Musical Theory in the Renaissance

Musical Theory in the Renaissance
Author: CristleCollins Judd
Publisher: Routledge
Total Pages: 635
Release: 2017-07-05
Genre: History
ISBN: 1351556843

This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.

The Renaissance Reform of Medieval Music Theory

The Renaissance Reform of Medieval Music Theory
Author: Stefano Mengozzi
Publisher: Cambridge University Press
Total Pages: 305
Release: 2010-02-11
Genre: Music
ISBN: 0521884152

A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.

Music Theory and Natural Order from the Renaissance to the Early Twentieth Century

Music Theory and Natural Order from the Renaissance to the Early Twentieth Century
Author: Suzannah Clark
Publisher: Cambridge University Press
Total Pages: 262
Release: 2001
Genre: Music
ISBN: 9780521771917

Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.

Reading Renaissance Music Theory

Reading Renaissance Music Theory
Author: Cristle Collins Judd
Publisher: Cambridge University Press
Total Pages: 370
Release: 2000-11-30
Genre: Music
ISBN: 9780521771443

Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).

Tactus , Mensuration and Rhythm in Renaissance Music

Tactus , Mensuration and Rhythm in Renaissance Music
Author: Ruth I. DeFord
Publisher: Cambridge University Press
Total Pages: 517
Release: 2015-04-23
Genre: Music
ISBN: 1107064724

Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.

Music Education in the Middle Ages and the Renaissance

Music Education in the Middle Ages and the Renaissance
Author: Susan Forscher Weiss
Publisher: Indiana University Press
Total Pages: 424
Release: 2010-07-16
Genre: Music
ISBN: 0253004551

What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.

Music and Riddle Culture in the Renaissance

Music and Riddle Culture in the Renaissance
Author: Katelijne Schiltz
Publisher: Cambridge University Press
Total Pages: 550
Release: 2015-04-23
Genre: Music
ISBN: 1316299899

Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450–1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.

A Performer's Guide to Renaissance Music, Second Edition

A Performer's Guide to Renaissance Music, Second Edition
Author: Jeffery Kite-Powell
Publisher: Indiana University Press
Total Pages: 498
Release: 2007-08-02
Genre: Music
ISBN: 0253348668

Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Plucked instruments / Paul O'Dette -- The harp / Herbert Myers -- Early percussion / Benjamin Harms -- Keyboard instruments / Jack Ashworth -- Practical considerations/instrumentation. Proto-continuo / Jack Ashworth and Paul O'Dette ; Mixed ensembles / James Tyler ; Large ensembles / Jeffery Kite-Powell ; Rehearsal tips for directors / Adam Knight Gilbert ; Performance editions / Frederick Gable -- Performance practice. Tuning and temperament / Ross Duffin ; Pitch and transposition / Herbert Myers ; Ornamentation in sixteenth-century music / Bruce Dickey ; Pronunciation guides / Ross Duffin -- Aspects of theory. Eight brief rules for composing a si placet altus, ca. 1470-1510 / Adam Knight Gilbert ; Renaissance theory / Sarah Mead -- Introduction to Renaissance dance. Early Renaissance dance, 1450-1520 / Yvonne Kendall -- For the early music director. Starting from scratch / Jeffery Kite-Powell.

Citation and Authority in Medieval and Renaissance Musical Culture

Citation and Authority in Medieval and Renaissance Musical Culture
Author: Suzannah Clark
Publisher: Boydell & Brewer Ltd
Total Pages: 286
Release: 2005
Genre: Music
ISBN: 9781843831662

Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.