Folk Visions and Voices

Folk Visions and Voices
Author: Art Rosenbaum
Publisher: University of Georgia Press
Total Pages: 261
Release: 2013-10-01
Genre: Music
ISBN: 0820346136

Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.

Slave Songs of the Georgia Sea Islands

Slave Songs of the Georgia Sea Islands
Author:
Publisher: University of Georgia Press
Total Pages: 325
Release: 1992-03-01
Genre: Music
ISBN: 0820323896

A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture. Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia. Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print. The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs. Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.

Nanci Griffith's Other Voices

Nanci Griffith's Other Voices
Author: Nanci Griffith
Publisher: Three Rivers Press (CA)
Total Pages: 280
Release: 1998
Genre: Folk music
ISBN:

In a lively celebration of the contemporary folk music scene, Nanci Griffith tells the story of her music evolution and introduces the songwriters and performers who contributed to her Grammy Award-winning album, "Other Voices, Other Rooms" and her new album, "Other Voices, Too: A Trip Back to Bountiful". 100 photos.

Traditional Anglo-American Folk Music

Traditional Anglo-American Folk Music
Author: Norm Cohen
Publisher: Routledge
Total Pages: 800
Release: 2015-12-22
Genre: Social Science
ISBN: 1317333918

Originally published in 1994. Filling a gap in the sound recordings of traditional Anglo-American folk music this volume covers both vocal and instrumental material from the 1920s to the 1990s. The listings have also been limited to performers native to the tradition rather than "revival" performers. The album selection is grouped into field recordings and commercial (pre-1942) recordings, with subdivisions into individual recordings or anthologies. The discography not only reflects its author’s in-depth knowledge of Anglo-American folk music’s historical development but charts a valuable step forward in the evaluation, as well as select lissting, of available sound recordings.

Sacred and Profane

Sacred and Profane
Author: Carol Crown
Publisher: Univ. Press of Mississippi
Total Pages: 340
Release: 2007
Genre: Art
ISBN: 9781578069163

A sustained critical assessment of southern folk art and self-taught art and artists

Political Folk Music in America from Its Origins to Bob Dylan

Political Folk Music in America from Its Origins to Bob Dylan
Author: Lawrence J. Epstein
Publisher: McFarland
Total Pages: 214
Release: 2010-03-08
Genre: Social Science
ISBN: 0786456019

Many American folk singers have tried to leave their world a better place by writing songs of social protest. Musicians like Woody Guthrie, Leadbelly, Pete Seeger, Bob Dylan, and Joan Baez sang with fierce moral voices to transform what they saw as an uncaring society. But the personal tales of these guitar-toting idealists were often more tangled than the comparatively pure vision their art would suggest. Many singers produced work in the midst of personal failure and deeply troubled relationships, and under the influence of radical ideas and organizations. This provocative work examines both the long tradition of folk music in its American political context and the lives of those troubadours who wrote its most enduring songs.

The Social Harp

The Social Harp
Author: John G. McCurry
Publisher:
Total Pages: 300
Release: 2009
Genre: Music
ISBN: 9780820331515

One of the rarest country songbooks, it contains 222 pieces, mostly folktune settings, dating from the time between the Revolution and the Civil War. This facsimile reprinting has appendices useful for the study of its sources and an introduction that throws light on the men who wrote for nineteenth-century American songsters.

Wake Up Dead Man

Wake Up Dead Man
Author: Bruce Jackson
Publisher: University of Georgia Press
Total Pages: 388
Release: 1999
Genre: Music
ISBN: 9780820321585

Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.