Author | : Richard Max Brickner |
Publisher | : |
Total Pages | : 320 |
Release | : 1943 |
Genre | : History |
ISBN | : |
Author | : Richard Max Brickner |
Publisher | : |
Total Pages | : 320 |
Release | : 1943 |
Genre | : History |
ISBN | : |
Author | : Benjamin Leontief Alpers |
Publisher | : Univ of North Carolina Press |
Total Pages | : 422 |
Release | : 2003-01-01 |
Genre | : History |
ISBN | : 9780807854167 |
Focusing on portrayals of Mussolini's Italy, Hitler's Germany, and Stalin's Russia in U.S. films, magazine and newspaper articles, books, plays, speeches, and other texts, Benjamin Alpers traces changing American understandings of dictatorship from the la
Author | : Laura Dana Puffer Morgan |
Publisher | : |
Total Pages | : 162 |
Release | : 1943 |
Genre | : World War, 1939-1945 |
ISBN | : |
Author | : Susan Benedict |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2014-04-24 |
Genre | : History |
ISBN | : 1317859391 |
This book is about the ethics of nursing and midwifery, and how these were abrogated during the Nazi era. Nurses and midwives actively killed their patients, many of whom were disabled children and infants and patients with mental (and other) illnesses or intellectual disabilities. The book gives the facts as well as theoretical perspectives as a lens through which these crimes can be viewed. It also provides a way to teach this history to nursing and midwifery students, and, for the first time, explains the role of one of the world’s most historically prominent midwifery leaders in the Nazi crimes.
Author | : Hans Wilhelm Gatzke |
Publisher | : Harvard University Press |
Total Pages | : 348 |
Release | : 1980 |
Genre | : History |
ISBN | : 9780674353268 |
A discerning statement about Germany and other nations, this book reevaluates for the general reader and the historian the impact of rapid industrialization, the origins of the world wars, the question of war guilt, the decade of Weimar democracy, and the rise and fall of Hitler. Gatzke looks anew at the economic miracle in West Germany and the consequences of making prosperity the cornerstone of a new republic.
Author | : John T. Flynn |
Publisher | : Ludwig von Mises Institute |
Total Pages | : 296 |
Release | : 1973 |
Genre | : Fascism |
ISBN | : 1610164970 |
Author | : Jennifer M. Kapczynski |
Publisher | : University of Michigan Press |
Total Pages | : 272 |
Release | : 2010-02-11 |
Genre | : History |
ISBN | : 0472025279 |
The German Patient takes an original look at fascist constructions of health and illness, arguing that the idea of a healthy "national body"---propagated by the Nazis as justification for the brutal elimination of various unwanted populations---continued to shape post-1945 discussions about the state of national culture. Through an examination of literature, film, and popular media of the era, Jennifer M. Kapczynski demonstrates the ways in which postwar German thinkers inverted the illness metaphor, portraying fascism as a national malady and the nation as a body struggling to recover. Yet, in working to heal the German wounds of war and restore national vigor through the excising of "sick" elements, artists and writers often betrayed a troubling affinity for the very biopolitical rhetoric they were struggling against. Through its exploration of the discourse of collective illness, The German Patient tells a larger story about ideological continuities in pre- and post-1945 German culture. Jennifer M. Kapczynski is Assistant Professor of Germanic Languages and Literatures at Washington University in St. Louis. She is the coeditor of the anthology A New History of German Cinema. Cover art: From The Murderers Are Among Us (1946). Reprinted courtesy of the Deutsche Kinemathek. "A highly evocative work of meticulous scholarship, Kapczynski's deftly argued German Patient advances the current revaluation of Germany's postwar reconstruction in wholly original and even exciting ways: its insights into discussions of collective sickness and health resonate well beyond postwar Germany." ---Jaimey Fischer, University of California, Davis "The German Patient provides an important historical backdrop and a richly specific cultural context for thinking about German guilt and responsibility after Hitler. An eminently readable and engaging text." ---Johannes von Moltke, University of Michigan "This is a polished, eloquently written, and highly informative study speaking to the most pressing debates in contemporary Germany. The German Patient will be essential reading for anyone interested in mass death, genocide, and memory." ---Paul Lerner, University of Southern California
Author | : R. Harwood |
Publisher | : Рипол Классик |
Total Pages | : 73 |
Release | : 1978 |
Genre | : History |
ISBN | : 5872760469 |
Author | : Jeffrey K. Olick |
Publisher | : University of Chicago Press |
Total Pages | : 397 |
Release | : 2005-09 |
Genre | : History |
ISBN | : 0226626385 |
The central question for both the victors and the vanquished of World War II was just how widely the stain of guilt would spread over Germany. Political leaders and intellectuals on both sides of the conflict debated whether support for National Socialism tainted Germany's entire population and thus discredited the nation's history and culture. The tremendous challenge that Allied officials and German thinkers faced as the war closed, then, was how to limn a postwar German identity that accounted for National Socialism without irrevocably damning the idea and character of Germany as a whole. In the House of the Hangman chronicles this delicate process, exploring key debates about the Nazi past and German future during the later years of World War II and its aftermath. What did British and American leaders think had given rise to National Socialism, and how did these beliefs shape their intentions for occupation? What rhetorical and symbolic tools did Germans develop for handling the insidious legacy of Nazism? Considering these and other questions, Jeffrey K. Olick explores the processes of accommodation and rejection that Allied plans for a new German state inspired among the German intelligentsia. He also examines heated struggles over the value of Germany's institutional and political heritage. Along the way, he demonstrates how the moral and political vocabulary for coming to terms with National Socialism in Germany has been of enduring significance—as a crucible not only of German identity but also of contemporary thinking about memory and social justice more generally. Given the current war in Iraq, the issues contested during Germany's abjection and reinvention—how to treat a defeated enemy, how to place episodes within wider historical trajectories, how to distinguish varieties of victimhood—are as urgent today as they were sixty years ago, and In the House of the Hangman offers readers an invaluable historical perspective on these critical questions.