Author | : Martin Quigley |
Publisher | : |
Total Pages | : 216 |
Release | : 1953 |
Genre | : Cinematography |
ISBN | : |
Author | : Martin Quigley |
Publisher | : |
Total Pages | : 216 |
Release | : 1953 |
Genre | : Cinematography |
ISBN | : |
Author | : Jacob Israel Biegeleisen |
Publisher | : Courier Corporation |
Total Pages | : 196 |
Release | : 1958-01-01 |
Genre | : Crafts & Hobbies |
ISBN | : 9780486204338 |
Presents basic silk screening principles with instructions for making and printing stencil designs plus a brief history of stencilling as an art
Author | : Eric R. Williams |
Publisher | : Taylor & Francis |
Total Pages | : 334 |
Release | : 2017-07-28 |
Genre | : Performing Arts |
ISBN | : 1317364031 |
Once you understand the basics of screenwriting, ideas for your next screenplay are everywhere. Whether it comes from a favorite children’s book, a summer novel you discover accidentally, a news story that catches your imagination, or a chapter from your own life — advanced screenwriting strategies should now guide you through your first adaptation. In Screen Adaptation: Beyond the Basics, award-winning screenwriter Eric Williams uses examples from award-winning screenplays to explain new storytelling techniques. His real-world examples illustrate a range of advanced approaches — including new ways to identify and craft tension, how to reimagine structure and character, and how to strengthen emotional depth in your characters and in the audience. Screen Adaptation: Beyond the Basics teaches readers new ways to engage with source material in order to make successful adaptation decisions, regardless of the source material. The book offers: Three detailed examples of award-winning adaptations by the author, including the complete short story and final scripts used in the Voices From the Heartland project; Breakout boxes highlighting modern and historical adaptations and providing examples for each concept discussed in the book; More than fifty charts providing easy-to-use visual representations of complex concepts; New screenwriting techniques developed by the author, including the Triangle of Knowledge, the Storyteller’s Parallax, and the idea of Super Genres as part of a Screenwriters Taxonomy.
Author | : Andrew Utterson |
Publisher | : Psychology Press |
Total Pages | : 172 |
Release | : 2005 |
Genre | : Cinematography |
ISBN | : 9780415319850 |
Bringin together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.
Author | : Martin Rieser |
Publisher | : British Film Institute |
Total Pages | : 376 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : |
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Author | : Paul Thimou |
Publisher | : |
Total Pages | : 132 |
Release | : 2006 |
Genre | : Screen process printing |
ISBN | : 9781616739294 |
Author | : Ray Zone |
Publisher | : University Press of Kentucky |
Total Pages | : 458 |
Release | : 2012-07-06 |
Genre | : Performing Arts |
ISBN | : 0813136113 |
Stereoscopic cinema began in the early 19th century and exploded in the 1950s in Hollywood. Its status as an enduring genre was confirmed in 2009 by the success of 3-D movie 'Avatar'.
Author | : Kristian Bankov |
Publisher | : Springer Nature |
Total Pages | : 247 |
Release | : 2022-02-23 |
Genre | : Philosophy |
ISBN | : 3030925552 |
This book reveals the core features of digital culture, examined by means of semiotic models and theories. It positions commercial and market principles in the center of the digital semiosphere, avoiding the need to force the new cultural reality into the established textualist or pragmatist paradigms. The theoretic insights and case studies presented here argue for new semiotic models of inquiry that include working with big data, user experience and nethnography, along with conventional approaches. The book develops a new concept of identity in the digital age, analyzing the digital flows of recognition and value, which led to the tremendous success of Social Media and the Web 2.0 era. Self-expression, entertainment and consumerism are seen as the major drivers of identity formation in the post-truth era, where the self can no longer be considered independently of a given person’s communication devices, where a substantial part of it is stored and actualized. It will be of interest to semioticians and researchers working on digital culture.