Women are Scary

Women are Scary
Author: Melanie Dale
Publisher: Zondervan
Total Pages: 219
Release: 2015-03-24
Genre: Family & Relationships
ISBN: 0310342139

Let's see . . . this is the part where I convince you that you need this book. This book will massage your feet. This book will bring you a fuzzy blanket at the end of a long day of parenting your tiny little insanazoids. I promise to make you snort laugh at least once. After reading this book, you'll rock jazz hands, be able to sing on-key, and never, ever have to fold laundry again. Okay, they told me I'm actually supposed to tell you a little about the book. Um, right. Look. Here's the thing. Too many of us women are frazzled and lonely, isolated in our minivans while schlepping bags, strollers, and munchkins to and fro across town. It doesn't have to be this way. In this guide to "momlationships," I use a dating analogy to take us "around the bases" to our home-run friendships, the ones that last a lifetime, not just a soccer season. This is our journey to each other, to finding our people and being other people's people, learning how to bless each other and not destroy each other. It's sometimes scary. And always awkward. Let's have some fun.

Women Make Horror

Women Make Horror
Author: Alison Peirse
Publisher: Rutgers University Press
Total Pages: 270
Release: 2020-09-17
Genre: Performing Arts
ISBN: 1978805136

Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.

Black Magic Women

Black Magic Women
Author: Crystal Connor
Publisher:
Total Pages: 334
Release: 2018-02-15
Genre: Fiction
ISBN: 9780999852200

"From 18 of the women profiled in 100 Black Women in Horror come 18 soul-scorching tales of terror that place black characters up front and center."--Page [4] of cover.

The Science of Women in Horror

The Science of Women in Horror
Author: Meg Hafdahl
Publisher: Skyhorse
Total Pages: 0
Release: 2020-02-18
Genre: Science
ISBN: 9781510751743

From scream queens to femmes fatale, horror isn’t just for the boys. Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters, and co-hosts of the Horror Rewind podcast called “the best horror film podcast out there” by Film Daddy, present a guide to the feminist horror movies, TV shows, and characters we all know and love. Through interviews, film analysis, and bone-chilling discoveries, The Science of Women in Horror uncovers the theories behind women’s most iconic roles of the genre. Explore age-old tropes such as “The Innocent” like Lydia in Beetlejuice, “The Gorgon” like Pamela Voorhees in Friday the 13th, and “The Mother” like Norma Bates in Pyscho and Bates Motel, and delve deeper into female-forward film and TV including: The Haunting of Hill House Teeth Chilling Adventures of Sabrina Buffy the Vampire Slayer And so much more! Join Kelly and Meg in The Science of Women in Horror as they flip the script and prove that every girl is a “final girl.”

The Fear of Women

The Fear of Women
Author: Wolfgang Lederer
Publisher:
Total Pages: 360
Release: 1968
Genre: Fear
ISBN:

Confessions of a Scary Mommy

Confessions of a Scary Mommy
Author: Jill Smokler
Publisher: Simon and Schuster
Total Pages: 178
Release: 2012-04-03
Genre: Family & Relationships
ISBN: 1451673787

Sometimes I just let my children fall asleep in front of the TV. In a culture that idealizes motherhood, it’s scary to confess that, in your house, being a mother is beautiful and dirty and joyful and frustrating all at once. Admitting that it’s not easy doesn’t make you a bad mom; at least, it shouldn’t. If I can’t survive my daughter as a toddler, how the hell am I going to get through the teenage years? When Jill Smokler was first home with her small children, she thought her blog would be something to keep friends and family updated. To her surprise, she hit a chord in the hearts of mothers everywhere. I end up doing my son’s homework. It’s wrong, but so much easier. Total strangers were contributing their views on that strange reality called motherhood. As other women shared their stories, Jill realized she wasn’t alone in her feelings of exhaustion and imperfection. My eighteen month old still can’t say “Mommy” but used the word “shit” in perfect context. But she sensed her readers were still holding back, so decided to start an anonymous confessional, a place where real moms could leave their most honest thoughts without fearing condemnation. I pretend to be happy but I cry every night in the shower. The reactions were amazing: some sad, some pee-in-your-pants funny, some brutally honest. But they were real, not a commercial glamorization. I clock out of motherhood at 8 P.M. and hide in the basement with my laptop and a beer. If you’re already a fan, lock the bathroom door on your whining kids, run a bubble bath, and settle in. If you’ve not encountered Scary Mommy before, break out a glass of champagne as well, because you’ll be toasting your initiation into a select club. I know why some animals eat their young. In chapters that cover husbands (The Biggest Baby of Them All) to homework (Didn’t I Already Graduate?), Confessions of a Scary Mommy combines all-new essays from Jill with the best of the anonymous confessions. Sometimes I wish my son was still little—then I hear kids screaming at the store. As Jill says, “We like to paint motherhood as picture perfect. A newborn peacefully resting on his mother’s chest. A toddler taking tentative first steps into his mother’s loving arms. A mother fluffing her daughter’s prom dress. These moments are indeed miraculous and joyful; they can also be few and far between.” Of course you adore your kids. Of course you would lay down your life for them. But be honest now: Have you ever wondered what possessed you to sign up for the job of motherhood? STOP! DO NOT OPEN THIS BOOK UNTIL YOU RECITE THESE VOWS! I shall remember that no mother is perfect and my children will thrive because, and sometimes even in spite, of me. I shall not preach to a fellow mother who has not asked my opinion. It’s none of my damn business. I shall maintain a sense of humor about all things motherhood.

Facing 30

Facing 30
Author: Lauren Dockett
Publisher:
Total Pages: 180
Release: 1998
Genre: Psychology
ISBN:

For women meeting the Big Three-Oh, Lauren Dockett and Kristin Beck await them with a humorous, practical book that pinpoints the big issues with words of solace, support and guidance to ease the pain, smooth the transition and open the door to new possibilities.

All Kinds of Scary

All Kinds of Scary
Author: Jonina Anderson-Lopez
Publisher: McFarland
Total Pages: 246
Release: 2023-06-15
Genre: Performing Arts
ISBN: 1476688664

Horror fiction--in literature, film and television--display a wealth of potential, and appeal to diverse audiences. The trope of "the black man always dies first" still, however, haunts the genre. This book focuses on the latest cycle of diversity in horror fiction, starting with the release of Get Out in 2017, which inspired a new speculative turn for the genre. Using various critical frameworks like feminism and colonialism, the book also assesses diversity gaps in horror fictions, with an emphasis on marketing and storytelling methodology. Reviewing the canon and definitions of horror may point to influences for future implications of diversity, which has cyclically manifested in horror fictions throughout history. This book studies works from literature, film and television while acknowledging that each of the formats are distinct artforms that complement each other. The author compares diverse representation in novels like The Castle of Otranto, Frankenstein, Fledgling, Broken Monsters and Mexican Gothic. Horror films like Bride of Frankenstein, It Comes at Night, Us and Get Out are also examined. Lastly, the author emphasizes the diverse horror fictions in television, like The Exorcist, Fear the Walking Dead, The Twilight Zone and Castle Rock.

The Scary Screen

The Scary Screen
Author: Kristen Lacefield
Publisher: Routledge
Total Pages: 266
Release: 2016-02-17
Genre: Performing Arts
ISBN: 1317016653

In 1991, the publication of Koji Suzuki's Ring, the first novel of a bestselling trilogy, inaugurated a tremendous outpouring of cultural production in Japan, Korea, and the United States. Just as the subject of the book is the deadly viral reproduction of a VHS tape, so, too, is the vast proliferation of text and cinematic productions suggestive of an airborne contagion with a life of its own. Analyzing the extraordinary trans-cultural popularity of the Ring phenomenon, The Scary Screen locates much of its power in the ways in which the books and films astutely graft contemporary cultural preoccupations onto the generic elements of the ghost story”in particular, the Japanese ghost story. At the same time, the contributors demonstrate, these cultural concerns are themselves underwritten by a range of anxieties triggered by the advent of new communications and media technologies, perhaps most significantly, the shift from analog to digital. Mimicking the phenomenon it seeks to understand, the collection's power comes from its commitment to the full range of Ring-related output and its embrace of a wide variety of interpretive approaches, as the contributors chart the mutations of the Ring narrative from author to author, from medium to medium, and from Japan to Korea to the United States.