Author | : Percy Mansell Jones |
Publisher | : Manchester University Press |
Total Pages | : 376 |
Release | : 1961 |
Genre | : French literature |
ISBN | : |
Author | : Percy Mansell Jones |
Publisher | : Manchester University Press |
Total Pages | : 376 |
Release | : 1961 |
Genre | : French literature |
ISBN | : |
Author | : Christopher Prendergast |
Publisher | : Princeton University Press |
Total Pages | : 737 |
Release | : 2017-02-21 |
Genre | : Literary Criticism |
ISBN | : 1400885043 |
An accessible and authoritative new history of French literature, written by a highly distinguished transatlantic group of scholars This book provides an engaging, accessible, and exciting new history of French literature from the Renaissance through the twentieth century, from Rabelais and Marguerite de Navarre to Samuel Beckett and Assia Djebar. Christopher Prendergast, one of today's most distinguished authorities on French literature, has gathered a transatlantic group of more than thirty leading scholars who provide original essays on carefully selected writers, works, and topics that open a window onto key chapters of French literary history. The book begins in the sixteenth century with the formation of a modern national literary consciousness, and ends in the late twentieth century with the idea of the "national" coming increasingly into question as inherited meanings of "French" and "Frenchness" expand beyond the geographical limits of mainland France. Provides an exciting new account of French literary history from the Renaissance to the end of the twentieth century Features more than thirty original essays on key writers, works, and topics, written by a distinguished transatlantic group of scholars Includes an introduction and index The contributors include Etienne Beaulieu, Christopher Braider, Peter Brooks, Mary Ann Caws, David Coward, Nicholas Cronk, Edwin M. Duval, Mary Gallagher, Raymond Geuss, Timothy Hampton, Nicholas Harrison, Katherine Ibbett, Michael Lucey, Susan Maslan, Eric Méchoulan, Hassan Melehy, Larry F. Norman, Nicholas Paige, Roger Pearson, Christopher Prendergast, Jean-Michel Rabaté, Timothy J. Reiss, Sarah Rocheville, Pierre Saint-Amand, Clive Scott, Catriona Seth, Judith Sribnai, Joanna Stalnaker, Aleksandar Stević, Kate E. Tunstall, Steven Ungar, and Wes Williams.
Author | : John Taylor |
Publisher | : Transaction Publishers |
Total Pages | : 384 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 0765803704 |
Although the great French novelists of the last two centuries are widely read in America, there is a widespread notion that little of importance has happened in French literature since the heyday of Sartre, Camus, and the nouveau roman. Curious American readers seeking new, up-to-date information and analyses will find in Paths to Contemporary French Literature a stimulating and much-needed guide to the major currents of one of the worldas great literatures. This critical panorama of contemporary French literature introduces English-language readers to over fifty important writers and poets. Emphasizing authors who are admired by their peers (as opposed to those with overnight reputations), John Taylor offers a compelling insideras view.
Author | : Masha Belenky |
Publisher | : Rowman & Littlefield |
Total Pages | : 247 |
Release | : 2017-03-30 |
Genre | : Literary Criticism |
ISBN | : 1611496381 |
French Cultural Studies for the Twenty-First Century brings together current scholarship on a diverse range of topics—from French postcards and Third Republic menus to Haitian literary magazines and representation of race in vaudeville theater—in order to provide methodological insight into the current practice of French cultural studies. The essays in the volume show how scholars of French studies can effectively analyze what we term “non-traditional sources” in their historical and geographical contexts. In doing so, the volume offers a compelling vision of the field today and maps out potential paradigms for future research. This bookbuilds upon previous scholarship that defined the stakes of using an interdisciplinary approach to analyze cultural objects from France and Francophone regions and aims to evaluate the current state of this complex and constantly evolving field and its current methodological practices.
Author | : Denis Hollier |
Publisher | : Harvard University Press |
Total Pages | : 1202 |
Release | : 1994 |
Genre | : Education |
ISBN | : 9780674615663 |
An introduction to the history of French literature, covering from 842 to 1990.
Author | : Vincent Robert-Nicoud |
Publisher | : BRILL |
Total Pages | : 298 |
Release | : 2018-09-11 |
Genre | : Literary Criticism |
ISBN | : 9004381821 |
In The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something ‘topsy-turvy’ in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors.
Author | : René Taupin |
Publisher | : New York : AMS Press |
Total Pages | : 324 |
Release | : 1985 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Anne Grydehøj |
Publisher | : University of Wales Press |
Total Pages | : 268 |
Release | : 2021-07-05 |
Genre | : Literary Criticism |
ISBN | : 178683720X |
This book offers a study of Danish, Norwegian, Swedish and French crime fictions covering a fifty-year period. From 1965 to the present, both Scandinavian and French societies have undergone significant transformations. Twelve literary case studies examine how crime fictions in the respective contexts have responded to shifting social realities, which have in turn played a part in transforming the generic codes and conventions of the crime novel. At the centre of the book’s analysis is crime fiction’s negotiation of the French model of Republican universalism and the Scandinavian welfare state, both of which were routinely characterised as being in a state of crisis at the end of the twentieth century. Adopting a comparative and interdisciplinary approach, the book investigates the interplay between contemporary Scandinavian and French crime narratives, considering their engagement with the relationship of the state and the citizen, and notably with identity issues (class, gender, sexuality and ethnicity in particular).
Author | : Anna-Louise Milne |
Publisher | : Cambridge University Press |
Total Pages | : 303 |
Release | : 2021-03-25 |
Genre | : Literary Criticism |
ISBN | : 1108658849 |
Our global literary field is fluid and exists in a state of constant evolution. Contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation; the collapse of the distinction between 'French' and 'Francophone' literature has opened up French writing to a world of new influences and interactions. In this collection, renowned scholars provide thoughtful close readings of a whole range of genres, from graphic novels to crime fiction to the influence of television and film, to analyse modern French fiction in its historical and sociological context. Allowing students of contemporary French literature and culture to situate specific works within broader trends, the volume provides an engaging, global and timely overview of contemporary fiction writing in French, and demonstrates how our modern literary world is more complex and diverse than ever before.