War, the volume makes a major contribution both to studies of postcolonial literary and print cultures, and to cultural Cold War studies in multilingual and non-Western contexts, and will be of interest to historians and literary scholars alike.

Recoding World Literature

Recoding World Literature
Author: B. Venkat Mani
Publisher: Fordham Univ Press
Total Pages: 469
Release: 2016-12-01
Genre: Social Science
ISBN: 0823273423

Winner, 2018 Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures, Modern Language Association Winner, 2018 German Studies Association DAAD Book Prize in Germanistik and Cultural Studies. From the current vantage point of the transformation of books and libraries, B. Venkat Mani presents a historical account of world literature. By locating translation, publication, and circulation along routes of “bibliomigrancy”—the physical and virtual movement of books—Mani narrates how world literature is coded and recoded as literary works find new homes on faraway bookshelves. Mani argues that the proliferation of world literature in a society is the function of a nation’s relationship with print culture—a Faustian pact with books. Moving from early Orientalist collections, to the Nazi magazine Weltliteratur, to the European Digital Library, Mani reveals the political foundations for a history of world literature that is at once a philosophical ideal, a process of exchange, a mode of reading, and a system of classification. Shifting current scholarship’s focus from the academic to the general reader, from the university to the public sphere, Recoding World Literature argues that world literature is culturally determined, historically conditioned, and politically charged.

Comparing Cultures

Comparing Cultures
Author: Michael Schnegg
Publisher: Cambridge University Press
Total Pages: 237
Release: 2020-05-28
Genre: Language Arts & Disciplines
ISBN: 1108487289

Shows how comparative ethnographic methods can be successfully used to study important human concerns in anthropology.

The Printed Book in Contemporary American Culture

The Printed Book in Contemporary American Culture
Author: Heike Schaefer
Publisher: Springer Nature
Total Pages: 281
Release: 2019-08-28
Genre: Literary Criticism
ISBN: 3030225453

This essay collection explores the cultural functions the printed book performs in the digital age. It examines how the use of and attitude toward the book form have changed in light of the digital transformation of American media culture. Situated at the crossroads of American studies, literary studies, book studies, and media studies, these essays show that a sustained focus on the medial and material formats of literary communication significantly expands our accustomed ways of doing cultural studies. Addressing the changing roles of authors, publishers, and readers while covering multiple bookish formats such as artists’ books, bestselling novels, experimental fiction, and zines, this interdisciplinary volume introduces readers to current transatlantic conversations on the history and future of the printed book.

Transatlantic Print Culture, 1880-1940

Transatlantic Print Culture, 1880-1940
Author: Ann L. Ardis
Publisher: Palgrave MacMillan
Total Pages: 280
Release: 2008-10-31
Genre: Foreign Language Study
ISBN:

Representing the public sphere : the new journalism and its historians / Mark Hampton Staging the public sphere : magazine dialogism and the prosthetics of authorship at the turn of the twentieth century / Ann Ardis Transatlantic print culture : the Anglo-American feminist press and emerging "modernities" / Lucy Delap and Maria DiCenzo Feminist things / Barbara Green Philanthropy and transatlantic print culture / Francesca Sawaya John O'London's weekly and the modern author / Patrick Collier "Women are news" : British women's magazines, 1919-1939 / Fiona Hackney Christopher Morley's Kitty Foyle : (em)bedded in print / Margaret D. Stetz Journalism and modernism, continued : the case of W.T. Stead / Laurel Brake Journalism, modernity, and the globe-trotting girl reporter / Jean Marie Lutes The fine art of cheap print : turn-of-the-century American little magazines / Kirsten MacLeod The newspaper response to Tender buttons, and what it might mean / Leonard Diepeveen Modernist periodicals and pedagogy : an experiment in collaboration / Suzanne W. Churchill.