Disco Dance

Disco Dance
Author: Lori Ortiz
Publisher: Bloomsbury Publishing USA
Total Pages: 188
Release: 2011-03-21
Genre: Performing Arts
ISBN: 0313377472

This book sheds light on the fascinating untold story behind what is collectively and disputably called "disco dancing," and the incredible effect that the phenomenon had on America—in New York City and beyond. Disco is a dance and musical style that still influences these art forms today. Many think that disco "died" completely after the 1970s drew to a close, but in actuality people continued dancing in the clubs after the very word "disco" became an anathema. Disco Dance explains why disco was more than just a dance form or a fad, describing many of the clubs—in New York City especially—where the disco subculture thrived. The author examines the origins of disco music, its evolution, and how young people adapted the dance styles of the day to the disco beat, charting how this dance of celebration and rebellion during troubling times became subject to ridicule by the end of the decade.

Let's Dance

Let's Dance
Author: Peter Young
Publisher: Dundurn
Total Pages: 233
Release: 2002-09-25
Genre: History
ISBN: 1896219020

Let's Dance: A Celebration of Ontario's Dance Halls and Summer Dance Pavilions is a nostalgic musical journey, recapturing the unforgettable music of youth and lasting friendships, the days when the live mellow sounds of Big Bands wafted through the air -- Louis Armstrong, the Dorsey Brothers, Bert Niosi, Art Hallman, Johnny Downs, Mart Kenney, Bobby Kinsman, Ronnie Hawkins .... Throughout the 1920s to the '60s, numerous legendary entertainers drew thousands of people to such memorable venues as the Brant Inn in Burlington, Dunn's Pavilion in Bala, the Stork Club at Port Stanley, to the Club Commodore in Belleville and the Top Hat Pavilion in North Bay -- and the hundreds of other popular dance venues right across Ontario. From the days of jitney dancing through the introduction of jazz and the Big Bands era to the sounds of some of Ontario's best rock groups, people of all ages came to dance and some to find romance on soft summer nights.

Sylvania, Lucas County, Ohio

Sylvania, Lucas County, Ohio
Author: Gayleen Gindy
Publisher: AuthorHouse
Total Pages: 437
Release: 2012-08-24
Genre: History
ISBN: 1477254692

Join the author in reliving Sylvania's over 180 years of history from footpaths to expressways and beyond, in volume two of an eight volume set. With 30 years of research she has included every subject imaginable that helped bring Sylvania to where they are today, with excellent schools, over-the-top parks and recreation, rich beautiful homes, commercial and industrial businesses and a quaint historical dowtown that looks like it was planned by Norman Rockwell himself. This book is a treasure trove of information for the thousands who have ancestors that once lived and helped Sylvania grow through these years. Located in northwestern Ohio, Sylvania is a suburb of Toledo, Ohio and for many years has been known as "the fastest growing suburb in Lucas County." A once rural farm community, between both the city and township they have grown from a combined 2,220 residents in 1910, to 48,487 in 2010. Over a short period of time the land has transformed into beautiful subdivisions of grand houses, so that now their subdivision names are all that remain to remind them of their once dense forests and sprawling farmlands. No longer can Sylvania be called the "bedroom community" of Toledo, because over the last 50 years they have done a lot more than sleep.

AKASHVANI

AKASHVANI
Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR),New Delhi
Total Pages: 58
Release: 1981-06-21
Genre: Antiques & Collectibles
ISBN:

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 21 JUNE, 1981 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 58 VOLUME NUMBER: Vol. XLVI, No. 25 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-56 ARTICLE: 1. Educating the Blind is Not a Luxury 2. The Role of Intellectuals in Modern India 3. A code of conduct for a Democratic Society 4. Nangal Fertilizer Factory Completes its Twenty Years 5. Writers can Serve India and Humanity 6. Role of Petrochemicals in our Daily Life AUTHOR: 1. G. Jayaraman 2. Khushwant Singh 3. M. M. Pathan 4. O. P. Dutta 5. Birendra Kumar Bhattacharya 6. Dr. Daljit Singh KEYWORDS : 1.Education,psychological problems,obstacles 2.Recent examples, a role to play,. 3. Secular Bias,religious spirit 4.Expansion project 5.Ensemble 6.Agro wastes, polymers Document ID : APE-1981-(Mar-June)Vol-I-13 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Appalachian Dance

Appalachian Dance
Author: Susan Eike Spalding
Publisher: University of Illinois Press
Total Pages: 289
Release: 2014-09-15
Genre: Performing Arts
ISBN: 0252096452

In Appalachian Dance: Creativity and Continuity in Six Communities, Susan Eike Spalding brings to bear twenty-five years' worth of rich interviews with black and white Virginians, Tennesseeans, and Kentuckians to explore the evolution and social uses of dance in each region. Spalding analyzes how issues as disparate as industrialization around coal, plantation culture, race relations, and the 1970s folk revival influenced freestyle clogging and other dance forms like square dancing in profound ways. She reveals how African Americans and Native Americans, as well as European immigrants drawn to the timber mills and coal fields, brought movement styles that added to local dance vocabularies. Placing each community in its sociopolitical and economic context, Spalding analyzes how the formal and stylistic nuances found in Appalachian dance reflect the beliefs, shared understandings, and experiences of the community at large, paying particular attention to both regional and racial diversity. Written in clear and accessible prose, Appalachian Dance is a lively addition to the literature and a bold contribution to scholarship concerned with the meaning of movement and the ever-changing nature of tradition.

The Encyclopedia of Country Music

The Encyclopedia of Country Music
Author: Michael McCall
Publisher: Oxford University Press
Total Pages: 1786
Release: 2004-12-16
Genre: Music
ISBN: 019984044X

Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association "Any serious country music fan will treasure this authoritative book." --The Seattle Times "A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy." --The Nashville Musician "Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans." --Houston Chronicle "This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions." --San Francisco Examiner "Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended." --Library Journal

String Bands in the North Carolina Piedmont

String Bands in the North Carolina Piedmont
Author: Bob Carlin
Publisher: McFarland
Total Pages: 276
Release: 2014-12-24
Genre: Music
ISBN: 078648036X

String band music is most commonly associated with the mountains of North Carolina and other rural areas of the Blue Ridge and Appalachian mountains, but it was just as abundant in Piedmont region of North Carolina, albeit with different influences and stylistic conventions. This work focuses exclusively on the history and culture of the area, the music's development and the changes within traditional communities of the Piedmont. It begins with a discussion of the settlement of the Piedmont in the mid-1700s and early references to secular folk music, including the attitudes the various ethnic and religious groups had on music and dance, the introduction of the fiddle and the banjo, and outside influences such as minstrel shows, Hawaiian music and classical banjo. It then goes on to cover African-Americans and string band music; the societal functions of square dances held at private homes and community centers; the ways in which musicians learned to play the music and bought their instruments; fiddler's conventions and their history as community fundraisers; the recording industry and Piedmont musicians who cut recordings, including Ernest Thompson and the North Carolina Cooper Boys; Bascom Lamar Lunsford and the Carolina Folk Festival; the influence of live radio stations, including WPTF in Raleigh, WGWR in Asheboro, WSJS in Winston-Salem, WBIG in Greensboro and WBT in Charlotte; the first generation of locally-bred country entertainers, including Charlie Monroe's Kentucky Partners, Gurney Thomas and Glenn Thompson; and bluegrass and musical change following World War II.