Cataloging Musical Moving Image Material

Cataloging Musical Moving Image Material
Author: Music Library Association. Working Group on Bibliographic Control of Music Video Material
Publisher: Scarecrow Press
Total Pages: 130
Release: 1996
Genre: Language Arts & Disciplines
ISBN: 9780914954514

Addresses the cataloging of videos and films of multifaceted performances and presentations where music is an important component of the production.

The Language of the Modes

The Language of the Modes
Author: Frans Wiering
Publisher: Routledge
Total Pages: 335
Release: 2013-10-11
Genre: Music
ISBN: 1135683344

The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.

From the Clarinet D'Amour to the Contra Bass

From the Clarinet D'Amour to the Contra Bass
Author: Albert R. Rice
Publisher: Oxford University Press
Total Pages: 486
Release: 2009-03-31
Genre: Music
ISBN: 0199711178

Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.