Hollywood's Dark Cinema

Hollywood's Dark Cinema
Author: R. Barton Palmer
Publisher:
Total Pages: 232
Release: 1994
Genre: Performing Arts
ISBN:

These morbid tales of criminality, fatal attraction, and social failure are now the subject of scholarly writing, international film festivals, and high-ticket Hollywood remakes.

Hollywood's Dark Cinema

Hollywood's Dark Cinema
Author: R. Barton Palmer
Publisher: Macmillan Reference USA
Total Pages: 206
Release: 1994
Genre: Film noir
ISBN: 9780805793352

The focus here is on a type of Hollywood film that has long been designated by a French critical term: film noir, or 'dark cinema'. Dark cinema, we may say, has enjoyed two periods of popularity, only the first of which will be treated here in significant detail.

Hollywood Black

Hollywood Black
Author: Donald Bogle
Publisher: Running Press Adult
Total Pages: 663
Release: 2019-05-07
Genre: Performing Arts
ISBN: 076249140X

The films, the stars, the filmmakers-all get their due in Hollywood Black, a sweeping overview of blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle. The story opens in the silent film era, when white actors in blackface often played black characters, but also saw the rise of independent African American filmmakers, including the remarkable Oscar Micheaux. It follows the changes in the film industry with the arrival of sound motion pictures and the Great Depression, when black performers such as Stepin Fetchit and Bill "Bojangles" Robinson began finding a place in Hollywood. More often than not, they were saddled with rigidly stereotyped roles, but some gifted performers, most notably Hattie McDaniel in Gone With the Wind (1939), were able to turn in significant performances. In the coming decades, more black talents would light up the screen. Dorothy Dandridge became the first African American to earn a Best Actress Oscar nomination for Carmen Jones (1954), and Sidney Poitier broke ground in films like The Defiant Ones and1963's Lilies of the Field. Hollywood Black reveals the changes in images that came about with the evolving social and political atmosphere of the US, from the Civil Rights era to the Black Power movement. The story takes readers through Blaxploitation, with movies like Shaft and Super Fly, to the emergence of such stars as Cicely Tyson, Richard Pryor, Eddie Murphy, and Whoopi Goldberg, and of directors Spike Lee and John Singleton. The history comes into the new millennium with filmmakers Barry Jenkins (Moonlight), Ava Du Vernay (Selma),and Ryan Coogler (Black Panther); megastars such as Denzel Washington, Will Smith, and Morgan Freeman; as well as Halle Berry, Angela Bassett, Viola Davis, and a glorious gallery of others. Filled with evocative photographs and stories of stars and filmmakers on set and off, Hollywood Black tells an underappreciated history as it's never before been told.

The Persistence of Whiteness

The Persistence of Whiteness
Author: Daniel Bernardi
Publisher: Routledge
Total Pages: 417
Release: 2007-09-12
Genre: Performing Arts
ISBN: 1135976457

The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.

Black Hollywood

Black Hollywood
Author: Carell Augustus
Publisher: Sourcebooks
Total Pages: 240
Release: 2022-10-04
Genre: Art
ISBN: 9781728258393

Carell Augustus is a genius. --Karamo Brown A visionary photography book that brings together the best of classic Hollywood with today's iconic Black entertainers for an immersive experience unlike anything you've ever seen before. Features a foreword by Academy Award winner Forest Whitaker and an afterword by beloved entertainer Niecy Nash! Black Hollywood is a groundbreaking reimagining of Hollywood's most beloved films, including Breakfast at Tiffany's, Singin' in the Rain, Mission: Impossible, Forrest Gump, and more. Visionary photographer Carell Augustus has created a who's who of today's Black entertainers recreating iconic cinematic scenes, renewing readers' appreciation of the past while asking questions about representation in media and inspiring the artists of the future. Compiled over the course of more than ten years and highlighting more than sixty-five stars such as Vanessa L. Williams, Dulé Hill, Karamo Brown, Shermar Moore, and others, Carell Augustus says, Black Hollywood is not just a book for Black people--it's a book for all people about Black people. About the dreams we were never told we could achieve. About the places we were never told we could go. And now, finally, about how we can get there.

Cinema Wars

Cinema Wars
Author: Douglas M. Kellner
Publisher: John Wiley & Sons
Total Pages: 297
Release: 2011-09-13
Genre: Performing Arts
ISBN: 1444360493

Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise Investigates Hollywood’s treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama

White Screens/Black Images

White Screens/Black Images
Author: James Snead
Publisher: Routledge
Total Pages: 176
Release: 2016-07-22
Genre: Social Science
ISBN: 1135199590

Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white supremacist discourse? In these essays, completed shortly before his death in 1989, James Snead offers a thoughtful inquiry into the intricate modes of racial coding in Hollywood cinema from 1915 to 1985. Snead presents three major methods through which the racist ideology within film functions: mythification, in which black images are correlated in a larger sceme of semiotic valuation where the dominant I needs the marginal other in order to function effectively; marking, in which the color black is repeatedly over-determined and redundantly marked, as if to force the viewer to register the image's difference from white; and omission--the repetition of black absence from positions of autonomy and importance. White Screens/Black Images offers an array of film texts, drawn from both classical Hollywood cinema and black independent film culture. Individual chapters analyze Birth of a Nation , King Kong , Shirley Temple in The Littlest Rebel and The Little Colonel , Mae West in I'm No Angel , Marlene Dietrich in Blonde Venus , Bette Davis in Jezebel , the racism of Disney's Song of the South , and Taxi Driver . Making skillful use of developments in both structuralist and post-structuralist film theory, Snead's work speaks not only to the centrality of race in Hollywood films, but to its centrality in the formation of modern American culture.

Contemporary Hollywood Cinema

Contemporary Hollywood Cinema
Author: STEVE NEALE
Publisher: Routledge
Total Pages: 361
Release: 2013-04-15
Genre: Social Science
ISBN: 1135108765

A comprehensive overview of the film industry in Hollywood today, Contemporary Hollywood Cinema brings together leading international cinema scholars to explore the technology, institutions, film makers and movies of contemporary American film making.

Not Hollywood

Not Hollywood
Author: Sherry B. Ortner
Publisher: Duke University Press
Total Pages: 349
Release: 2013-02-27
Genre: Social Science
ISBN: 0822354268

The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.