| Author | : Emil Otto Hoppé |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 1922 |
| Genre | : Beauty, Personal |
| ISBN | : |
Vanity Fair's Women on Women
| Author | : Radhika Jones |
| Publisher | : Penguin |
| Total Pages | : 448 |
| Release | : 2019-10-29 |
| Genre | : Literary Collections |
| ISBN | : 052556215X |
Looking back at the last thirty-five years of Vanity Fair stories on women, by women, with an introduction by the magazine’s editor in chief, Radhika Jones Gail Sheehy on Hillary Clinton. Ingrid Sischy on Nicole Kidman. Jacqueline Woodson on Lena Waithe. Leslie Bennetts on Michelle Obama. And two Maureens (Orth and Dowd) on two Tinas (Turner and Fey). Vanity Fair’s Women on Women features a selection of the best profiles, essays, and columns on female subjects written by female contributors to the magazine over the past thirty-five years. From the viewpoint of the female gaze come penetrating profiles on everyone from Gloria Steinem to Princess Diana to Whoopi Goldberg to essays on workplace sexual harassment (by Bethany McLean) to a post–#MeToo reassessment of the Clinton scandal (by Monica Lewinsky). Many of these pieces constitute the first draft of a larger cultural narrative. They tell a singular story about female icons and identity over the last four decades—and about the magazine as it has evolved under the editorial direction of Tina Brown, Graydon Carter, and now Radhika Jones, who has written a compelling introduction. When Vanity Fair’s inaugural editor, Frank Crowninshield, took the helm of the magazine in 1914, his mission statement declared, “We hereby announce ourselves as determined and bigoted feminists.” Under Jones’s leadership, Vanity Fair continues the publication’s proud tradition of highlighting women’s voices—and all the many ways they define our culture.
Fair Women, Dark Men
| Author | : Peter Frost |
| Publisher | : Cybereditions Corporation |
| Total Pages | : 127 |
| Release | : 2005 |
| Genre | : Social Science |
| ISBN | : 9781877275722 |
Frost examines whether color prejudice or black slavery came first. Did slavery create negative feelings toward dark skin? Or was it the other way around? Frost argues that skin color had a very different meaning before slavery, as the main differencei
Dream of Fair to Middling Women
| Author | : Samuel Beckett |
| Publisher | : Faber & Faber |
| Total Pages | : 242 |
| Release | : 2020-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 0571358063 |
Beckett's first 'literary landmark' ( St Petersburg Times) is a wonderfully savoury introduction to the Nobel Prize-winning author. Written in 1932, when the twenty-six-year-old Beckett was struggling to make ends meet, the novel offers a rare and revealing portrait of the artist as a young man. When submitted to several publishers, all of them found it too literary, too scandalous or too risky; it was only published posthumously in 1992. As the story begins, Belacqua - a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba - 'wrestles with his lusts and learning across vocabularies and continents, before a final "relapse into Dublin"' ( New Yorker). Youthfully exuberant and Joycean in tone, Dream is a work of extraordinary virtuosity.
My Fair Ladies
| Author | : Julie Wosk |
| Publisher | : Rutgers University Press |
| Total Pages | : 249 |
| Release | : 2015-07-28 |
| Genre | : Performing Arts |
| ISBN | : 0813563399 |
The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.
Find Your Unicorn Space
| Author | : Eve Rodsky |
| Publisher | : Penguin |
| Total Pages | : 353 |
| Release | : 2022-09-13 |
| Genre | : Self-Help |
| ISBN | : 0593328035 |
From the New York Times bestselling author of Fair Play and "the Marie Kondo of relationships" comes an inspirational guide for setting new personal goals, rediscovering your interests, cultivating creativity, and reclaiming your Unicorn Space. With her acclaimed New York Times bestseller (and Reese’s Book Club pick) Fair Play, Eve Rodsky began a national conversation and launched a movement toward greaterequality on the home front. But she soon realized that even when the domestic workloadbecame more balanced, women were still reporting dissatisfaction in their lives—that is,unless they used the precious time they carved out for activities that filled not just theircalendar but also their soul. Rodsky calls this vital time our “Unicorn Space”—the active pursuit of creative selfexpressiondoing the thing that makes you uniquely YOU. To help readers embrace allthe unlikely, surprising, and delightful places where their own Unicorn Space may befound, she speaks with thought leaders and countless real women who have discoveredtheirs everywhere—from activism to artistic endeavors to second careers. Rodsky revealswhat researchers already know: Creativity is not optional. It’s essential. Though most ofus do need to remind ourselves how (and where) to find it. With her trademark mix of how-to advice and big-picture inspirational thinking, Rodskyshows us a clear plan to reclaim the lost art of having fun, manifest your own UnicornSpace in an already too-busy life, and unleash your talents into the world.
The Fair Women
| Author | : Jeanne Madeline Weimann |
| Publisher | : Academy Chicago Publishers, Limited |
| Total Pages | : 632 |
| Release | : 1981 |
| Genre | : History |
| ISBN | : |
The World's Columbian Exhibition, held in Chicago in 1893, included amazing exhibits of the results of women's activities-- in the arts, in industry, in science, and in reform and philanthropic work. Most of these were housed in the Women's Building, which was designed, decorated, and controlled entirely by women. Weimann traces the struggles among the women for the domination of the Board of Lake Managers, describing the politics and passion for the first time.
The Book of Joan
| Author | : Lidia Yuknavitch |
| Publisher | : HarperCollins |
| Total Pages | : 227 |
| Release | : 2017-04-18 |
| Genre | : Fiction |
| ISBN | : 0062383299 |
A New York Times Notable Book • BuzzFeed 50 Books We Can’t Wait to Read this Year • New York Times Book Review Editor’s Choice • National Bestseller “Brilliant and incendiary.” — Jeff VanderMeer, New York Times Book Review "Stunning. . . . Yuknavitch understands that our collective narrative can either destroy or redeem us, and the outcome depends not just on who’s telling it, but also on who’s listening.” — O, The Oprah Magazine “[A] searing fusion of literary fiction and reimagined history and science-fiction thriller and eco-fantasy.” — NPR Books The bestselling author of The Small Backs of Children offers a vision of our near-extinction and a heroine—a reimagined Joan of Arc—poised to save a world ravaged by war, violence, and greed, and forever change history In the near future, world wars have transformed the earth into a battleground. Fleeing the unending violence and the planet’s now-radioactive surface, humans have regrouped to a mysterious platform known as CIEL, hovering over their erstwhile home. The changed world has turned evolution on its head: the surviving humans have become sexless, hairless, pale-white creatures floating in isolation, inscribing stories upon their skin. Out of the ranks of the endless wars rises Jean de Men, a charismatic and bloodthirsty cult leader who turns CIEL into a quasi-corporate police state. A group of rebels unite to dismantle his iron rule—galvanized by the heroic song of Joan, a child-warrior who possesses a mysterious force that lives within her and communes with the earth. When de Men and his armies turn Joan into a martyr, the consequences are astonishing. And no one—not the rebels, Jean de Men, or even Joan herself—can foresee the way her story and unique gift will forge the destiny of an entire world for generations. A riveting tale of destruction and love found in the direst of places—even at the extreme end of post-human experience—Lidia Yuknavitch’s The Book of Joan raises questions about what it means to be human, the fluidity of sex and gender, and the role of art as a means for survival.
