| Author | : Phillip B. Zarrilli |
| Publisher | : Abhinav Publications |
| Total Pages | : 554 |
| Release | : 1984 |
| Genre | : Kathakali |
| ISBN | : 9788170171874 |
-----------
The Kathakali Explorer
| Author | : TREMBLAY Richard |
| Publisher | : The Kerala Kalamandalam University Press - Diffusion Les Éditions SILENTCULTURE |
| Total Pages | : 234 |
| Release | : 2020-01-01 |
| Genre | : Performing Arts |
| ISBN | : 8194210224 |
The Kathakali Explorer is about the work and life of two ethnologists who traveled extensively in the colonial India and documented various aspects of the Indian arts, languages and the South-Indian literature, and the people’s way of life. They authored the first monograph ever written on the Kathakali dance theater of Kerala following a whole-night performance they attended in Kottayam (Kerala) on January 14, 1916. This document is translated in the book with an introduction and annotations, followed by a travelogue kept by the two researchers about their life and work in India, the people they befriended on their tireless journey all the way from South India to Kashmir. About the publication of the monograph by A. Merwart in 1926 It (the monograph) reveals the outstanding fact that ethno-choreography came into being even before 1933, the publication date of Curt Sachs’ ‘Weltgeschlchte des Tanzes.’ The author (Merwart) describes the Kathakali dance drama in detail… He relates the drama to the culture in an authoritative manner. KURATH Gertrude P. (1963). Ethnomusicology 7(2): 141 – 142. The monograph assuredly stands out as a landmark in the entire range of substantive literature on Kathakali. KHOKAR M. (1997). Sruti (148, Jan.1997): 19 – 22.
Kathakali Dance-Drama
| Author | : Phillip Zarrilli |
| Publisher | : Routledge |
| Total Pages | : 288 |
| Release | : 2003-09-02 |
| Genre | : Performing Arts |
| ISBN | : 1134651104 |
Kathakali Dance-Drama provides a comprehensive introduction to the distinctive and colourful dance-drama of Kerala in South-West India for the first time. This landmark volume: * explores Kathakali's reception as it reaches new audiences both in India and the west * includes two cases of controversial of Kathakali experiments * explores the implications for Kathakali of Keralan politics During these performances heroes, heroines, gods and demons tell their stories of traditional Indian epics. The four Kathakali plays included in this anthology, translated from actual performances into English are: * The Flower of Good Fortune * The Killing of Kirmmira * The Progeny of Krishna * King Rugmamgada's Law Each play has an introduction and detailed commentary and is illustrated by stunning photographs taken during performances. An introduction to Kathakali stage conventions, make-up, music, acting, and training is also provided, making this an ideal volume for both the specialist and non-specialist reader.
Performance Cultures as Epistemic Cultures, Volume I
| Author | : Erika Fischer-Lichte |
| Publisher | : Taylor & Francis |
| Total Pages | : 252 |
| Release | : 2023-04-07 |
| Genre | : Performing Arts |
| ISBN | : 100086233X |
This volume investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies. Performance cultures are distinct but interconnected environments of knowledge practice. Their characteristic features depend not least on historical as well as contemporary practices and processes of interweaving performance cultures. The book presents case studies from diverse locations around the globe, including Argentina, Canada, China, Greece, India, Poland, Singapore, and the United States. Authored by leading scholars in theater, performance and dance studies, its chapters probe not only what kinds of knowledges are (re)generated in performances, for example cultural, social, aesthetic and/or spiritual knowledges; the contributions investigate also how performers and spectators practice knowing (and not-knowing) in performances, paying particular attention to practices and processes of interweaving performance cultures and the ways in which they contribute to shaping performances as dynamic "machineries of knowing" today. Ideal for researchers, students and practitioners of theater, performance and dance, (Re)Generating Knowledges in Performance explores vital knowledge-serving functions of performance, investigating and emphasizing in particular the impact and potential of practices and processes of interweaving of performance cultures that enable performers and spectators to (re)generate crucial knowledges in increasingly diverse ways.
World Dance Cultures
| Author | : Patricia Leigh Beaman |
| Publisher | : Routledge |
| Total Pages | : 500 |
| Release | : 2017-09-14 |
| Genre | : Performing Arts |
| ISBN | : 1317441060 |
From healing, fertility and religious rituals, through theatrical entertainment, to death ceremonies and ancestor worship, World Dance Cultures introduces an extraordinary variety of dance forms practiced around the world. This highly illustrated textbook draws on wide-ranging historical documentation and first-hand accounts, taking in India, Bali, Java, Cambodia, China, Japan, Hawai’i, New Zealand, Papua New Guinea, Africa, Turkey, Spain, Native America, South America, and the Caribbean. Each chapter covers a certain region’s distinctive dances, pinpoints key issues and trends from the form’s development to its modern iteration, and offers a wealth of study features including: Case Studies – zooming in on key details of a dance form’s cultural, historical, and religious contexts ‘Explorations’ – first-hand descriptions of dances, from scholars, anthropologists and practitioners ‘Think About’ – provocations to encourage critical analysis of dance forms and the ways in which they’re understood Discussion Questions – starting points for group work, classroom seminars or individual study Further Study Tips – listing essential books, essays and video material. Offering a comprehensive overview of each dance form covered with over 100 full color photos, World Dance Cultures is an essential introductory resource for students and instructors alike.
Theatre Histories
| Author | : Phillip B. Zarrilli |
| Publisher | : Taylor & Francis |
| Total Pages | : 656 |
| Release | : 2010 |
| Genre | : Performing Arts |
| ISBN | : 0415462231 |
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Exploring Travel and Tourism
| Author | : Jennifer Erica Sweda |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 245 |
| Release | : 2012-03-15 |
| Genre | : Business & Economics |
| ISBN | : 1443838055 |
Exploring Travel and Tourism: Essays on Journeys and Destinations offers a broad treatment of topics in global travel/tourism studies through articles first presented at Travel and Tourism panels at Mid-Atlantic Popular/American Culture Association conferences between 2007 and 2010. Through archival research, close readings and case studies, the authors assembled here examine the significance of travel and the tourist experience over the last two hundred years, from Borneo to Cuba to Niagara Falls, and places in between. The contributions seek to unpack the meanings of nationality, postcolonialism, place, gender, class and the Self/Other dyad as they bump up against the framework of travel studies. Taken together, the articles speak to central issues in current scholarly debates about travel, tourism and culture from various historical, geographical and disciplinary perspectives. The contributions are grouped thematically into three sections. Part I, “The Personal Travel Narrative: Constructing the Self Through Encounters with the Other,” offers close readings of travelogues, both published and unpublished. Part II, “Constructing a National Identity Through Tourism,” details the ways that nations and states market themselves to tourists. Part III, “The Meaning of Journey; The Meaning of Destination,” investigates places, both real and created, and the ways people travel to get to them.
Intercultural Acting and Performer Training
| Author | : Zarrilli Phillip |
| Publisher | : Routledge |
| Total Pages | : 289 |
| Release | : 2019-05-24 |
| Genre | : Performing Arts |
| ISBN | : 0429786298 |
Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices worldwide. This unique book invites performers and teachers of acting and performance to explore, describe, and interrogate the complexities of intercultural acting and actor/performer training taking place in our twenty-first century, globalized world. As global contexts become multi-, inter- and intra-cultural, assumptions about what acting "is" and what actor/performer training should be continue to be shaped by conventional modes, models, techniques and structures. This book examines how our understanding of interculturalism changes when we shift our focus from the obvious and highly visible aspects of production to the micro-level of training grounds, studios, and rehearsal rooms, where new forms of hybrid performance are emerging. Ideal for students, scholars and practitioners, Intercultural Acting and Performer Training offers a series of accessible and highly readable essays which reflect on acting and training processes through the lens offered by "new" forms of intercultural thought and practice.
Indian Theatre
| Author | : Farley P. Richmond |
| Publisher | : Motilal Banarsidass Publ. |
| Total Pages | : 518 |
| Release | : 1993 |
| Genre | : Folklore |
| ISBN | : 9788120809819 |
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
