| Author | : Stanisław Lem |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Competition (Psychology) |
| ISBN | : |
Trurl and Klaupacius are constructor robots who try to out-invent each other. They travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their employers.
| Author | : Stanislaw Lem |
| Publisher | : MIT Press |
| Total Pages | : 341 |
| Release | : 2021-09-14 |
| Genre | : Fiction |
| ISBN | : 0262366657 |
Twelve stories by science fiction master Stanisław Lem, nine of them never before published in English. Of these twelve short stories by science fiction master Stanisław Lem, only three have previously appeared in English, making this the first "new" book of fiction by Lem since the late 1980s. The stories display the full range of Lem's intense curiosity about scientific ideas as well as his sardonic approach to human nature, presenting as multifarious a collection of mad scientists as any reader could wish for. Many of these stories feature artificial intelligences or artificial life forms, long a Lem preoccupation; some feature quite insane theories of cosmology or evolution. All are thought provoking and scathingly funny. Written from 1956 to 1993, the stories are arranged in chronological order. In the title story, "The Truth," a scientist in an insane asylum theorizes that the sun is alive; "The Journal" appears to be an account by an omnipotent being describing the creation of infinite universes--until, in a classic Lem twist, it turns out to be no such thing; in "An Enigma," beings debate whether offspring can be created without advanced degrees and design templates. Other stories feature a computer that can predict the future by 137 seconds, matter-destroying spores, a hunt in which the prey is a robot, and an electronic brain eager to go on the lam. These stories are peak Lem, exploring ideas and themes that resonate throughout his writing.
| Author | : Stanislaw Lem |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 316 |
| Release | : 2002 |
| Genre | : Fiction |
| ISBN | : 9780156027595 |
Trurl and Klaupacius are constructor robots who try to out-invent each other. They travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their employers. The most completely successful of his books ... here Lem comes closest to inventing a real universe (Boston Globe). Translated by Michael Kandel.
| Author | : Stanisław Lem |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 256 |
| Release | : 1992 |
| Genre | : Fiction |
| ISBN | : 9780156621618 |
Publisher description: Translated from the original Polish text, and with an introduction by Michael Kandel. These fourteen science fiction stories reveal Stainslaw Lem's fascination with artificial intelligence and demonstrate just how surprisingly human sentient machines can be. The first eleven stories, a cycle called "Fables for Robots," are set in a cosmos inhabited exclusively by machines. Revolving around an assortment of electroknights and cyberkings, the stories combine the timeless quality of fairy tales and parables with a twist that is unmistakably Lem.
| Author | : Stanislaw Lem |
| Publisher | : HMH |
| Total Pages | : 243 |
| Release | : 2002-12-04 |
| Genre | : Fiction |
| ISBN | : 0547995121 |
Robot armies, an arms race in space, and a brain at war with itself add up to “a futuristic version of Dr. Jekyll and Mr. Hyde” (The Boston Phoenix). Anxious to avoid a war that would destroy the entire planet, the major powers of Earth have come to an ingenious compromise. Each country sends a force of adaptable, self-programming robots to the surface of the moon to play out the conflict there and, hopefully, reach a mutually agreeable stalemate. But when the robots stop responding, it is up to Ijon Tichy to travel to the lunar war zone and discover what went wrong. Tichy finds what he needs to know, but falls victim to an attack that severs the left and right sides of his brain: one of which knows nothing about the status of the moon, the other of which isn’t telling. Now Tichy finds himself at the center of a new sort of war of attrition, with each world power clamoring for his knowledge and each half of his stubborn brain clamoring for control. Wry and action-packed in equal measure, Stanislaw Lem’s absurd, insightful sendup of the Cold War is required reading for any fan of science fiction. Here, “humor and a breathless pace create a delightful and thought-provoking read” (Publishers Weekly).
| Author | : Stanislaw Lem |
| Publisher | : MIT Press |
| Total Pages | : 359 |
| Release | : 2021-09-28 |
| Genre | : Philosophy |
| ISBN | : 0262542935 |
The first English translation of a nonfiction work by Stanisław Lem, which was "conceived under the spell of cybernetics" in 1957 and updated in 1971. In 1957, Stanisław Lem published Dialogues, a book "conceived under the spell of cybernetics," as he wrote in the preface to the second edition. Mimicking the form of Berkeley's Three Dialogues between Hylas and Philonous, Lem's original dialogue was an attempt to unravel the then-novel field of cybernetics. It was a testimony, Lem wrote later, to "the almost limitless cognitive optimism" he felt upon his discovery of cybernetics. This is the first English translation of Lem's Dialogues, including the text of the first edition and the later essays added to the second edition in 1971. For the second edition, Lem chose not to revise the original. Recognizing the naivete of his hopes for cybernetics, he constructed a supplement to the first dialogue, which consists of two critical essays, the first a summary of the evolution of cybernetics, the second a contribution to the cybernetic theory of the "sociopathology of governing," amending the first edition's discussion of the pathology of social regulation; and two previously published articles on related topics. From the vantage point of 1971, Lem observes that original book, begun as a search for methods "that would increase our understanding of both the human and nonhuman worlds," was in the end "an expression of the cognitive curiosity and anxiety of modern thought."
| Author | : Peter Swirski |
| Publisher | : Liverpool Science Fiction Text |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Literary Criticism |
| ISBN | : 9781781381205 |
'Lemography' is a unique collection of critical essays on Stanislaw Lem, writer and philosopher hailed on more than one occasion as a literary Einstein. Its aim is to introduce aspects of his work hitherto unknown or neglected by scholarship and evaluate his influence on twentieth-century literature and culture - and beyond.
| Author | : Stanislaw Lem |
| Publisher | : HMH |
| Total Pages | : 225 |
| Release | : 2012-07-18 |
| Genre | : Fiction |
| ISBN | : 0544080092 |
An eerie and offbeat mystery by a Kafka Prize–winning author. The case confronting Lieutenant Gregory is not one that a man of Scotland Yard would expect. In fact, it is not one any sane man would care to entertain. Bodies are disappearing. The initial assumption is that a grave robber is roaming London and defiling local morgues. But upon further examination, it seems the deceased are, in fact, resurrecting. As Gregory stumbles his way through the tangled clues, seeking advice from scientific, philosophical, and theological experts alike, he finds himself tossed into a baffling metaphysical puzzle of incomprehensible truths and unbelievable realities. Hailed by Kirkus Reviews as “closer to Kafka than the police precinct house,” Lem’s intelligent and puzzling foray into the mystery genre offers an appealing combination of disturbance and delight.
| Author | : Sue Thomas |
| Publisher | : A&C Black |
| Total Pages | : 433 |
| Release | : 2013-09-26 |
| Genre | : Computers |
| ISBN | : 1849662169 |
Why are there so many nature metaphors - clouds, rivers, streams, viruses, and bugs - in the language of the internet? Why do we adorn our screens with exotic images of forests, waterfalls, animals and beaches? In Technobiophilia: Nature and Cyberspace, Sue Thomas interrogates the prevalence online of nature-derived metaphors and imagery and comes to a surprising conclusion. The root of this trend, she believes, lies in biophilia, defined by biologist E.O. Wilson as 'the innate attraction to life and lifelike processes'. In this wide-ranging transdisciplinary study she explores the strong thread of biophilia which runs through our online lives, a phenomenon she calls 'technobiophilia', or, the 'innate attraction to life and lifelike processes as they appear in technology'. The restorative qualities of biophilia can alleviate mental fatigue and enhance our capacity for directed attention, soothing our connected minds and easing our relationship with computers. Technobiophilia: Nature and Cyberspace offers new insights on what is commonly known as 'work-life balance'. It explores ways to make our peace with technology-induced anxiety and achieve a 'tech-nature balance' through practical experiments designed to enhance our digital lives indoors, outdoors, and online. The book draws on a long history of literature on nature and technology and breaks new ground as the first to link the two. Its accessible style will attract the general reader, whilst the clear definition of key terms and concepts throughout should appeal to undergraduates and postgraduates of new media and communication studies, internet studies, environmental psychology, and human-computer interaction. www.technobiophilia.com
