| Author | : Mary McCoy |
| Publisher | : Simon and Schuster |
| Total Pages | : 336 |
| Release | : 2022-07-12 |
| Genre | : Juvenile Fiction |
| ISBN | : 1534485066 |
In the city of Memphis, eighteen-year-old Lee and her boyfriend Vincent make a popular podcast on artists in love, but Lee learns that stories of happily-ever-after love do not always mirror real life.
| Author | : Museum of Modern Art (New York, N.Y.) |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 360 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9780870706684 |
"Presents some seventy works-- books, collages, drawings, films, paintings, photographs, photomontages, prints, readymades, reliefs-- in large-scale reproductions and accompanying them with in-depth essays by an interdepartmental group of the Museum's curators."--Front jacket flap.
| Author | : Michael R. Matthews |
| Publisher | : Springer |
| Total Pages | : 829 |
| Release | : 2019-07-17 |
| Genre | : Science |
| ISBN | : 3030166732 |
This volume has 41 chapters written to honor the 100th birthday of Mario Bunge. It celebrates the work of this influential Argentine/Canadian physicist and philosopher. Contributions show the value of Bunge’s science-informed philosophy and his systematic approach to philosophical problems. The chapters explore the exceptionally wide spectrum of Bunge’s contributions to: metaphysics, methodology and philosophy of science, philosophy of mathematics, philosophy of physics, philosophy of psychology, philosophy of social science, philosophy of biology, philosophy of technology, moral philosophy, social and political philosophy, medical philosophy, and education. The contributors include scholars from 16 countries. Bunge combines ontological realism with epistemological fallibilism. He believes that science provides the best and most warranted knowledge of the natural and social world, and that such knowledge is the only sound basis for moral decision making and social and political reform. Bunge argues for the unity of knowledge. In his eyes, science and philosophy constitute a fruitful and necessary partnership. Readers will discover the wisdom of this approach and will gain insight into the utility of cross-disciplinary scholarship. This anthology will appeal to researchers, students, and teachers in philosophy of science, social science, and liberal education programmes. 1. Introduction Section I. An Academic Vocation (3 chapters) Section II. Philosophy (12 chapters) Section III. Physics and Philosophy of Physics (4 chapters) Section IV. Cognitive Science and Philosophy of Mind (2 chapters) Section V. Sociology and Social Theory (4 chapters) Section VI. Ethics and Political Philosophy (3 chapters) Section VII. Biology and Philosophy of Biology (3 chapters) Section VIII. Mathematics (3 chapters) Section IX. Education (2 chapters) Section X. Varia (3 chapters) Section XI. Bibliography
| Author | : Dario Gamboni |
| Publisher | : Reaktion Books |
| Total Pages | : 418 |
| Release | : 2013-06-01 |
| Genre | : Art |
| ISBN | : 1780231547 |
Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art. Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts. Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.
| Author | : Meredith Williams |
| Publisher | : Routledge |
| Total Pages | : 345 |
| Release | : 2009-12-21 |
| Genre | : Philosophy |
| ISBN | : 1135203237 |
There is considerable debate amongst philosophers as to the basic philosophical problem Wittgenstein is attempting to solve in Philosophical Investigations. In this bold and original work, Meredith Williams argues that it is the problem of "normative similarity". In Blind Obedience Williams demonstrates how Wittgenstein criticizes traditional, representationalist theories of language by employing the ‘master/novice’ distinction of the learner, arguing that this distinction is often overlooked but fundamental to understanding philosophical problems about mind and language. The book not only provides revealing discussions of Wittgenstein’s corpus but also intricate analyses of the work of Brandom, Dummett, Frege, Sellars, Davidson, Cavell and others. These are usefully compared in a bid to better situate Wittgenstein’s non-intellectualist, non-theoretical approach and to highlight is unique features.
| Author | : Alfred North Whitehead |
| Publisher | : |
| Total Pages | : 326 |
| Release | : 1925 |
| Genre | : Science |
| ISBN | : |
| Author | : Adina Kamien-Kazhdan |
| Publisher | : Routledge |
| Total Pages | : 433 |
| Release | : 2018-05-11 |
| Genre | : Art |
| ISBN | : 0429843569 |
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
| Author | : Carolyn Christov-Bakargiev |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 75 |
| Release | : 2012-03-30 |
| Genre | : Art |
| ISBN | : 3775730699 |
Carolyn Christov-Bakargiev reflects on the historical as well as personal notion of destruction and art, as well as on the potential healing power that art can have. Guiding us through a web of etymological, historical, philosophical, personal, and art historical references, she takes the reader from Melanie Klein's thinking about the dyadic relationship between mother and child and Walter Benjamin's reflection on Klee's Angelus Novus, to object studies starting with Man Ray's metronomes, his Objects of Destruction, and Lee Miller's photographs from the end of World War II, to Gustav Metzger's "Manifesto of Auto-Destruction," to melted objects from the Beirut National Museum and the blown-up Bamiyan Buddhas, which are accompanied by Michael Petzet's report of ICOMOS's response to the destroyed monuments, followed by artworks by Michael Rakowitz and drawings with poems by Anna Boghiguian, in addition to a postscript by art historian Dario Gamboni on the destruction of art, the concept of "world heritage," and the legislation around it. For Christov-Bakargiev, "the sphere of art is poised on the edge of the private and of history, and becomes the location where one can experiment the possibilities of being on the edge of the anthropocentric, where the rubble lies." Carolyn Christov-Bakargiev (*1957) is Artistic Director of dOCUMENTA (13). Language: English/German
