Author | : Keith Dockray |
Publisher | : Fonthill Media |
Total Pages | : 259 |
Release | : 2017-04-20 |
Genre | : History |
ISBN | : |
Author | : Keith Dockray |
Publisher | : Fonthill Media |
Total Pages | : 259 |
Release | : 2017-04-20 |
Genre | : History |
ISBN | : |
Author | : David Grummitt |
Publisher | : Bloomsbury Publishing |
Total Pages | : 257 |
Release | : 2014-01-20 |
Genre | : History |
ISBN | : 0857723294 |
The Wars of the Roses (c. 1455-1487) are renowned as an infamously savage and tangled slice of English history. A bloody thirty-year struggle between the dynastic houses of Lancaster and York, they embraced localised vendetta (such as the bitter northern feud between the Percies and Nevilles) as well as the formal clash of royalist and rebel armies at St Albans, Ludford Bridge, Mortimer's Cross, Towton, Tewkesbury and finally Bosworth, when the usurping Yorkist king, Richard III, was crushed by Henry Tudor. Powerful personalities dominate the period: the charismatic and enigmatic Richard III, immortalized by Shakespeare; the slippery Warwick, the Kingmaker', who finally over-reached ambition to be cut down at the Battle of Barnet; and guileful women like Elizabeth Woodville and Margaret of Anjou, who for a time ruled the kingdom in her husband's stead. David Grummitt places the violent events of this complex time in the wider context of fifteenth-century kingship and the development of English political culture.Never losing sight of the traumatic impact of war on the lives of those who either fought in or were touched by battle, this captivating new history will make compelling reading for students of the late medieval period and Tudor England, as well as for general readers.
Author | : William Shakespeare |
Publisher | : Henry Holt and Company |
Total Pages | : 987 |
Release | : 2014-10-28 |
Genre | : Drama |
ISBN | : 1466884363 |
It is part of Shakespeare's extraordinary contribution to our culture that, through his dramas based on English history, he played a unique part in forming our view of ourselves and our nationhood. From King John, in which through Magna Carta the king's absolute power was first limited and the people's freedoms assured, to--almost in his own lifetime--Henry VIII, Shakespeare wrote a series of ten plays portraying the course of history. It represents almost one third of his entire dramatic output. The overarching theme of these plays is the vital importance of the sovereign's legitimacy if the nation is to be stable. They cover revolutionary times and events--the deposition and murder of Richard II, the Wars of the Roses, the usurping of the throne by Richard III--but they always affirm the principle that a legitimate king, circumscribed by an agreed constituion, is the only proper guarantee of the nation's liberties. There are many other ways in which Shakespeare's patriotism has become definitive. In Henry V's St. Crispin's Day speech to the troops before Agincourt, for example, or John of gaunt's 'scepter'd isle' speech, a sense of Englishness is expressed which still lives in English minds today. The E;izabethan's pride in nationhood was perfectly embodied by Shakespeare, but the poetry of it transcends its own time. In this edition the history plays are brought together with a large group of illustrations which echo and amplify their themes. Gloriously vivid images of England's story are presented here, putting the great plays in a magnificent setting.
Author | : Charles Ross |
Publisher | : |
Total Pages | : |
Release | : 1986 |
Genre | : Great Britain |
ISBN | : 9780500274071 |
Author | : Dan Jones |
Publisher | : Penguin |
Total Pages | : 416 |
Release | : 2014-10-14 |
Genre | : History |
ISBN | : 0698170326 |
The author of the New York Times bestseller The Plantagenets and The Templars chronicles the next chapter in British history—the historical backdrop for Game of Thrones The inspiration for the Channel 5 series Britain's Bloody Crown The crown of England changed hands five times over the course of the fifteenth century, as two branches of the Plantagenet dynasty fought to the death for the right to rule. In this riveting follow-up to The Plantagenets, celebrated historian Dan Jones describes how the longest-reigning British royal family tore itself apart until it was finally replaced by the Tudors. Some of the greatest heroes and villains of history were thrown together in these turbulent times, from Joan of Arc to Henry V, whose victory at Agincourt marked the high point of the medieval monarchy, and Richard III, who murdered his own nephews in a desperate bid to secure his stolen crown. This was a period when headstrong queens and consorts seized power and bent men to their will. With vivid descriptions of the battles of Towton and Bosworth, where the last Plantagenet king was slain, this dramatic narrative history revels in bedlam and intrigue. It also offers a long-overdue corrective to Tudor propaganda, dismantling their self-serving account of what they called the Wars of the Roses.
Author | : John BARTON (of the Royal Shakespeare Theatre.) |
Publisher | : |
Total Pages | : 242 |
Release | : 1970 |
Genre | : |
ISBN | : 9780563065135 |
Author | : Jeffrey R. Wilson |
Publisher | : Routledge |
Total Pages | : 121 |
Release | : 2020-11-29 |
Genre | : History |
ISBN | : 1000228681 |
It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody fifteenth-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare’s first tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition—such as collaborative authorship and political currents—this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-first century. An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance literature in the context of modern media.
Author | : Anthony Goodman |
Publisher | : Taylor & Francis |
Total Pages | : 310 |
Release | : 1990 |
Genre | : Great Britain |
ISBN | : 0415052645 |
First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.