Repeat

by Mark Ravenhill

Author	: Mark Ravenhill
Publisher	: A&C Black
Total Pages	: 256
Release	: 2014-02-03
Genre	: Drama
ISBN	: 1408110040

GET BOOK

Shoot/Get Treasure/Repeat is an epic cycle of plays exploring the personal and political effect of war on modern life. The plays that make up Shoot/Get Treasure/Repeat began life at the 2007 Edinburgh Festival Fringe as Ravenhill for Breakfast (produced by Paines Plough), winning a Fringe First award, and the Jack Tinker Spirit of the Fringe award. They form a collage of very different scenes, with each taking its title from a classic work. The plays were presented in April 2008 in various venues across London, from Notting Hill to a Victorian warehouse in Shoreditch, via Sloane Square and the South Bank. Shoot/Get Treasure/Repeat was originally developed in association with the National Theatre Studio and Paines Plough, and was first produced as Ravenhill for Breakfast at the Traverse Theatre, Edinburgh in August 2007 by Paines Plough, with the support of David Johnson.

The Cane

by Mark Ravenhill

Author	: Mark Ravenhill
Publisher	: Bloomsbury Publishing
Total Pages	: 123
Release	: 2019-02-14
Genre	: Performing Arts
ISBN	: 1350108820

GET BOOK

It will be the biggest send off any teacher has ever had. No teacher is as loved. After 45 years as a dedicated teacher, Edward is looking forward to the imminent celebration to mark his retirement. But his home is under siege. A mob of angry students have gathered. A brick has been thrown through the window, he and his wife haven't left the house for six days, and now his estranged daughter has arrived with her own questions. Why would they attack the most popular teacher in the school? The Cane explores power, control, identity and gender as well as considering the major failure of the echo-chamber of liberalism.

Finance, Terror, and Science on Stage

by Kerstin Frank

Author	: Kerstin Frank
Publisher	: Narr Francke Attempto Verlag
Total Pages	: 277
Release	: 2017-08-21
Genre	: Literary Criticism
ISBN	: 3823391429

GET BOOK

This collection of essays examines the contribution of British plays to key social, political, and intellectual debates since 2000. It explores some of the most pressing concerns that have dominated the public discourse in Britain in the last decade, focusing on their representation in dramatic texts. Each essay provides an in-depth analysis of one play, assessing its particular contribution to the debate in question. The book aims to show how contemporary drama has developed unique ways to present the complexities and ambiguities of certain issues with aesthetic as well as emotional appeal.

Ravenhill Plays: 3

by Mark Ravenhill

Author	: Mark Ravenhill
Publisher	: A&C Black
Total Pages	: 353
Release	: 2013-10-24
Genre	: Drama
ISBN	: 1472512995

GET BOOK

'Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation' Time Out Shoot/Get Treasure/Repeat: 'A dramatic cycle that is, in its way, epic, but is splintered into many small shards... touches deftly on the impact of war on everyone involved' Financial Times Over There:'Ravenhill explores postwar Germany's division and unification through the power battles between twin brothers. The result is fantastically clever and ingenious' Guardian A Life in Three Acts: 'By turns charming, funny, informative and, in its final segment, lump-in-the-throat moving as Bourne charts the loss of friends and lovers to Aids, and contemplates old age' Guardian Ten Plagues: 'A remarkable song-cycle... it's the portrait of grief beyond measure that's so affecting and which this moving hour of solitudinous lamentation, confusion and defiance brings beautifully to the fore.' Telegraph Ghost Story: 'both a satire and a moving story about illness' Guardian The Experiment: 'Mark Ravenhill keeps things creepy in his monologue, The Experiment, in which he plays the satiny-voiced, slippery narrator... The story, and the narrator's level of complicity, keeps shifting. Ravenhill asks us to consider which version, if any, might be acceptable, and how much we might be willing to avert our eyes from for the greater good.' Independent

Theatre on Terror

by Ariane de Waal

Author	: Ariane de Waal
Publisher	: Walter de Gruyter GmbH & Co KG
Total Pages	: 278
Release	: 2017-05-08
Genre	: Literary Criticism
ISBN	: 3110515431

GET BOOK

In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities.

Watching War on the Twenty-First Century Stage

by Clare Finburgh Delijani

Author	: Clare Finburgh Delijani
Publisher	: Bloomsbury Publishing
Total Pages	: 438
Release	: 2017-07-27
Genre	: Performing Arts
ISBN	: 1472598679

GET BOOK

What do we watch when we watch war? Who manages public perceptions of war and how? Watching War on the Twenty-First-Century Stage: Spectacles of Conflict is the first publication to examine how theatre in the UK has staged, debated and challenged the ways in which spectacle is habitually weaponized in times of war. The 'battle for hearts and minds' and the 'war of images' are fields of combat that can be as powerful as armed conflict. And today, spectacle and conflict – the two concepts that frame the book – have joined forces via audio-visual technologies in ways that are more powerful than ever. Clare Finburgh's original and interdisciplinary interrogation provides a richly provocative account of the structuring role that spectacle plays in warfare, engaging with the works of philosopher Guy Debord, cultural theorist Jean Baudrillard, visual studies specialist Marie-José Mondzain, and performance scholar Hans-Thies Lehmann. She offers coherence to a large and expanding field of theatrical war representation by analysing in careful detail a spectrum of works as diverse as expressionist drama, documentary theatre, comedy, musical satire and dance theatre. She demonstrates how features unique to the theatrical art, namely the construction of a fiction in the presence of the audience, can present possibilities for a more informed engagement with how spectacles of war are produced and circulated. If we watch with more resistance, we may contribute in significant ways to the demilitarization of images. And what if this were the first step towards a literal demilitarization?

Dystopia(n) Matters

by Fátima Vieira

Author	: Fátima Vieira
Publisher	: Cambridge Scholars Publishing
Total Pages	: 325
Release	: 2013-07-16
Genre	: History
ISBN	: 1443850233

GET BOOK

The volume is divided into two parts, separated by an Intermezzo. The first part, “Dystopia Matters”, benefits from the contribution of reputed scholars of the field of Utopian Studies, who were asked to make a statement explaining why dystopia is important. The Intermezzo completes this part and offers the reader an informed discussion of the concepts of utopia, dystopia and anti-utopia whilst providing ground for the case studies presented in the second part, in the sections devoted to literature, film, and theatre. In one way or another, despite the variety of approaches, all contributors argue for the idea that, if dystopia has invaded most forms of contemporary discourse, its sibling, utopia, has not been eradicated from the scene. Furthermore, the studies show that the tension between the two concepts is instrumental to our cautious, conscious, and tentative construction of the future.

Mother Clap's Molly House

by Mark Ravenhill

Author	: Mark Ravenhill
Publisher	: A&C Black
Total Pages	: 139
Release	: 2014-05-29
Genre	: Drama
ISBN	: 1472538005

GET BOOK

'Like bawdy Shakespeare meets wild Wycherley filtered through the formalised camp of John Osborne's A Patriot for Me...how wonderful to see the rabid raw talent of Ravenhhill given the full works' Michael Coveney, Daily Mail It's London 1726, and Mrs Tull's got problems. The whores are giving her a hard time, a man in a dress is looking for a job, her husband has a roving eye and the apprentice boy keeps disappearing for 'a wander'. Meanwhile in 2001 a group of wealthy gay men are preparing for a raunchy party.Mother Clap's Molly House, a black comedy with songs is a celebration of the diversity of human sexualtiy, an exploration of our need to form families and a fascinatig insight into a hidden chapter in London's history.'Ravenhill's writing is tough, eloquent, sardonic, with some of the barbed formality of the Resotration style, which gets brutally peeled off in the present-day scenes. This is not a play you "enjoy". This is not a gay play either...The message of this play is not "Come out", but "Come in".' John Peter, Sunday Times.'Mark Ravenhill clearly likes to have it both ways. In this wonderfuly exuberant new musical play, he celebrates Sodom like there's no Gomorrah... Delicate souls may be offended but there is no doubting the sincerity of Ravenhill's assault on the tranformation of sex into a dirty business.' Michael Billington, Guardian'A theatrical manifesto for sexual tolerance that teeters wildly between the politics of Bertolt Brecht and the in-your-face deviancy of a gay nightclub... Ravenhill combines graphic sex with a generosity of spirit' Charles Spencer, Daily TelegraphMother Clap's Molly House premiered at the Royal National Theatre, London in October 2001.

284

by Mireia Aragay

Author	: Mireia Aragay
Publisher	: Walter de Gruyter GmbH & Co KG
Total Pages	: 250
Release	: 2017-08-21
Genre	: Literary Criticism
ISBN	: 3110548712

GET BOOK

Drawing primarily on Judith Butler’s, Jacques Derrida’s, Emmanuel Levinas’s and Jean-Luc Nancy’s reflections on precariousness/precarity, the Self and the Other, ethical responsibility/obligation, forgiveness, hos(ti)pitality and community, the essays in this volume examine the various ways in which contemporary British drama and theatre engage with ‘the precarious’. Crucially, what emerges from the discussion of a wide range of plays – including Jez Butterworth’s Jerusalem, Caryl Churchill’s Here We Go, Martin Crimp’s Fewer Emergencies and In the Republic of Happiness, Tim Crouch’s The Author, Forced Entertainment’s Tomorrow’s Parties, David Greig’s The American Pilot and The Events, Dennis Kelly’s Love and Money, Mark Ravenhill’s Shoot/Get Treasure/Repeat, Philip Ridley’s Mercury Fur, Robin Soans’s Talking to Terrorists, Simon Stephens’s Pornography, theTheatre Uncut project, debbie tucker green’s dirty butterfly and Laura Wade’s Posh – is the observation that contemporary (British) drama and theatre often realises its thematic and formal/structural potential to the full precisely by reflecting upon the category and the episteme of precariousness, and deliberately turning audience members into active participants in the process of negotiating ethical agency.