Global Spaces of Chinese Culture

Global Spaces of Chinese Culture
Author: Sylvia Van Ziegert
Publisher: Routledge
Total Pages: 238
Release: 2013-09-13
Genre: Social Science
ISBN: 1135523444

This book is an exploration of how Chinese communites in the United States and Germany create and disseminate a sense of diasporic Chinese identity. It not only compares the local conditions of the Chinese communities in the two locations, but also moves to a global dimension to track the Chinese transnational imaginary. Van Ziegert analyzes three strategies that overseas Chinese use to articulate their identities as diasporic subjects: being more American/German being more Chinese hybridizing and commodifying Chinese culture through trans-cultural performances. These three strategies are not mutually exclusive and they often intersect and supplement each other in unexpected ways. The author also analyzes how the everyday lives of overseas Chinese connect with global and local factors, and how these experiences contribute to the formation of a global Chinese identity.

Time and Space in Chinese Culture

Time and Space in Chinese Culture
Author: Chun-chieh Huang
Publisher: BRILL
Total Pages: 408
Release: 2021-09-13
Genre: History
ISBN: 9004488286

All cultures and times have their own notions of time and space. Being one of the fundamental ideas in every society they influence virtually every aspect of society. In this book the authors explain the notions of time and space in China, how culturally concrete and particularly Chinese they are and how significant such Chinese cultural-ness of these notions is. Seventeen scholars of various disciplinary backgrounds have treated topics within this general perspective in a comprehensive way.

Global Space and the Nationalist Discourse of Modernity

Global Space and the Nationalist Discourse of Modernity
Author: Xiaobing Tang
Publisher: Stanford University Press
Total Pages: 304
Release: 1996-04
Genre: History
ISBN: 0804725837

This book reexamines the historical thinking of Liang Qichao (1873-1929), one of the few modern Chinese thinkers and cultural critics whose appreciation of the question of modernity was based on first-hand experience of the world space in which China had to function as a nation-state. It seeks to demonstrate that Liang was not only a profoundly paradigmatic modern Chinese intellectual but also an imaginative thinker of worldwide significance. By tracing the changes in Liang's conception of history, the author shows that global space inspired both Liang's longing for modernity and his critical reconceptualization of modern history. Spatiality, or the mode of determining spatial organization and relationships, offers a new interpretive category for understanding the stages in Liang's historical thinking. Liang's historical thinking culminated in a global imaginary of difference, which became most evident in the shift from his earlier proposal for a uniform national history to one that mapped "cultural history." His reaffirmation of spatiality, a critical concept overshadowed by the modernist obsession with time and history, made it both necessary and possible for him to redesign the project of modernity. Finally, the author suggests that the reconciliation of anthropological space with historical time that Liang achieved makes him abundantly contemporary with our own time, both inextricably modern and postmodern.

Global Spaces of Chinese Culture

Global Spaces of Chinese Culture
Author: Sylvia Van Ziegert
Publisher: Routledge
Total Pages: 240
Release: 2013-09-13
Genre: Social Science
ISBN: 1135523517

This book is an exploration of how Chinese communites in the United States and Germany create and disseminate a sense of diasporic Chinese identity. It not only compares the local conditions of the Chinese communities in the two locations, but also moves to a global dimension to track the Chinese transnational imaginary. Van Ziegert analyzes three strategies that overseas Chinese use to articulate their identities as diasporic subjects: being more American/German being more Chinese hybridizing and commodifying Chinese culture through trans-cultural performances. These three strategies are not mutually exclusive and they often intersect and supplement each other in unexpected ways. The author also analyzes how the everyday lives of overseas Chinese connect with global and local factors, and how these experiences contribute to the formation of a global Chinese identity.

China’s Strategy in Space

China’s Strategy in Space
Author: Stacey Solomone
Publisher: Springer Science & Business Media
Total Pages: 120
Release: 2013-06-12
Genre: Technology & Engineering
ISBN: 1461466903

This book addresses why China is going into space and provides up- to-date information on all aspects of the Chinese Space Program in terms of launch vehicles, launch sites and infrastructure, crew vehicles for space exploration, satellite applications and scientific exploration capabilities. Beyond mere capabilities, it is important to understand how Chinese aerospace leaders think, how they make decisions, and what their ultimate goal is during their space endeavors. What are Chinese intentions in space? To what extent does culture and ethics influence Chinese strategic decision-making within the highest levels of the aerospace industrial complex? This book examines these questions and offers four potential scenarios on where the Chinese space program is headed based on this new perspective of understanding China’s space goals. This book is not only required reading for policy makers and military leaders in the US government, but also for the general population, students, and professionals interested in truly understanding the reasons behind what the Chinese are doing in space.

Writing Beijing

Writing Beijing
Author: Yiran Zheng
Publisher: Rowman & Littlefield
Total Pages: 169
Release: 2016-04-29
Genre: Social Science
ISBN: 1498531024

One of the oldest cities in the world, Beijing was an imperial capital for centuries. After the founding of the People’s Republic of China in 1949, Beijing became not only the political center of the new communist country, but also the signifier of socialist ideol-ogy and revolutionary culture. Now, in the 21st century, Beijing embodies global conflicts and global connections. Over the course of the last century, then, Beijing moved from the quintessential “traditional” capital to the symbol of communist urban form and finally to a cosmopolitan metropolis. These three stages in the history of Beijing and its shifting representations are the topic of this study. Like other capitals, Beijing is much more than its physical entity. It also functions as a concept, a representation. As city planners have (and continue to) present Beijing to the world as a model, the fluctuating images of Beijing have become solidified in urban space. Today, the urban form of Beijing juxtaposes diverse spaces that span centuries, embodying the various representations of the city by its planners in different eras. These representations of space also provide possibilities for writers to rethink and rebuild the city in their literary works. Chinese writers and filmmakers often essentialize those urban spaces by making them symbols of different urban cultures, the old houses representing “traditional,” “patriarchal” Chinese culture while soviet-style buildings reflect revolu-tionary culture. Finally, the more recent sprouting of apartments, condos, and townhouses stands for the invasion of western modernity and provides evidence of global capitalism in contemporary China. Inspired by Henri Lefebvre, this study establishes a framework that connects urban spaces (representations of space) to writers and literary productions (representational space). I analyze the three major urban spatial forms of traditional, communist, and glob-alized Beijing and examine what these urban spaces mean to Chinese writers and filmmakers as well as how they use them to configure particular images of Beijing. I argue that these different configurations are actually the projections of those writers and filmmakers’ own cultural imaginations; they provoke a form of emotional catharsis and also produce alternative visions of the cityscape.

A World History of Chinese Literature

A World History of Chinese Literature
Author: Yingjin Zhang
Publisher: Taylor & Francis
Total Pages: 553
Release: 2023-07-25
Genre: Literary Criticism
ISBN: 1000895068

Providing a broad introduction to the area, A World History of Chinese Literature maps the field of Chinese literature across its various worlds, looking both within – at the world of Chinese literature, its history, linguistic, cultural, local, and regional specificities – and without – at the way Chinese literature has circulated throughout the world. The thematic focus allows for a broad number of key categories, such as authors, genres, genders, regions, as well as innovative explorations of new topics and issues such as inter-arts performativity and transmediation. The sections cover the circulation and reception of China in world literature, as well as the worlds of: Chinese literature across the globe Borders, oceans, and rainforests Comparative literary genres Translingual writers and scholars Gender configurations Translation and transmediation With a focus on the twentieth and twenty-first century, this collection intervenes in current debates on global Chinese literature, Sinophone and Sinoscript studies, and the production and reception of literary works by ethnic Chinese in non-Sinitic languages, as well as Anglophone literature inspired by Chinese literary tradition. It will be of interest to anyone working on or studying Chinese literature, language and culture, as well as world literatures in relation to China.

Spatial Literary Studies in China

Spatial Literary Studies in China
Author: Ying Fang
Publisher: Springer Nature
Total Pages: 368
Release: 2022-11-14
Genre: Literary Criticism
ISBN: 3031039149

Spatial Literary Studies in China explores the range of vibrant and innovative research being done in China today. Chinese scholars have been exploring spatially oriented literary criticism in two different and mutually reinforcing directions: the first has focused on the study of Western literature, especially U.S. and European texts and theory, and the second has examined Chinese cultures, texts, and spaces. This collection of essays demonstrates Chinese scholars’ insightful interpretation, evaluation, and innovative application of international spatial analyses, theories, and methodologies, as well as their inspiring exploration and reconstruction of distinctively Chinese critical and theoretical discourses. For the first time in English, the essays in this volume demonstrate the vitality of literary geography, geocriticism, and the spatial humanities in China in the twenty-first century.

8W8 - Global Space Tribes

8W8 - Global Space Tribes
Author: Ralf Hirt
Publisher: 8W8 - Global Space Tribes
Total Pages: 335
Release: 2007-11
Genre: Fiction
ISBN: 0979954908

8W8 - Global Space Tribes is a new way to see the world. It is written for everyone who uses the Internet, travels and is interested in any aspect of the world in the 21st century. The Golden Sky is a community comprised of 15 charismatic Internet activists from the worlds of business, finance, media, government, bio sciences, medicine, social and religious activists and environmentalists. They came together to meet on Hawaii in the fantastically beautiful mountain home, EA-RA, of the Chinese Internet billionaire, Winston Chee. There they develop a new world modeling engine, ultimately named, 8W8, which would find the invisible digital elements, i.e. the online population and digital activities, and render them visible to the world stake holding factors they define. Global Space Tribes are the Internet users The Golden Sky is able to identify with 8W8. They exist out of elements that come together in streams and interconnect with other streams around the world and can be visualized and volumized from the cockpit of the 8W8 world modeling engine, which The Golden Skyers dubbed the 8W8 Helicopter for the purpose of entering virtual rides. The pilot of the 8W8 Helicopter, albeit, an Internet user, a marketer, a traveler or political candidate or simply "You" of any background, could virtually ride over the flattened but fragmented world identifying subjectively or objectively new virtual structures, tracking the flow and concentrations of criteria such as: the presence or lack of wealth, trade, interconnectivity, beliefs, environmental conditions, peace record, happiness, and any other factors that are normally invisible for the naked eye. When BridgeMan, Winston's business partner from San Francisco, comes to EA-RA and learns about 8W8, he saw an immediate benefit for himself and the world in general. He extolled the concept as a way of making the invisibilities of the 21st century visible and of improving the state of the world...