| Author | : R. J. Stewart |
| Publisher | : Inner Traditions / Bear & Co |
| Total Pages | : 164 |
| Release | : 1990-11 |
| Genre | : Health & Fitness |
| ISBN | : 9780892813124 |
This handbook of musical alchemy emphasizes the role of music in raising consciousness to benefit body and mind.
| Author | : Graham Elliott |
| Publisher | : OUP Oxford |
| Total Pages | : 186 |
| Release | : 2005-12-08 |
| Genre | : Music |
| ISBN | : 0191541710 |
Since Britten's death in 1976, numerous articles and books have been written about his life and work. Much has been made of the strong influences of his pacifism and his homosexuality. It is often suggested that Britten felt himself to be an outsider from 'normal' society, and that this accounts for the his concern to portray the 'outsider' in his operas. There is no doubt that this is an important aspect of Britten's art, but the present work attempts to show that his music embraces much wider and more universal concerns, and in addressing those concerns there is a clearly defined pattern of spiritual influence. Part One of the book examines Britten's early life, and the strong presence which the Church had in his childhood and adolescence. It explores the way in which certain spiritual influences were first manifested, and how, like the more specifically musical 'themes' which Donald Mitchell has noted, they can be traced throughout Britten's life and work. The author was privileged to have conversations with two clergymen who were influential in Britten's life, as well as gathering valuable insights through a long series of conversations with Sir Peter Pears. Part Two examines a wide range of the composer's music in which a spiritual dimension can be traced. The specifically liturgical music has received rather less critical notice than Britten's larger works. The music is discussed here, and shown to possess musical characteristics in common with the larger works. Britten could not be described as a conventional Christian; still less is it true to describe him, as Eric Walter White has done, as 'keen, wherever possible, to work within the framework of the Church of England'. Nevertheless, his spirituality was rooted in the religious experience of his childhood. This book seeks to demonstrate that Britten retained a sense of the Christian values absorbed in childhood and adolescence, and that these - along with the specifically Christian heritage of plainsong - were strongly influential in his choice and treatment of themes.
| Author | : Marcel Cobussen |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 190 |
| Release | : 2008-01-01 |
| Genre | : Music |
| ISBN | : 9780754664796 |
In Thresholds, Marcel Cobussen rethinks the relationship between music and spirituality. The book presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts. By carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism.
| Author | : Don Saliers |
| Publisher | : Fortress Press |
| Total Pages | : 236 |
| Release | : 2019-02-01 |
| Genre | : Religion |
| ISBN | : 1506454720 |
Celebrating the spirit of song In A Song to Sing, a Life to Live, Don and Emily Saliers help readers see the connections between Saturday night music and Sunday morning music by exploring the spiritual dimensions of music itself. They tell the stories of their own lives in music, and they share what they have learned and observed about the power of music in human life. They help us appreciate the joy of music and also how music carries us into places of sorrow, where we must go if we are to live with honesty about ourselves and compassion for others. This book is for churchgoers and spiritual seekers alike. Music is described in terms of spiritual practice; it has the power to embrace those who are deeply immersed in the life of Christian faith and speak to those who are spiritual but may question formal religion. The book explores a wide variety of musical traditions and offers an invitation to embrace a broader and deeper vision of the power of music and the spiritual dimensions of attentive listening. "This is a beautiful expression of music as many things--healer, gift, symbol of freedom and community, and agent of change" (Mary Chapin Carpenter).
| Author | : Lucinda Cradduck |
| Publisher | : Taylor & Francis |
| Total Pages | : 311 |
| Release | : 2022-12-20 |
| Genre | : Music |
| ISBN | : 1000803775 |
Edmund Rubbra’s music has given him a reputation as a ‘spiritual’ composer, who had an interest in Eastern thought, and a mid-life conversion to Roman Catholicism. This book takes a wide and detailed view of ‘spiritual’ dimensions or strands that were important in his life, positioning them both biographically and within the context of contemporaneous English culture. It proceeds to interpret through detailed analysis the ways these spiritual aspects are reflected in specific compositions. Thematical treatment of these spiritual issues, touching on Theosophy, dance, Eastern religions and thought, nature, the evolutionary theory of Teilhard de Chardin and the Christ figure, presents a multi-faceted view of Rubbra’s life and music. Its contribution to a scholarly re-evaluation of his place within twentieth-century British music and culture engages and meshes with several areas of current scholarly research in the arts and humanities, including academic interest in Theosophy, modernism and the arts, experimental dance and the Indian cultural renaissance and East–West musical interactions of the late nineteenth and early twentieth centuries. It also adds to a burgeoning body of writings on music and spirituality, fuelled by the popularity of later twentieth-century and contemporary composers who make more overt spiritual references in their music.
| Author | : Marcel Cobussen |
| Publisher | : Routledge |
| Total Pages | : 182 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351539116 |
In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo P John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called postmodernism. Joining in with ideas on spirituality as presented by Michel de Certeau and Mark C. Taylor, Cobussen deconstructs the classification of the 'spiritual dimensions' of music as described above. Thresholds presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Using the philosophy of Martin Heidegger, Georges Bataille, Jean-Fran‘s Lyotard, Jacques Derrida and others, and analysing the music of John Coltrane, the mythical Sirens, Arvo P and The Eagles (to mention a few), Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts: by carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism. Thresholds opens a space in which spirituality can be connected to music that is not commonly considered in this light, thereby enriching the ways of approaching and discussing music. In orde
| Author | : John Cottingham |
| Publisher | : Cambridge University Press |
| Total Pages | : 206 |
| Release | : 2005-09-15 |
| Genre | : Philosophy |
| ISBN | : 9781139446068 |
The Spiritual Dimension offers a new model for the philosophy of religion, bringing together emotional and intellectual aspects of our human experience, and embracing practical as well as theoretical concerns. It shows how a religious worldview is best understood not as an isolated set of doctrines, but as intimately related to spiritual praxis and to the search for self-understanding and moral growth. It argues that the religious quest requires a certain emotional openness, but can be pursued without sacrificing our philosophical integrity. Touching on many important debates in contemporary philosophy and theology, but accessible to general readers, The Spiritual Dimension covers a range of central topics in the philosophy of religion, including scientific cosmology and the problem of evil; ethical theory and the objectivity of goodness; psychoanalytic thought, self-discovery and virtue; the multi-layered nature of religious discourse; and the relation between faith and evidence.
| Author | : Robin Sylvan |
| Publisher | : NYU Press |
| Total Pages | : 299 |
| Release | : 2002-07 |
| Genre | : Music |
| ISBN | : 0814798098 |
Sylvan examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today.
