The Imitation Factor

The Imitation Factor
Author: Lee Alan Dugatkin
Publisher: Simon and Schuster
Total Pages: 266
Release: 2000
Genre: Animal behavior
ISBN: 0684864533

An acclaimed biologist draws on a wide range of his own and others' research into the behavior of fish, birds, whales, and humans to reveal the failure of genetic determination to explain mating behavior and the fundamental process of learning.

The Oxford Handbook of Developmental Psychology, Vol. 1

The Oxford Handbook of Developmental Psychology, Vol. 1
Author: Philip David Zelazo
Publisher: Oxford University Press
Total Pages: 1049
Release: 2013-03-21
Genre: Medical
ISBN: 0199958459

This handbook provides a comprehensive survey of what is now known about psychological development, from birth to biological maturity, and it highlights how cultural, social, cognitive, neural, and molecular processes work together to yield human behavior and changes in human behavior.

Constructing Transnational and Transracial Identity

Constructing Transnational and Transracial Identity
Author: Sigalit Ben-Zion
Publisher: Springer
Total Pages: 271
Release: 2014-11-26
Genre: Social Science
ISBN: 1137472820

Norway, Sweden, and Denmark are home to more than 90,000 transnational adoptees of Scandinavian parents raised in a predominantly white environment. This ethnography provides a unique perspective on how these transracial adoptees conceptualize and construct their sense of identity along the intersection of ethnicity, family, and national lines.

Imitation and Society

Imitation and Society
Author: Tom Huhn
Publisher: Penn State Press
Total Pages: 234
Release: 2007-08-09
Genre: Philosophy
ISBN: 9780271046013

This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was taken to apply only in the relation of art to nature, it was judged to be too limited when the focus of aesthetics changed to questions about the constitution of individual subjects in regard to taste. Tom Huhn argues that mimesis, rather than disappearing, instead became a far more pervasive idea in the eighteenth century by becoming submerged within the dynamics of the emerging accounts of judgment and taste. Mimesis also thereby became enmeshed in the ideas of sociality contained, often only implicitly, within the new accounts of aesthetic judgment. The book proceeds by reading three of the foundational treatises in aesthetics—Burke’s Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Hogarth’s Analysis of Beauty, and Kant’s Critique of Judgment—with an eye for discerning where arguments and analyses betray mimetic structures. Huhn attempts to explicate these books anew by arguing that they are pervaded by a mimetic dynamic. Overall, he seeks to provoke a reconsideration of eighteenth-century aesthetics that centers on its continuity with traditional notions of mimesis.

Medieval and Early Modern Authorship

Medieval and Early Modern Authorship
Author: Guillemette Erne, Lukas Bolens
Publisher: BoD – Books on Demand
Total Pages: 330
Release: 2014-10-16
Genre: Language Arts & Disciplines
ISBN: 382336667X

From Guilt to Shame

From Guilt to Shame
Author: Ruth Leys
Publisher: Princeton University Press
Total Pages: 212
Release: 2009-01-10
Genre: History
ISBN: 1400827981

Why has shame recently displaced guilt as a dominant emotional reference in the West? After the Holocaust, survivors often reported feeling guilty for living when so many others had died, and in the 1960s psychoanalysts and psychiatrists in the United States helped make survivor guilt a defining feature of the "survivor syndrome." Yet the idea of survivor guilt has always caused trouble, largely because it appears to imply that, by unconsciously identifying with the perpetrator, victims psychically collude with power. In From Guilt to Shame, Ruth Leys has written the first genealogical-critical study of the vicissitudes of the concept of survivor guilt and the momentous but largely unrecognized significance of guilt's replacement by shame. Ultimately, Leys challenges the theoretical and empirical validity of the shame theory proposed by figures such as Silvan Tomkins, Eve Kosofsky Sedgwick, and Giorgio Agamben, demonstrating that while the notion of survivor guilt has depended on an intentionalist framework, shame theorists share a problematic commitment to interpreting the emotions, including shame, in antiintentionalist and materialist terms.

Imitating Authors

Imitating Authors
Author: Colin Burrow
Publisher: Oxford University Press
Total Pages: 483
Release: 2019-05-16
Genre: Literary Criticism
ISBN: 0192575147

Imitating Authors is a major study of the theory and practice of imitatio (the imitation of one author by another) from antiquity to the present day. It extends from early Greek texts right up to recent fictions about clones and artificial humans, and illuminates both the theory and practice of imitation. At its centre lie the imitating authors of the English Renaissance, including Ben Jonson and the most imitated imitator of them all, John Milton. Imitating Authors argues that imitation was not simply a matter of borrowing words, or of alluding to an earlier author. Imitators learnt practices from earlier writers. They imitated the structures and forms of earlier writing in ways that enabled them to create a new style which itself could be imitated. That made imitation an engine of literary change. Imitating Authors also shows how the metaphors used by theorists to explain this complex practice fed into works which were themselves imitations, and how those metaphors have come to influence present-day anxieties about imitation human beings and artificial forms of intelligence. It explores relationships between imitation and authorial style, its fraught connections with plagiarism, and how emerging ideas of genius and intellectual property changed how imitation was practised. In refreshing and jargon-free prose Burrow explains not just what imitation was in the past, but how it influences the present, and what it could be in the future. Imitating Authors includes detailed discussion of Plato, Roman rhetorical theory, Virgil, Lucretius, Petrarch, Cervantes, Ben Jonson, Milton, Pope, Wordsworth, Mary Shelley, and Kazuo Ishiguro.

Imitation and Contamination of the Classics in the Comedies of Ben Jonson

Imitation and Contamination of the Classics in the Comedies of Ben Jonson
Author: Tom Harrison
Publisher: Taylor & Francis
Total Pages: 222
Release: 2022-10-12
Genre: Performing Arts
ISBN: 1000798747

This book focuses on the influence of classical authors on Ben Jonson’s dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists. It illuminates the interdependence of the aspects of Jonson’s creative personality by considering how classical performance elements, including the Aristophanic ‘Great Idea,’ chorus, Terentian/Plautine performative strategies, and ‘performative’ elements from literary satire, manifest themselves in the structuring and staging of his plays. This fascinating exploration contributes to the ‘performative turn’ in early modern studies by reframing Jonson’s classicism as essential to his dramaturgy as well as his erudition. The book is also a case study for how the early modern education system’s emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on recycling and recombining performative tropes and structures.