The Marriage between Literature and Music

The Marriage between Literature and Music
Author: Nick Ceramella
Publisher: Cambridge Scholars Publishing
Total Pages: 425
Release: 2022-03-17
Genre: Social Science
ISBN: 1527581438

Music and literature have often been interconnected through the centuries. This is an intellectual and spiritual marriage between two artistic worlds, which are both part of a creative system that lends voice to one another. As this book argues, while music is one single form of expression, literature can be expressed in the form of either poetry or prose. However, they find their apotheosis, their most natural relationship, when poetry is set to music, especially when it is lyrical and has similar phrasing and rhythms to music. The book, thus, shows that music offers an additional perspective to literature, while the latter gives words to the feelings that the former arouses. As such, though both can stand alone, if put together, they form a complementary entity that everybody can enjoy.

The Contemporary Literature-Music Relationship

The Contemporary Literature-Music Relationship
Author: Hazel Smith
Publisher: Routledge
Total Pages: 302
Release: 2016-04-20
Genre: Music
ISBN: 1317529022

This book explores the relationship between words and music in contemporary texts, examining, in particular, the way that new technologies are changing the literature-music relationship. It brings an eclectic and novel range of interdisciplinary theories to the area of musico-literary studies, drawing from the fields of semiotics, disability studies, musicology, psychoanalysis, music psychology, emotion and affect theory, new media, cosmopolitanism, globalization, ethnicity and biraciality. Chapters range from critical analyses of the representation of music and the musical profession in contemporary novels to examination of the forms and cultural meanings of contemporary intermedia and multimedia works. The book argues that conjunctions between words and music create emergent structures and meanings that can facilitate culturally transgressive and boundary- interrogating effects. In particular, it conceptualises ways in which word-music relationships can facilitate cross-cultural exchange as musico-literary miscegenation, using interracial sexual relationships as a metaphor. Smith also inspects the dynamics of improvisation and composition, and the different ways they intersect with performance. Furthermore, the book explores the huge changes that computer-based real-time algorithmic text and music generation are making to the literature-music nexus. This volume provides fascinating insight into the relationship between literature and music, and will be of interest to those fields as well as New Media and Performance Studies.

Edinburgh Companion to Literature and Music

Edinburgh Companion to Literature and Music
Author: Delia da Sousa Correa
Publisher: Edinburgh University Press
Total Pages: 720
Release: 2020-06-18
Genre: Literary Criticism
ISBN: 0748693130

Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other mediaBringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.

'Make It Old': Retro Forms and Styles in Literature and Music

'Make It Old': Retro Forms and Styles in Literature and Music
Author:
Publisher: BRILL
Total Pages: 261
Release: 2022-07-04
Genre: Literary Criticism
ISBN: 9004516476

‘Retro’ is not only a pervading phenomenon in today’s Western culture but has informed cultural history for some centuries and thus gives momentousness to the subject of the present volume, namely literary texts and musical compositions which, for various reasons and with multiple functions, ‘make it old’.

Sound and Literature

Sound and Literature
Author: Anna Snaith
Publisher: Cambridge University Press
Total Pages: 750
Release: 2020-06-18
Genre: Literary Criticism
ISBN: 1108809200

What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.

Perspectives on Contemporary Literature

Perspectives on Contemporary Literature
Author: David Hershberg
Publisher: University Press of Kentucky
Total Pages: 113
Release: 2014-07-15
Genre: Literary Criticism
ISBN: 0813163013

Today's music, painting, and film share with literature in the development of a new aesthetic, even as these other arts influence (and are influenced by) literary themes and structures. And at the same time the music and art of the past continue to re-echo in twentieth-century letters. The thirteen essays gathered here open a fine and varied view of the ways in which contemporary literature interacts with the other arts. Surrealism in French painting and literature, collage theory and the cutups of William Burroughs, texts of Butor as shaped by works of Duchamp—this volume offers a rich harvest of perceptive studies on these and other aspects of a fascinating topic.

The Marriage between Perfume and the Lyric Stage

The Marriage between Perfume and the Lyric Stage
Author: Mary May Robertson
Publisher: Cambridge Scholars Publishing
Total Pages: 866
Release: 2023-09-22
Genre: Music
ISBN: 1527531287

“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.